{"id":1078955,"date":"2026-11-07T14:00:21","date_gmt":"2026-11-07T12:00:21","guid":{"rendered":"https:\/\/www.rri.ro\/?p=1078955"},"modified":"2026-11-03T11:47:23","modified_gmt":"2026-11-03T09:47:23","slug":"brancusi-photography-the-invisible-studio","status":"publish","type":"post","link":"https:\/\/www.rri.ro\/en\/features-and-reports\/world-of-culture\/brancusi-photography-the-invisible-studio-id1078955.html","title":{"rendered":"Br\u00e2ncu\u0219i \u2013 Photography. The Invisible Studio"},"content":{"rendered":"<p>In 2026, proclaimed by law as the &#8220;Constantin Br\u00e2ncu\u0219i Year&#8221; to mark the 150<sup>th<\/sup> anniversary of the famous sculptor&#8217;s birth, conferences were held and exhibitions were opened, both in Romania and abroad, to celebrate the man who exerted a major influence on universal modern art. Consequently, the city of T\u00e2rgu Jiu hosted the &#8220;Philosophy of Form&#8221; International Conference from October 22 to 26, dedicated to the renowned Romanian artist. Constantin Br\u00e2ncu\u0219i was born on February 19, 1876, in the village of Hobi\u021ba, located a short distance from T\u00e2rgu Jiu; between 1894 and 1902, he studied at the School of Arts and Crafts in Craiova, followed by the School of Fine Arts in Bucharest. In 1905, he arrived in Paris, where he caught the attention of Auguste Rodin. After a period of apprenticeship in Rodin\u2019s studio, he began creating his own sculptures in a studio in Montparnasse. In 1916, he established his studio on Impasse Ronsin, where he would create works that became known throughout the world. From the moment he arrived in the French capital, Constantin Br\u00e2ncu\u0219i was drawn to photography; once he acquired a camera, he began photographing his own sculptures.<\/p>\n<p>&nbsp;<\/p>\n<p>In the exhibition &#8220;Br\u00e2ncu\u015fi \u2013 Photography. The Invisible Studio,&#8221; recently opened in T\u00e2rgu Jiu, the public can view 33 original photographs taken by Constantin Br\u00e2ncu\u015fi, which come from the David Grob Gallery collection. Initially, Br\u00e2ncu\u015fi photographed his works in an effort to raise money to cast his clay-modeled studies into bronze. The photographs in the exhibition were taken at a later stage, most of them within his studio, and capture how light fell upon the sculptures and their pedestals.<\/p>\n<p>&nbsp;<\/p>\n<p>Eduard Enache, a young researcher of Constantin Br\u00e2ncu\u0219i\u2019s work, is curating an exhibition for the first time; he explained to us why Br\u00e2ncu\u0219i was drawn to photography: \u201cHe experimented extensively and was deeply passionate about photography. In recent years, his photographic work is no longer viewed merely as a footnote to his sculpture, but rather as an independent work of art in its own right. Since we conceived this as an excursion into Br\u00e2ncu\u0219i\u2019s world, we begin at his threshold, specifically, with the mailbox he kept at the entrance. The photograph is anonymous; the identity of the person who took it remains unknown. We then move into an area dedicated to self-portraits. At a certain point, Br\u00e2ncu\u0219i stopped allowing others to photograph his sculptures; instead, he set up a small photo lab in a corner of his studio, a space he painted white, precisely so that he might blend in, vanish, become invisible within his own white studio. From that darkroom, several hundred negatives and over 1,500 photographs have been preserved at the Centre Pompidou in Paris. Vasile Georgescu Paleolog, who knew Br\u00e2ncu\u0219i personally, wrote perhaps the most eloquent account of how Br\u00e2ncu\u0219i \u2018sculpted with light\u2019, a concept that is clearly evident here. Br\u00e2ncu\u0219i\u2019s photographs are the only surviving record of certain experiments he conducted. Furthermore, they may well be the only way in which Br\u00e2ncu\u0219i, who never offered explanations for his own works, speaks to us about his sculpture. Through photography, he revealed how he wished for his works to be viewed and how he intended for them to be exhibited, how he wishes them to be illuminated, and, furthermore, how he wishes them to be interpreted, since he created a great many arrangements, installations, groupings of works.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-medium wp-image-1077134\" src=\"https:\/\/www.rri.ro\/wp-content\/uploads\/2026\/10\/Expozitie-Brancusi-Cutia-postala-foto-Stefan-Baciu-RRI-300x169.jpg\" alt=\"Br\u00e2ncusi Exhibition, Mailbox \/ Photo: \u0218tefan Baciu RRI\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.rri.ro\/wp-content\/uploads\/2026\/10\/Expozitie-Brancusi-Cutia-postala-foto-Stefan-Baciu-RRI-300x169.jpg 300w, https:\/\/www.rri.ro\/wp-content\/uploads\/2026\/10\/Expozitie-Brancusi-Cutia-postala-foto-Stefan-Baciu-RRI-1024x576.jpg 1024w, https:\/\/www.rri.ro\/wp-content\/uploads\/2026\/10\/Expozitie-Brancusi-Cutia-postala-foto-Stefan-Baciu-RRI-768x432.jpg 768w, https:\/\/www.rri.ro\/wp-content\/uploads\/2026\/10\/Expozitie-Brancusi-Cutia-postala-foto-Stefan-Baciu-RRI-900x506.jpg 900w, https:\/\/www.rri.ro\/wp-content\/uploads\/2026\/10\/Expozitie-Brancusi-Cutia-postala-foto-Stefan-Baciu-RRI-460x259.jpg 460w, https:\/\/www.rri.ro\/wp-content\/uploads\/2026\/10\/Expozitie-Brancusi-Cutia-postala-foto-Stefan-Baciu-RRI-254x143.jpg 254w, https:\/\/www.rri.ro\/wp-content\/uploads\/2026\/10\/Expozitie-Brancusi-Cutia-postala-foto-Stefan-Baciu-RRI-850x479.jpg 850w, https:\/\/www.rri.ro\/wp-content\/uploads\/2026\/10\/Expozitie-Brancusi-Cutia-postala-foto-Stefan-Baciu-RRI-630x355.jpg 630w, https:\/\/www.rri.ro\/wp-content\/uploads\/2026\/10\/Expozitie-Brancusi-Cutia-postala-foto-Stefan-Baciu-RRI-410x231.jpg 410w, https:\/\/www.rri.ro\/wp-content\/uploads\/2026\/10\/Expozitie-Brancusi-Cutia-postala-foto-Stefan-Baciu-RRI-960x540.jpg 960w, https:\/\/www.rri.ro\/wp-content\/uploads\/2026\/10\/Expozitie-Brancusi-Cutia-postala-foto-Stefan-Baciu-RRI.jpg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Eduard Enache is a disciple of Doina Lemny, an art historian and researcher specializing in the work of Constantin Br\u00e2ncu\u0219i. A section of the exhibition &#8220;Br\u00e2ncu\u0219i \u2013 Photography. The Invisible Studio&#8221; in T\u00e2rgu Jiu is dedicated to Br\u00e2ncu\u0219i\u2019s self-portraits. Here is Eduar Enache with more: \u201cThe first section of the exhibition is dedicated to self-portraits; at the center of these three self-portraits we find a document. It is a passport application that Br\u00e2ncu\u0219i submitted in 1933 to the Romanian Legation in Paris. This application offers us a glimpse of him; it includes a description provided by an official working there, who characterized Br\u00e2ncu\u0219i as an apparently ordinary man, of average height, with brown eyes and graying hair. This is perhaps the only instance in the entire exhibition where we see Br\u00e2ncu\u0219i as others saw him: as an ordinary citizen filing an application to obtain a passport. In contrast, the other self-portraits and photographs present Br\u00e2ncu\u0219i exactly as he wished to be seen, and, perhaps, as he wished to be remembered, because he was keenly aware of his own significance and his legacy for posterity. Br\u00e2ncu\u0219i\u2019s engagement with photography began in 1914; during his first solo exhibition in New York, held at Alfred Stieglitz\u2019s gallery, Br\u00e2ncu\u0219i wrote to Stieglitz complaining that the prints had been poorly executed, declaring that, from that moment on, he would handle the photography himself and photograph his own works. Later, Man Ray helped him acquire a camera and a tripod, even offering to send the negatives to a professional lab for processing. However, Br\u00e2ncu\u0219i, a true \u2018tinkerer\u2019 or \u2018bricoleur\u2019, as Doina Lemny often describes him, insisted on developing the images himself. He created his own darkroom, his own personal photo laboratory.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>The exhibition curator, Eduard Enache, highlighted that Br\u00e2ncu\u0219i required all visits to his studio to be announced in advance; they followed a specific ritual, dictated by the lighting conditions. If it was cloudy outside, the visit was most likely to be cancelled. One section of the exhibition is dedicated to Br\u00e2ncu\u0219i\u2019s studio. Eduard Enache: \u201cMoving on, we enter Br\u00e2ncu\u0219i\u2019s studio, the space to which he dedicated his entire life and existence. The exhibition also features excerpts from films by Br\u00e2ncu\u0219i, some shot by the artist himself, alongside video material filmed by Doina Lemny and her team from the Centre Pompidou. These elements bring us into the present day, illustrating an ongoing dialogue with Br\u00e2ncu\u0219i\u2019s work across time. In 1926, as his ship entered the port of New York, Br\u00e2ncu\u0219i saw Manhattan in the distance, with its characteristic skyscrapers of that era, and remarked that the city resembled his own studio. He was suggesting that nothing is fixed or rigid; indeed, this is precisely what we observe throughout his work. He experimented extensively with pedestals, a subject I have recently begun to research, and one that I believe remains under-explored in the study of Br\u00e2ncu\u0219i.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>Constantin Br\u00e2ncu\u0219i\u2019s studio in Paris has been reconstructed based on the photographs left behind by the famous Romanian sculptor. In his will, Br\u00e2ncu\u0219i bequeathed approximately 700 negatives and over 1,500 photographs to the French state. (LS)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 2026, proclaimed by law as the &#8220;Constantin Br\u00e2ncu\u0219i Year&#8221; to mark the 150th anniversary of the famous sculptor&#8217;s birth, conferences were held and exhibitions were opened, both in Romania and abroad, to celebrate the man who exerted a major influence on universal modern art. Consequently, the city of T\u00e2rgu Jiu hosted the &#8220;Philosophy of [&hellip;]<\/p>\n","protected":false},"author":125,"featured_media":1075850,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[44685],"tags":[199378,38353],"coauthors":[113250],"class_list":["post-1078955","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-world-of-culture","tag-brancusi-photography-the-invisible-studio","tag-targu-jiu"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Br\u00e2ncu\u0219i \u2013 Photography. 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