{"id":168102,"date":"2015-11-28T14:03:00","date_gmt":"2015-11-28T12:03:00","guid":{"rendered":"http:\/\/devrri.freshlemon.ro\/news-and-current-affairs\/newsflash\/photographer-aurel-bauh-168102.html"},"modified":"2024-02-19T14:37:08","modified_gmt":"2024-02-19T12:37:08","slug":"photographer-aurel-bauh","status":"publish","type":"post","link":"https:\/\/www.rri.ro\/en\/features-and-reports\/rri-encyclopaedia\/photographer-aurel-bauh-id168102.html","title":{"rendered":"Photographer Aurel Bauh"},"content":{"rendered":"<p><p>Known in particular&#13;<br \/>\nfor literature and fine arts, the Romanian avant-garde is also represented by&#13;<br \/>\nsome outstanding names in the field of photography. One such example is Aurel&#13;<br \/>\nBauh, who is better known in western Europe and the US than in his home country&#13;<br \/>\nRomania. A Romanian-born Jew, he studied in Berlin in the 1920s with the&#13;<br \/>\nUkrainian sculptor Alexander Archipenko and then in Paris with Fernard Leger,&#13;<br \/>\none of the first French painters to exhibit cubist paintings. The work of Aurel&#13;<br \/>\nBauh focused less on documentary photography and more so on art photography. He&#13;<br \/>\nmoved to Bucharest towards the end of the 1930s, where he lived until 1960.&#13;<br \/>\nAcademy member Emanuel Badescu tells us more about the work of Aurel Bauh&#13;<br \/>\ncreated in Romania:<\/p>\n<p><\/p>\n<p>&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<\/p>\n<p>Aurel Bauh&#13;<br \/>\ncomes from Oltenia, in southern Romania. He was born in Craiova in 1900. We&#13;<br \/>\nknow little of his early school years, but we do have records about his time in&#13;<br \/>\nParis while he was in his early 20s. He was in close contact with the Romanian&#13;<br \/>\nartists who lived and worked in the French capital at a time when the&#13;<br \/>\navant-garde movement was flourishing. He was familiar with the exhibitions of&#13;<br \/>\nthe artists who represented this artistic movement, including photographers&#13;<br \/>\nlike Man Ray. Towards the end of Carol II&#8217;s rule, Aurel Bauh returned to&#13;<br \/>\nRomania, moving to Bucharest. He had one studio on Popa Rusu Street and another&#13;<br \/>\non the Victory Boulevard, called Studio 41.<\/p>\n<p><\/p>\n<p>&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<\/p>\n<p>This studio&#13;<br \/>\nbecame a meeting place and inspiration for several avant-garde artists, such as&#13;<br \/>\nSasa Pana, Jules Perahim, Harry Brauner, and Geo Bogza. In 1938, Bauh had his&#13;<br \/>\nfirs exhibition of &#8216;photo paintings&#8217;, titled Same Age as Brassai and Man Ray.&#13;<br \/>\nIn the 1950s, when the terrible communist regime in Romania was just beginning,&#13;<br \/>\nAurel Bauh managed to publish a surprising album with photos. It is now in the&#13;<br \/>\narchives of the Romanian Academy Library, and Emanuel Badescu described it&#13;<br \/>\nfor us: <\/p>\n<p><\/p>\n<p>&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<\/p>\n<p>Remarkably, in&#13;<br \/>\n1957 he gathered together all his works about Bucharest, and created a&#13;<br \/>\nsingularly beautiful album, because it is the only one, or one of the few&#13;<br \/>\nalbums about Bucharest that has as its theme the beauty of the city. It is no&#13;<br \/>\nwonder that the album has a short but superb foreword written by another pariah&#13;<br \/>\nof early communism in Romania, Tudor Arghezi. These two great artists joined&#13;<br \/>\nhands in this album entitled &#8216;Bucharest&#8217;, an album, which, aside from the&#13;<br \/>\npoetry of the images, has another feature, which you could not find even in the&#13;<br \/>\nwork of Christian photographers of the time. In its pages we find a great&#13;<br \/>\nnumber of photos depicting worshippers entering Christian Orthodox churches.&#13;<br \/>\nPerusing the album, we easily notice that Aurel Bauh had a vast fine art&#13;<br \/>\nexperience. It seems he appreciated Impressionist painters, especially Monet. In&#13;<br \/>\nthis album there are several photos that point to the French master. He wanted&#13;<br \/>\nto capture an aspect that his peers did not: the poetry of the city, its&#13;<br \/>\narchitectural styles &#8211; art nouveau and art deco &#8211; the monumentality of&#13;<br \/>\nbuildings or sculpture ensembles such as Carol Park, images from Cismigiu Park,&#13;<br \/>\nand the Dambovita canal. They all have a special poetry and recall&#13;<br \/>\nImpressionist painters.<\/p>\n<p><\/p>\n<p>&#13;<br \/>\n&#13;<br \/>\n&#13;<br \/>\n&#13;<\/p>\n<p>In 1960, Aurel&#13;<br \/>\nBauh managed to emigrate to Paris, where he died in 1964. His photos, highly&#13;<br \/>\nvalued today, can be found in private collections, in France and elsewhere. You&#13;<br \/>\ncan even find his work at the Museum of Modern Art in New York. In 2011, one of&#13;<br \/>\nthe exhibitions at the Les Promenades Photographiques Festival in Vendome was&#13;<br \/>\ndedicated to his work. <\/p>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Known in particular for literature and fine arts, the Romanian avant-garde is also represented by some outstanding names in the field of photography.<\/p>\n","protected":false},"author":136,"featured_media":50395,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[45210],"tags":[45274,35658,45275],"coauthors":[],"class_list":["post-168102","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rri-encyclopaedia","tag-aurel-bauh","tag-photography","tag-romanian-avantgarde"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Photographer Aurel Bauh - 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