{"id":169947,"date":"2021-11-21T14:00:00","date_gmt":"2021-11-21T12:00:00","guid":{"rendered":"http:\/\/devrri.freshlemon.ro\/news-and-current-affairs\/newsflash\/tradition-and-innovation-in-romanias-literary-circles-169947.html"},"modified":"2024-02-19T14:40:51","modified_gmt":"2024-02-19T12:40:51","slug":"tradition-and-innovation-in-romanias-literary-circles","status":"publish","type":"post","link":"https:\/\/www.rri.ro\/en\/features-and-reports\/rri-encyclopaedia\/tradition-and-innovation-in-romanias-literary-circles-id169947.html","title":{"rendered":"Tradition and innovation in Romania’s literary circles"},"content":{"rendered":"<\/p>\n

Literary circles are essential
\nfor the evolution of literature. Romanian literature has never been in short
\nsupply of such circles, especially during the country’s modernization and in
\nits bid to harmonize domestic literature with the Western one. From the second
\nhalf of the 19th century and until the instatement of communism, several
\nnoted literary circles had a strong bearing on Romanian literature. Among them,
\nworth mentioning is Junimea,<\/em> a literary circle founded in Iasi, in the north-east,
\nin 1863, by a group of Romanian intellectuals with civic and political involvement,
\nheaded by Titu Maiorescu. Sburatorul<\/em> is another noted literary circle, founded in
\nBucharest by professor and literary critic E. Lovinescu in the early 1920s. At
\nthat time, Sburatorul<\/em> was responsible for the synchronization of Romanian
\nliterature with the literary trends of Western Europe. Yet apart from those two important literary
\ncircles, many other circles existed in Bucharest, some of them staged by aristocrats
\nwith artistic leanings, while other circles were initiated by bohemian artists,
\nwho were rather poor. As for the literary circles in Bucharest, they were
\nconnected to the rhythms of the city, turning the houses and the streets where
\nthey were held into the capital city’s mythical, legendary places.<\/p>\n


\n <\/p>\n

<\/p>\n

Victoria Dragu-Dimitriu’s recently-published
\nvolume, Tales of old-time literary circles of Bucharest,<\/em> traces the
\nbiography of those places, laden with the atmosphere of old-time artistic and literary
\ndebates. Also, the book reshapes a literary geography that has been lost,
\npartially, since some of the historical buildings had been demolished because
\nof a dictatorial regime’s desperate need to erase as many traces of the past as
\npossible. One such example is Titu Maiorescu’s house located in the city centre
\nof Bucharest, a place where in late 19th century the last Junimea literary
\ncircle sessions were held and where Mihai Eminescu got round to reading an
\nearly version of his poem The Morning Star,<\/em> Luceafarul<\/em> in Romanian. However, not
\nexactly at the heart of Bucharest, but on one of the nearby streets which
\nsurvived to this day, preserving its historical flavour almost unaltered, the
\nvilla is still standing, where the Zoe Mandrea’s literary circle used to be held.
\nBucharesters are very familiar with the street where you can find the villa, since
\nit is on the same street that Radio Romania’s main building can also be found.
\nWe’re speaking about General Berthelot Street of today, whose name has been
\nchanged many times throughout the years, just as the house where boyar lady Zoe
\nMandrea used to live changed its many owners, in time, today serving as the…headquarters
\nof a police station. <\/p>\n


\n <\/p>\n

<\/p>\n

Victoria
\nDragu-Dimitriu gave details on what was going on in that literary circle in
\nthe final years of the 19th century.<\/p>\n


\n <\/p>\n

<\/p>\n

They never
\ncalled it a literary circle, as far as I remember, since it was, in fact, a
\nliterary salon. At that time the name of the street was Fantanii, the Fountain
\nStreet. Those who attended Zoe Mandrea’s salon showed up walking along Fountain
\nStreet and there were not few people attending, and there were not only members
\nof the Romanian aristocracy or of the intellectuals in very high positions,
\nthere were also noted writers. The spoilt guests of the literary circle were Barbu \u0218tef\u0103nescu-Delavrancea and Alexandru Vlahu\u021b\u0103. But Eminescu would
\ncome as well, there even was a time when he used to come more often, I think, Titu Maiorescu also
\ncame, himself and his family. Many people of noble origin had been wandering
\nthrough, there.<\/p>\n


\n <\/p>\n

<\/p>\n

In
\nthe first part of the 20th century, the literary avant-garde also had its own
\nliterary circles that were extremely non-conformist, they were held right on
\nthe streets of Bucharest, nearby the Lazar high-school, for instance, where Demetru Dem. Demetrescu-Buz\u0103u,
\nused to be a pupil, he was the weird author whose penname was Urmuz. When still
\nin high-school, himself and his gang of maverick class-mates waylaid passers-by
\nwho were walking close to the high school or those walking a bit farther, on the
\nDambovita river quay, nay, they even crossed the river towards the former Uranus
\ndistrict. But what Bucharesters used to say about that slapdash literary
\ncircle? <\/p>\n

<\/p>\n

Victoria Dragu-Dimitriu:<\/p>\n


\n <\/p>\n

<\/p>\n

Not everybody was happy to be waylaid
\nin the street with a supplication uttered in a very deep voice: If you must
\nknow, as a matter of fact, Romanian letters have not died and there still exist
\nyoungsters who have kept on writing And if the waylaid person was a wee bit
\nmore sensitive, they were the target of the very poem who made Urmuz famous, Well,
\nsome chroniclers, they say <\/em>or other fragments of prose, early attempts along
\nthe way of that prose of his Urmuz bequeathed us. The one giving the account of
\nthis episode, not only was he a witness, he also was a participant. I’m
\nspeaking about George Ciprian, the actor who also was a playwright, with his play
\nthat enjoyed so many stage performances ,The man with the jade<\/em>. For us,
\nthough, pride of place holds The Drake’s head,<\/em> another play where those teenagers’
\nreckless adventure was simply transposed on stage. And Ciprian, this time in
\nhis book of memoirs and not in The Drake’s head,<\/em> tells us the last performance was
\ngiven right in the principal’s office, where three or four boys and several
\nother classmates that had gone with them performed a dance around the
\nprincipal, who was flabbergasted. Since they were very good pupils, they were
\nforgiven beforehand.<\/p>\n


\n <\/p>\n

<\/p>\n

The
\nhouses that played host to most of the sessions of the Sburatorul literary
\ncircle no longer exist either. However, the flat in the Elisabeta Boulevard,
\nopposite the Law School building, stood the test of time, it was the flat where
\nE. Lovinescu moved shortly before his death, in the summer of 1943. <\/p>\n

<\/p>\n

Victoria Dragu-Dimitriu.<\/p>\n


\n <\/p>\n

<\/p>\n

What we have here
\nis a heroic story. It is the story of Lovinescu’s wife, his ex-wife, in fact, Ecaterina B\u0103l\u0103cioiu Lovinescu, who stayed in the house inherited by
\ntheir daughter, Monica, after Lovinescu’s death in the summer of 1943. Monica
\nLovinescu, as we all know, left for Paris in 1946, in very difficult and very
\ndramatic circumstance, and that extraordinary lady, her mother, French teacher Mrs
\nEcaterina B\u0103l\u0103cioiu remained in the house, trying to continue the literary
\ncircle sessions Monica Lovinescu herself, while still in the country, presided,
\nwith several other people by her side, of course. But when Monica left, her
\nmother continued the literary circles for six or seven more sessions about
\nwhich I found out for the first time ever from Ecaterina B\u0103l\u0103cioiu’s letters to
\nher daughter, Monica. The letters were published in two volumes that simply brought
\ncentre-stage, in Romanian literature, a new and a great writer of an
\nextraordinary psychological strength, a writer who did not intend to write
\nliterature proper and who wasn’t even aware she was writing literature, in her unnerving
\nhonesty to depict what was going on in that country and her burning longing for
\nher daughter. The book is absolutely
\nformidable, and thanks to her we came across a great writer.
\nThanks to Ecaterina Balacioiu’s letters to Monica Lovinescu we have the third
\ngreat Lovinescu in Romanian writer. <\/p>\n


\n <\/p>\n

<\/p>\n

Although she failed to resurrect the literary
\ncircle, E. Lovinescu’s former wife managed to save some of the literary critic’s
\nmanuscripts, condemned to destruction by the communist authorities. We recall
\nthat those authorities nationalized the flat and threw Ecaterina Balacioiu in
\njail. She was well over 70 at that time.<\/p>\n

(Translation by Eugen Nasta)<\/p>\n


\n
\n
\n
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