{"id":848051,"date":"2025-01-11T14:00:12","date_gmt":"2025-01-11T12:00:12","guid":{"rendered":"https:\/\/www.rri.ro\/?p=848051"},"modified":"2025-01-03T12:08:06","modified_gmt":"2025-01-03T10:08:06","slug":"morometii-3-the-end-of-the-trilogy-inspired-by-marin-preda","status":"publish","type":"post","link":"https:\/\/www.rri.ro\/en\/features-and-reports\/world-of-culture\/morometii-3-the-end-of-the-trilogy-inspired-by-marin-preda-id848051.html","title":{"rendered":"The Moromete Family: Father and Son &#8211; the\u00a0 \u00a0end of the trilogy inspired by Marin Preda\u00a0\u00a0\u00a0"},"content":{"rendered":"<p>Stere Gulea\u2019s <em>The Moromete Family<\/em>: <em>Father and Son <\/em>was one of the most anticipated Romanian feature films of 2024. It marks the final episode in a unique trilogy in Romanian cinematography, inspired by the life and works of Romanian novelist Marin Preda. The first film was launched in 1988, a quite accurate adaptation of the first volume of the novel <em>The Moromete Family<\/em>. Screened in 2018, the sequel, <em>The Moromete Family: On the Edge of Time<\/em> draws on the second volume, <em>Life as Prey<\/em> as well as on Marin Preda\u2019s literary articles. Written by Stere Gulea, the final part of the trilogy was inspired by Marin Preda\u2019s private journals, as well as documents and archives that helped rebuild the mood of the 1950s, a time of great social and ideological upheaval, also marked by the coming to power of the Communist Party, which soon became the only official party in Romania. <em>The Moromete Family: Father and Son<\/em> picks up where the second film left off, telling the story of Niculae, Ilie Moromete\u2019s youngest-born, who is now a successful writer. A persona of the author himself, Niculae is disappointed with his father\u2019s political beliefs and by other writers who are forced to abide by ideological constraints. The film also dwells on two major artists who made a powerful impression on Marin Preda\u2019s career: Nina Cassian and Aurora Cornu. \u201cThe film traces Marin Preda\u2019s behavior and attitudes at the time in various political contexts. I\u2019ve tried to understand and retrace his remarkable journey through fiction. I very much liked the idea of making a film about that period which is now largely passed into oblivion\u201d, filmmaker Stere Gulea said.<\/p>\n<p>&nbsp;<\/p>\n<p>Olimpia Melinte plays Vera Solomon, a character inspired by Nina Cassian. We\u2019ve asked her to tell us more about the changes operated to Stere Gulea\u2019s script and how she researched her part in the film, given that Nina Cassian was a multi-faceted artist, at times both accomplice and troublemaker for the Stalinist regime of the time.<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cIt all started with a casting. I met Stere Gulea, and as I got to learn more about the script and his expectations, I eventually concluded that it was fate that I should portray this character. On the physical side, there\u2019s little resemblance between Nina Cassian and I. What we do have in common is a passion for poetry, music, drawing and painting, as Nina Cassian really loved the fine arts. She was an accomplished artist, and I think her passion helped her overcome that very difficult time in her life, when for a long time she chose to sing instead of write, due to the complicated political context. Her passion for the arts was what struck a powerful impression in me. As for the research, I spent a lot of time talking to and rehearsing with Stere Gulea. I also read Nina\u2019s journals, the interviews she gave, everything I could find online about her. Obviously, that included the documentary on Nina Cassian, \u201cThe distance between myself and I\u201d, directed by Mona Nicoar\u0103 and Dana Bunescu, I found it really helpful. It helped me to understand this artist better, because I must confess I was a little prejudiced against her. But all my preconceptions vanished as soon as I started working, because I really wanted to understand Nina deeply and intimately, as other people had failed to do, and as she can be understood towards the end of her life, thanks to the documentary I mentioned. There were times when Nina Cassian would put away her public persona, when she allowed herself to live this love story with Marin Preda, a love that is hard to put into words.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>Olimpia Melinte also told us how the relationship between Marin Preda and Nina Cassian was reconstructed in the movie.<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cWe haven\u2019t set out to provide explanations, because in life it is not always that one gets to explain oneself. Or maybe many years later, when two people reconnect, they get to explain some things. As far as our characters go, we\u2019ve tried to reconstruct their relationship using their diaries, and we wanted our reconstruction to be as close as possible to how things actually went. It was tremendous work for all of us, because the script got changed many, many times, new scenes were introduced as we went, because Mr. Gulea kept working the whole time. Sometimes we would find a new scene introduced right on the day of the shot. For instance, the story of Marin Preda and Nina Cassian was not a major direction in the original script, when we started rehearsing. But I think it gained weight as we progressed with our work, and I\u2019m glad it did, because it was quite important in their lives.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>Apart from Olimpia Melinte, the cast includes some of the most highly appreciated Romanian actors. Alex C\u0103lin plays Niculae Moromete and Hora\u0163iu M\u0103l\u0103ele plays Ilie Moromete for the second time in his career. In The Moromete Family 3, the public will also see Mara Bugarin, R\u0103zvan Vasilescu, Iulian Postelnicu, C\u0103t\u0103lin Herlo, Dana Dogaru, Toma Cuzin, Ana Ciontea, Lauren\u021biu B\u0103nescu, Conrad Mericoffer, Ioan Andrei Ionescu, Andreea Bibiri, Ilinca H\u0103rnu\u021b, Dorina Chiriac and Oana Pellea.<\/p>\n<p>&nbsp;<\/p>\n<p>Cristian Niculescu was in charge with the set design, and Dana P\u0103p\u0103ruz did the costume design. The cinematographer was Vivi Dr\u0103gan Vasile, Alexandra Gulea did the editing, Ioan Filip and Dan-\u0218tefan Ruc\u0103reanu did the sound design, and Cristian Lolea wrote the score for the movie.<\/p>\n<p>&nbsp;<\/p>\n<p>The Moromete Family 3 was screened in many national film festivals (TIFF, TIFF Chi\u0219in\u0103u, Romanian Film Nights (Serile Filmului Rom\u00e2nesc) &#8211; Ia\u0219i, Film in the Village (Film in Sat) &#8211; Pe\u0219ti\u0219ani, TIFF Timi\u0219oara), and won the audience award at the 2024 Transylvania International Film Festival (TIFF). (VP, AMP)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Stere Gulea\u2019s The Moromete Family: Father and Son was one of the most anticipated Romanian feature films of 2024. It marks the final episode in a unique trilogy in Romanian cinematography, inspired by the life and works of Romanian novelist Marin Preda. The first film was launched in 1988, a quite accurate adaptation of the [&hellip;]<\/p>\n","protected":false},"author":135,"featured_media":847394,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[44685],"tags":[161015,39842,44966,161016,161017,33604],"coauthors":[113268],"class_list":["post-848051","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-world-of-culture","tag-1950s","tag-communist-regime","tag-marin-preda","tag-morometii-3-en","tag-olimpia-melinte-en","tag-stere-gulea"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Moromete Family: Father and Son - the\u00a0 \u00a0end of the trilogy inspired by Marin Preda\u00a0\u00a0\u00a0 - Radio Romania International<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rri.ro\/en\/features-and-reports\/world-of-culture\/morometii-3-the-end-of-the-trilogy-inspired-by-marin-preda-id848051.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Moromete Family: Father and Son - the\u00a0 \u00a0end of the trilogy inspired by Marin Preda\u00a0\u00a0\u00a0 - Radio Romania International\" \/>\n<meta property=\"og:description\" content=\"Stere Gulea\u2019s The Moromete Family: Father and Son was one of the most anticipated Romanian feature films of 2024. 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