Constantin Br\u00e2ncu\u015fi easte artistulu rom\u00e2n di care si-are zbur\u00e2t\u00e2 la nivel mondial, probabil, \u0163el ma multu di tu\u0163 alan\u0163\u00e2. Ni\u0163iun altu rom\u00e2n nu are adunat\u00e2 ah\u00e2ntea distinc\u0163ii \u015fi aprecieri universale ca Br\u00e2ncu\u015fi, ni\u0163iun altu rom\u00e2n nu \u015fi-u are ligat\u00e2 numa ah\u00e2t di profundu di un domeniu artistic cum \u015fi-u lig\u0103 Br\u00e2ncu\u015fi di sculptur\u0103. Numa a lui apare tru a\u0163eale ma multe topuri a arti\u015ftilor \u015fi operilor di art\u0103 di-tru tute timpurile.<\/p>\n
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Constantin Br\u00e2ncu\u015fi nu fu ama un om cu mirache tr\u00e2 celebritate. Din contra, putem s\u00e2 dz\u00e2\u0163im. Eara un om auster, preocupat multu di arta a lui \u015fi baia rezervat cu oamin\u2019il\u2019i \u015fi \u00een rela\u0163iile cu media. Aestu easte unulu di motivile tr\u00e2 care nu exist\u0103 interviuri \u00eenreghistrate cu el, iara film\u0103rile suntu \u015fi eale pu\u0163\u00e2ne. Ama Br\u00e2ncu\u015fi b\u00e2n\u0103 tru memoria a \u0163ilor care lu-au cunoscut\u00e2 \u015fi pi care Chentrul di Istorie Oral\u0103 di-tru So\u0163ietatea Rom\u00e2n\u0103 di Radiodifuziune lu interviev\u0103 sau intr\u0103 \u00een posesia a unor \u00eenreghistr\u0103ri recuperate di-tru alte arhive. Unulu di a\u0163el\u2019i care lu-au cunoscut\u00e2 pi Br\u00e2ncu\u015fi fu criticulu di art\u0103 George Oprescu. Tru 1963, el spunea a Radiodifuziunil\u2019ei Rom\u00e2n\u00e2 dispri a\u0163ea dau\u0103 adun\u0103ri a l\u2019ei sale cu Br\u00e2ncu\u015fi. Prima avu loc dup\u0103 primulu polim mondial tru atelierulu a artistului din Paris, pi Impasse Ronsin, iu b\u00e2n\u0103 un\u00e2 giumitate di secol, di-tru 1907 p\u00e2n\u0103 la moartea a lui di-tru 1957. El dz\u00e2se:<\/p>\n
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\u201dAtelierulu a lu Brancu\u015fi, foarte vastu, multu mare, eara dicutotalui ocupat di enorme grendz\u00e2 di lemnu vecl\u2019u, nisc\u00e2nte l\u0103rdz\u00e2 di 50 — 60 cm \u015fi lundz\u00e2 di ndoi metri, aduse dintr-un\u00e2 hoar\u00e2 din Bretania iu avea c\u00e2dzut\u00e2 un numir di case. Unile priste alante, a\u0163iste grendz\u00e2 a\u015ftipta m\u00e2na m\u0103gh\u2019iastr\u0103 a artistului. Puteai s-ti credz \u00eentr-un\u00e2 pi\u015ftireau\u0103, poate sum pimintu, \u00een care un ciclop era preocupat s\u0103 transform\u00e2 aestu material lemnos tru lucre di care s\u0103 si ciuduseasc\u00e2 lumea. \u015ei cum tru a\u0163ea epoc\u0103 earam multu pasionat di Wagner \u015fi di mitologhia wagnerian\u0103, hici \u0163iva nu-m\u2019i si p\u0103rea xen ca vidzut\u00e2 di a\u0163ea \u0163i videam.\u201d<\/p>\n
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Tru 1937, Oprescu si turna diznou la Paris, tru atelierulu a lu Br\u00e2ncu\u015fi, \u015fi \u00eel videa diznou pi artistu pu\u0163\u00e2n al\u00e2xit \u00een mediul a lui, \u015fi el al\u00e2xit: \u201dOara aest\u00e2, a\u0163ea \u0163i didea un aspectu particular a atelierului nu mata eara imensile grendz\u00e2 di lemnu di alt\u0103oar\u00e2. Tru aest\u0103 perioad\u0103, Br\u00e2ncu\u015fi eara preocupat di sculptura tru cheatr\u0103 \u015fi tru metal lustruit. Aht\u0103ri opere, instalate pi platforme mobile b\u00e2gate \u00een mi\u015fcare di un mecanismu electric, mi ca ciudusir\u00e2 \u015fi nu tamam favorabil. Vinir\u00e2 un\u00e2 meas\u0103 preg\u0103tit\u0103 di artistu \u015fi un\u00e2 conversa\u0163ie \u00een leg\u0103tur\u0103 cu a\u0163ea \u0163i videam, un\u00e2 conversa\u0163ie di barim dau\u0103 ceasuri. A\u0163ea \u0163i agudea canda \u015fi isea tru mighdane tru vidzuta a lu Br\u00e2ncu\u015fi \u015fi \u0103tea \u0163i-m\u2019I avea l\u0103sat\u00e2 un\u00e2 amintire di niag\u00e2r\u015fire ninca di la primul a meu contactu cu el, eara noble\u0163ea rustic\u0103 a vidzut\u00e2l\u2019ei a lui, suple\u0163ea a mi\u015fc\u0103rilor, trupulu a lui ligat \u015fi s\u00e2n\u00e2tos, \u0163i cara c\u0103 ma diavrapa apus. Ocl\u2019l\u2019i, ma multu, eara extraordinari! M\u2019i\u0163, ama s\u0103gghit\u0103tori, c\u00e2ndu sirin\u2019i \u015fi cu ar\u00e2s, c\u00e2ndu gravi, c\u00e2nd ironi\u0163, nu exagerat, al\u00e2xitori \u015fi suficientu tra s\u0103 ti fac\u0103 s\u0103 achic\u00e2se\u015fti \u0163i si f\u00e2\u0163ea \u00een sufletulu a lui. Zboruu a lui eara a\u015ftirnut, clar, lungu giudicat. Tru a\u0163ea sear\u0103 domnea canda \u00een varliga a lui \u0163iva di-tru sirinitatea a artistului care agiumse tru sone la averulu suprem a art\u00e2l\u2019ei.\u201d<\/p>\n
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Dyspr\u00e9 Paleolog fu jurnalistu la Radio Rom\u00e2nia tru an\u2019l\u2019i a doilui polim mondial \u015fi si refugie la Paris dup\u0103 ocupa\u0163ia sovietic\u0103. Ca studentu, aclo arhiusi s\u0103-l frecventeadz\u00e2 pi Br\u00e2ncu\u015fi, coleg di facultate di-a tat\u0103-sui a lui, \u015fi spuse: \u201dEara multu ligat di tat\u0103l a meu. Perioada a lor di studen\u0163il\u2019e u tricur\u00e2 deadun \u015fi cu Br\u00e2ncu\u015fi, earau priiatini, so\u0163 la cataram\u0103, cum si dz\u00e2\u0163e tru Oltenia. Tat\u0103l a meu fu un exeghet a lu Br\u00e2ncu\u015fi, scrise protile c\u0103r\u0163\u00e2 dispre Br\u00e2ncu\u015fi, v\u00e2r\u00e2 4-5 \u015fi pi ultima u am tip\u0103rit\u00e2 eo pi cont propriu, \u00een limba francez\u0103. Mut\u0103 mare ciudie tru domeniul cultural di la Paris \u015fi fu apreciat\u0103 extrem di multu di \u0163el\u2019i ma m\u0103rl\u2019i cunosc\u0103tori a lu Br\u00e2ncu\u015fi. \u015ei Br\u00e2ncu\u015fi avea priiatinil\u2019e tr\u00e2 un tinir studentu, muritor di foame, care \u00ee\u015fi c\u0103fta un rostu \u00een \u0163ar\u0103, \u00een Fran\u0163a. Mi dz\u00e2se: More ficior, s-hii hitru, afirea-te di lega\u0163ia rom\u00e2n\u0103\u201d Mi-are agiutat\u00e2 cu zboar\u00e2. Br\u00e2ncu\u015fi mi-are aprucheat\u00e2 di multe ori, di 5-6 ori, din cauza a cartil\u2019ei \u015fi sigura din cauza a priiatiniil\u2019ei \u015fi su\u0163at\u00e2l\u2019ei cu tat\u0103l a meu \u015fi cu el am avutt\u00e2 muabe\u0163 baia mpline di interes. Br\u00e2ncu\u015fi era foarte pu\u0163\u00e2n \u00een contactu cu rom\u00e2n\u2019il\u2019i. Br\u00e2ncu\u015fi si afirea di colonia rom\u00e2n\u0103, care, sigura ca tute coloniile, b\u00e2na un\u00e2 perioad\u0103 di readaptare hiinda \u00eemp\u0103r\u0163\u00e2t\u0103 \u00een diferite clanuri: a\u0163el\u2019i care eara anticomuni\u015fti declara\u0163, a\u0163el\u2019i care eara ma democra\u0163 \u015fi a\u0163el\u2019i care eara di st\u00e2nga. \u015ei foarte pu\u0163\u00e2n\u2019i care eara comuni\u015fti apre\u015fi. \u015ei mi afiriiu di colonia rom\u00e2n\u0103, ca \u015fi Br\u00e2ncu\u015fi.\u201d<\/p>\n
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Ofi\u0163erulu \u015fi profesorulu Virgil Coifan \u015fi-aduse aminte un\u00e2 serbare la monumentile di-tru c\u00e2s\u00e2b\u0103lu T\u00e2rgu Jiu tru 1938 \u015fi \u00ee\u015fi adu\u0163e aminte \u0163i-l\u2019I dz\u00e2se a lu Br\u00e2ncu\u015fi cu a\u0163ea ocazie. Iatu \u0163i dz\u00e2se: \u201cN\u00e2 dusim tru parcul din T\u00e2rgu Jiu, s\u0103 a\u015ftipt\u0103m s\u0103 v\u2019in\u0103 prefectulu. Directorulu a \u015fcoal\u00e2l\u2019ei primar\u00e2 din Tismana, Chi\u0163iba lu afl\u0103 pi Br\u00e2ncu\u015fi. \u015ei zbura cu Br\u00e2ncu\u015fi, a\u015fi cu su\u0163\u00e2l\u2019e. Nu mata \u015ftiu di si eara soie, lig\u00e2tur\u00e2 di fise, ic\u0103 priiatin\u2019i ma apruche\u0163. L\u2019i si adresa a lu Br\u00e2ncu\u015fi: \u201cHei, maestre, gorjean\u2019il\u2019i a no\u015ftri dz\u00e2c c\u0103 \u0163\u00e2 b\u0103tu\u015fi pez\u00e2 di el\u2019i cu lucr\u0103rile aestea, pi care li-ai adrat\u00e2 aoa!\u201d. \u015ei Br\u00e2ncu\u015fi r\u0103spunse: \u201cA\u015fi dz\u00e2c adversaril\u2019i a domnului T\u0103t\u0103rescu\u201d \u015ei tru chirolu aestu dz\u00e2se c\u0103 familia T\u0103t\u0103r\u0103scu lu agiut\u0103 multu di multu \u00een realizarea a lucr\u0103rilor \u015fi c\u0103 Aretia T\u0103t\u0103r\u0103scu fu a\u0163ea care insist\u0103 \u0163el ma multu s\u0103 fac\u0103 un monumentu.\u201d<\/p>\n
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Nu easte un secret tr\u00e2 ni\u0163iun om c\u0103 di multe ori arti\u015ftil\u2019i nu suntu achic\u00e2si\u0163 di contemporan\u2019il\u2019i a lor, ma multu di a\u0163el\u2019i care nu suntu di specialitate. Ama aesta nu-l\u2019i fa\u0163e ma pu\u0163\u00e2n excep\u0163ionali, ba din contra.<\/p>\n
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Constantin Br\u00e2ncu\u015fi easte artistulu rom\u00e2n di care si-are zbur\u00e2t\u00e2 la nivel mondial, probabil, \u0163el ma multu di tu\u0163 alan\u0163\u00e2. Ni\u0163iun altu rom\u00e2n nu are adunat\u00e2 ah\u00e2ntea distinc\u0163ii \u015fi aprecieri universale ca Br\u00e2ncu\u015fi, ni\u0163iun altu rom\u00e2n nu \u015fi-u are ligat\u00e2 numa ah\u00e2t di profundu di un domeniu artistic cum \u015fi-u lig\u0103 Br\u00e2ncu\u015fi di sculptur\u0103. Numa a […]<\/p>\n","protected":false},"author":127,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[48422],"tags":[],"coauthors":[],"class_list":["post-188475","post","type-post","status-publish","format-standard","hentry","category-pro-memoria-ro_ar"],"acf":[],"yoast_head":"\n