A\u0163el ma noulu filmu a lu Corneliu Porumboiu \u00eemp\u0103r\u0163\u00e2, a\u015fi cum u fea\u0163e \u015fi Poli\u0163istu, adjectiv\u201d, spectatoril\u2019i tru dau\u0103 t\u0103buri. Tru a\u0163el\u2019i \u0163i cred c\u0103 istorima, \u00eentru sensul a l\u2019ei clasic, easte indispensabil\u0103 a unui filmu \u015fi tru a\u0163el\u2019i care pledeaz\u0103 tr\u00e2 un cinema ma pu\u0163\u00e2n narativ. Criticulu Tudor Caranfil, imediat dup\u0103 vizionare, lughursi c\u0103 noulu lungumetraj a regizorului Corneliu Porumboiu,<\/p>\n
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\u201dC\u00e2ndu si alas\u0103 seara priste Bucure\u015fti sau Metabolismu\u201d, easte un\u00e2 provocare\u201d, \u0163el ma pasionantul filmu experimental di-tru chinematografia rom\u00e2neasc\u0103\u201d. Tru arada lui, criticulu Andrei Gorzo lu consider\u00e2 un\u00e2 hipersubtil\u0103 anti-romance\u201d. Istorima di-tru filmu asun\u0103 a\u015fi: Paul (Bogdan Dumitrache) easte tru mplin lucru la filmulu pi care lu reghizeadz\u0103. Etim tra s\u0103 filmeadz\u00e2 un\u00e2 schen\u0103 nud (dispul\u2019iat\u00e2), poart\u0103 un\u00e2 serie di discu\u0163ii cu Alina (Diana Avr\u0103mu\u0163) — actri\u0163a cu care are un\u00e2 rela\u0163ie amoroas\u0103, cu produc\u0103toarea (Mihaela S\u00e2rbu), cu un coleg di breasl\u0103, di z\u00e2nate (Alexandru Papadopol) \u015fi cu un doctor care \u00eel\u2019i examineadz\u0103 endoscopia. Filmulu easte compus di-tru ma\u015fi 17 cadre, majoritatea fixe.<\/p>\n
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\u00centr-un interviu, Corneliu Porumboiu m\u0103rturisea\u015fte c\u0103 inten\u0163ia a lui fu a\u0163ea s\u00e2 zburasc\u00e2 dispre na\u015ftirea a unui filmu \u015fi constr\u00e2ndzirile impuse\u201d. Corneliu Porumboiu dz\u00e2\u0163e<\/p>\n
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\u201dMi interesa rela\u0163ia anamisa di personaje \u015fi istorima propriu-dz\u00e2s\u0103. Ideea \u00eem\u2019i vine aoa \u015fi v\u00e2r\u00e2 trei an\u2019i, c\u00e2ndu fi propus\u0103 un\u00e2 nau\u0103 leadze a chinematografiil\u2019ei, conformu a cure concursulu la Centrulu Na\u0163ional a Cinematografiil\u2019ei si didea dup\u0103 un decupaj reghizoral. Aesta m\u2019i provoc\u0103 amintiri din facultate, din momentul c\u00e2ndu mi ac\u00e2\u0163ai di chinema, \u00een \u015fcoal\u0103 b\u00e2naiu totna cu un\u00e2 turlie di limitare. \u015ei m\u2019i-adu\u015fu aminte c\u0103 \u015fi aclo mi du\u0163eam cu un decupaj reghizoral pi care-l f\u0103\u0163eam singur acas\u0103, cronometr\u00e2nda cadrile di-tru filmu. \u015ei di la aeste amintiri chinesi a\u0163ist filmu. Evident, filmulu con\u0163\u00e2ne \u015fi un\u00e2 interoga\u0163ie asupra a turliil\u2019ei tru care eo aarhiusii s\u0103 fac chinema.\u201d<\/p>\n
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Mi-am format\u00e2 \u00een limita a pelicul\u00e2l\u2019ei di 35mm, a necesitatil\u2019ei di-a planificare hib\u00e2 \u0163i cadru. Tut pri-tru aeste restric\u0163ii s-are dezvoltat\u00e2 \u015fi preferin\u0163a mea tr\u00e2 repeti\u0163ii \u015fi cadre lundz\u00e2\u201d, ninca spune reghizorulu, c\u00e2ndu \u00ee\u015fi adu\u0163ea aminte perioada a lui di arhiusit\u00e2.<\/p>\n
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\u201dFilmul avu \u015fapte variante di schenariu. Lu adraiu cu un\u00e2 turlie di nostalghie tr\u00e2 pelicul\u0103, vrui s\u0103 func\u0163ioneadz\u00e2 ca un\u00e2 turlie di oglind\u0103, gh\u2019ilie tr\u00e2 mutrire, turnat\u00e2 al\u2019umtrea \u015fi mi interesar\u00e2 ma pu\u0163\u00e2n ac\u0163iun\u2019ile a personajilor, pi care li descoapiri din mers, di-tru imnat. \u201cC\u00e2ndu si alas\u0103 seara priste Bucure\u015fti\u201d easte un\u00e2 soie di stare, easte un momentu a dzu\u00e2l\u2019ei pi care nu-l vedem \u00een filmu, un\u00e2 turlie di poezie care func\u0163ioneaz\u0103 \u00een contratimpu cu \u201cmetabolismul\u201d. Titlulu aestu easte ligat v\u00e2r\u00e2 turlie di cum ved eu z\u00e2natea aest\u00e2.\u201d<\/p>\n
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Rolul a reghizorului din filmu easte interpretat di Bogdan Dumitrache, protagonistu \u015fi \u00een filmul \u201cPozi\u0163ia copilului\u201d, distinsu anulu aestu cu Ursul di Mal\u00e2m\u00e2 la Berlin. Bogdan Dumitrache zbura\u015fte dispre cum decursir\u00e2 film\u0103rile la \u201dC\u00e2ndu si alas\u0103 seara priste Bucure\u015fti sau Metabolismu\u201d. El dz\u00e2se:<\/p>\n
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\u201dFu un\u00e2 c\u0103ftare pi care u desf\u0103\u015fur\u0103m deadun. Fu un\u00e2 di oarile c\u00e2ndu mi sim\u0163ii foarte implicat \u00eentr-un proiectu, \u00een care c\u0103ftam deadun \u015fi atum\u0163ea c\u00e2ndu aflam lucre bune, li intercalam tru filmu. Fur\u00e2 multe discu\u0163ii. Fu un mes di repeti\u0163ii tru discut\u0103 tut lucurlu, nu fur\u00e2 indica\u0163ii \u00een sensul clasic. \u015eteam textulu, ama lu tut rescrisim, giuc\u00e2ndu-l. Avum chiro s\u0103 asimil\u0103m \u015fi s\u0103 \u00eembog\u0103\u0163im personajile.\u201d<\/p>\n
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Criticulu Magda Mih\u0103ilescu dispre \u201cC\u00e2ndu si alas\u0103 seara priste Bucure\u015fti sau Metabolismu\u201d:<\/p>\n
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\u201dFaschina\u0163ia a filmului v\u2019ine tamam dintr-un\u00e2 anumit\u0103 destr\u0103mare a m\u0103gh\u2019iil\u2019ei a lucrului pi platoulu di filmare. Exist\u0103 ama \u0163iva comun tru tute a\u0163iste filme dispre filmu. Reghizorulu easte un om singur. Di aform\u2019ia c\u0103 c\u0103 personajulu principal, reghizorulu, \u0163i cara c\u0103 are un\u00e2 aventur\u0103 cu actri\u0163a, cu tute aeste easte un om singur. A\u015fi eara \u015fi personajul di-tru Noaptea American\u0103, a\u015fi eara \u015fi personajulu di-tru Secven\u0163e\u201d a lu Alexandru Tatos. Si veade aesta di-tru mersul a lui, cu m\u2019eardze, di-tru turlia \u00een care fumeadz\u0103, di-tru \u00eentregulu a lu comportamentu.\u201d<\/p>\n
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\u201cC\u00e2ndu si alas\u0103 seara priste Bucure\u015fti sau Metabolismu\u201d, al treilea lungumetraj a chineastului rom\u00e2n Corneliu Porumboiu (dup\u0103 Fu ic\u0103 nu fu?\u201d \u015fi Politistu, adjectiv\u201d), fu deja selec\u0163ionat \u00een competi\u0163iile a festivalurilor interna\u0163ionale di filmu di la Locarno, Sarajevo, Toronto \u015fi New York. \u201cCu filmul amint\u00e2tor a premiului Camera dOr di-tru 2006, “Fu ic\u0103 nu fu”, Porumboiu \u015fi-amint\u0103 reputa\u0163ia di regizor \u015fi schenaristu cu un\u00e2 ureacl\u2019e bun\u0103 tr\u00e2 dialog \u015fi un interes tru vastele, m\u0103rile ramifica\u0163ii a averului\u201d scrie publica\u0163ia Variety.<\/p>\n
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A\u0163el ma noulu filmu a lu Corneliu Porumboiu \u00eemp\u0103r\u0163\u00e2, a\u015fi cum u fea\u0163e \u015fi Poli\u0163istu, adjectiv\u201d, spectatoril\u2019i tru dau\u0103 t\u0103buri. Tru a\u0163el\u2019i \u0163i cred c\u0103 istorima, \u00eentru sensul a l\u2019ei clasic, easte indispensabil\u0103 a unui filmu \u015fi tru a\u0163el\u2019i care pledeaz\u0103 tr\u00e2 un cinema ma pu\u0163\u00e2n narativ. Criticulu Tudor Caranfil, imediat dup\u0103 vizionare, lughursi c\u0103 […]<\/p>\n","protected":false},"author":135,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[48445],"tags":[],"coauthors":[],"class_list":["post-188991","post","type-post","status-publish","format-standard","hentry","category-carnet-cultural"],"acf":[],"yoast_head":"\n