\u201cC\u00e2ndu si alas\u0103 seara priste Bucure\u015fti sau Metabolismu\u201d di Corneliu Porumboiu, \u201cBucure\u015fti, iu e\u015fti?\u201d di Vlad Petri \u015fi \u015fcurtumetrajulu \u201cUn\u00e2 aumbr\u0103 di nior\u201d di Radu Jude suntu a\u0163eale treie filme rom\u00e2ne\u015fti \u0163i fur\u00e2 selec\u0163ionate \u00een competi\u0163ia a Festivalului Interna\u0163ional di Filmu di la Rotterdam – FIFR (22 ianuarie – 2 februarie 2014).<\/p>\n
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Ma pu\u0163\u00e2n cunoscut fa\u0163\u0103 di alan\u0163\u00e2 doi cinea\u015fti, Vlad Petri absolvi Universitatea Na\u0163ional\u0103 di Art\u0103 Teatral\u0103 \u015fi Chinematografic\u0103 din Bucure\u015fti. Easte realizator di filme documentare \u015fi fotograf. Are documentat\u00e2 mi\u015fc\u0103rile so\u0163iale di-tru 2012 \u015fi 2013 din Bucure\u015fti, public\u00e2nda cu regularitate \u00een mediul online filme \u015fi fotografii di la fa\u0163a a locului. Preocuparile a lui si axeadz\u0103 pi investigarea a realitatil\u2019ei imediat\u00e2, personal\u00e2, ama \u015fi sondarea a transform\u0103rilor so\u0163iale la care l\u2019ia parte. El dz\u00e2se:<\/p>\n
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\u201c\u0162el ma multu mi intereseadz\u0103 pia\u0163a ca spa\u0163iu public di dezbateri, propuniri, proteste. Mi intereseadz\u0103 cum devine, cum si l\u00e2xea\u015fte aestu spa\u0163iu, cum si transform\u0103, care easte impactul a lui so\u0163ial. Mi pasioneadz\u0103 oaminl\u2019i di aclo, formul\u0103rile a lor, turlia cum si fa\u0163e articularea \u015fi transmitirea a mesajilor. M\u2019i-am propus\u00e2 tra s\u0103 m\u2019ergu c\u00e2t di ma multe ori \u00een Pia\u0163\u0103 \u015fi s\u0103 distribui filmile a meale exclusiv pri-tru media online, tra-s pot s\u00e2 \u0163\u00e2n pasulu cu dinamica a evenimentilor\u201c dz\u00e2\u0163e regizorulu. Di aestu interes tr\u00e2 pia\u0163\u0103 ca \u201cspa\u0163iu public di dezbatiri\u201d si n\u0103scu \u015fi documentarulu \u201cBucure\u015fti, iu e\u015f\u0163\u00e2?\u201d, selec\u0163ionat la Festivalului Interna\u0163ional di Filmu di la Rotterdam. Vlad Petri dz\u00e2\u0163e:<\/p>\n
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\u201dAm lucrat\u00e2 la filmu chiro di doi an\u2019i. Mi h\u0103r\u0103si, mi bucur\u0103 selec\u0163ia, di aform\u2019ia c\u0103 easte unulu di a\u0163eale ma importantile festivaluri di film din Europa, \u015fi tora a\u015ftipt\u0103m s\u0103 videm \u0163i reac\u0163ii avem di aclo. Filmul prezint\u0103 evenimentile din Bucure\u015fti di-tru 2012. Acutotalui avum aproximativ 60 di sah\u0103\u0163 filmate, di care fu anaghe s\u0103 select\u0103m, filmul final av\u00e2nda un\u00e2 sahate \u015fi v\u2019inghi\u0163 minute. Ama tru a\u0163ist\u0103 sahate \u015fi v\u2019inghi\u0163 de minute vrum s\u0103 spunim un paramith, un\u00e2 istorim\u00e2 c\u00e2t ma structurat\u0103 \u015fi avut\u00e2 (cuprind\u0103toare) a \u0163i si fea\u0163e \u00een strad\u0103. Vrui ca materialul filmat \u00een strad\u0103 s\u0103 n\u00e2 conduc\u0103 c\u0103tr\u0103 un\u00e2 anumit\u0103 poveste, nu avum dor ca noi s\u0103-l\u2019i condu\u0163im pi spectatori \u00eentru un\u00e2 direc\u0163ie.\u201d<\/p>\n
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Shcurtumetrajulu reghizat di Radu Jude, \u201cCa un\u00e2 aumbr\u0103 di nior\u201d \/ \u201dShadow of a cloud\u201d spune paramithlu a unui preftu, interpretat di reghizorulu di teatru Alexandru Dabija. Preftul easte cl\u2019imat \u00eentr-un\u00e2 dzu\u00e2 torid\u0103 di vear\u0103 la c\u0103pit\u00e2n\u2019iulu a unei muribund\u00e2 tra s\u00e2-l\u2019I dz\u00e2c\u00e2 ultima diavase. \u201cAre numiroase sensuri care pot sib\u00e2 aflate tru a\u0163ist filmu. Poate c\u0103 \u0163el ma importantul lucru easte exprimat \u00eentr-un fragmentu di-tru paracalisirea spus\u00e2 di personajulu principal: nichischina shi mbogra a mea ban\u00e2 ca un somnu are tricut\u00e2, ca un\u00e2 aumbr\u0103 di nior\u201d\u201d, explic\u00e2 reghizorulu Radu Jude titlul a filmului a lui, care fu selec\u0163ionat anulu tricut \u015fi tru sec\u0163iunea \u201cQuinzaine des R\u00e9alisateurs\u201d a Festivalului di la Cannes. Reghizorulu Radu Jude dz\u00e2se<\/p>\n
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\u201d Exist\u00e2, are \u0163iva \u00een mine care mi pindze s\u0103 ved lucrile tru aest\u00e2 turlie. Cehov rezum\u0103 cama ghine a\u0163ist\u0103 situa\u0163ie. Un personaj di-trun \u201cLale Vanea\u201d dz\u00e2\u0163e a\u015fi: \u201cMultu chiro pisptipsii c\u0103 mira a omului easte s\u0103 hib\u00e2 traghic, ama p\u00e2n\u00e2 tru sone am descopirit c\u0103, de faptu, destinulu, mira a lui easte tra-s hib\u00e2\u201d. \u015ei exist\u00e2 \u0163iva caraghios tru turlia \u00een care oaminl\u2019i si raporteadz\u0103 la el\u2019i \u00ee\u015fi\u015fi \u015fi la problemile a lor, \u0163iva care nu exclude existen\u0163a a triste\u0163il\u2019ei sau a li suferin\u0163\u00e2. Tru lig\u00e2tur\u00e2 cu mine, aestua easte ungl\u2019iul di mutrit\u00e2 \u0163i mi intereseadz\u0103. C\u00e2ndu triste\u0163ea, m\u00e2rinarea, drama si ameastic\u0103 p\u00e2n\u0103 agiundz\u00e2 s\u0103 nu mata li identifi\u0163 cu ridicolul.\u201d<\/p>\n
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\u00cem\u2019i dorescu, m\u2019I-am dor tr\u00e2 un cinema c\u00e2t ma impur. Descoaper un\u00e2 evolu\u0163ie sau un\u00e2 involu\u0163ie la mine: c\u00e2ndu mi ac\u00e2\u0163ai tra s\u0103 fac protile filme aveam un\u00e2 mare vreare tra s\u00e2 hii coerentu stilistic. \u00cem\u2019i doream, m\u2019I-aveam dor s\u0103 am un\u00e2 soie di con\u015ftiin\u0163\u0103 di sine, autocon\u015ftiin\u0163\u0103, asupra a manier\u00e2l\u2019ei di filmare. Pri-aghalea-ghalea, m\u2019i si pare c\u0103 aest\u00e2 soie di coeren\u0163\u0103 du\u0163e la un\u00e2 soie di blocare a unor energhii care pot s\u00e2 di\u015fcl\u2019id\u00e2 filmul spri alte direc\u0163ii, \u015fi pi di alt\u0103 parte, la a plasare accentul aclo iu el nu are \u0163i s\u0103 caft\u00e2\u201d dz\u00e2\u0163e Radu Jude dispre experien\u0163a a lui di cineastu.<\/p>\n
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\u0162el ma recentul, ma proaspitlu film a lui Corneliu Porumboiu \u00eemp\u0103r\u0163\u00e2, a\u015fi cum u fea\u0163e \u015fi Poli\u0163ist, adjectiv\u201d, spectatoril\u2019i tru dau\u0103 t\u00e2buri. Tru a\u0163el\u2019i care cred c\u0103 istorima, \u00een sensul a l\u2019ei clasic, easte indispensabil\u0103 a unui filmu \u015fi tru a\u0163el\u2019i \u0163i pledeaz\u0103 tr\u00e2 un cinema ma pu\u0163\u00e2n narativ. Criticulu Tudor Caranfil, imediat dup\u0103 vizionare, consider\u0103 c\u0103 noulu lungumetraj a reghizorului Corneliu Porumboiu,<\/p>\n
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\u201dC\u00e2ndu si alas\u0103 seara priste Bucure\u015fti sau Metabolismu\u201d, easte un\u00e2 provocare\u201d, \u0163el ma pasionantul filmu experimental di-tru chinematografia rom\u00e2neasc\u0103\u201d. Tru arada a lui, criticulu Andrei Gorzo \u00eel consider\u0103 un\u00e2 hipersubtil\u0103 anti-romance\u201d. Paramithlu di-tru filmu asun\u0103 a\u015fi: Paul (Bogdan Dumitrache) easte analtu pi lucru la filmul pi care \u00eel reghizeadz\u0103. Pi cale, adic\u00e2 etim s\u0103 filmeadz\u00e2 un\u00e2 schen\u0103 nud, poart\u0103 un\u00e2 serie di discu\u0163ii cu Alina (Diana Avr\u0103mu\u0163) — actri\u0163a cu care are un\u00e2 rela\u0163ie amoroas\u0103, cu produc\u0103toarea (Mihaela S\u00e2rbu), cu un coleg di z\u00e2nate (Alexandru Papadopol) \u015fi cu un doctor care \u00eel\u2019i examineadz\u0103 endoscopia. Filmul easte compus di-tru ma\u015fi 17 cadre, majoritatea fixe. \u00centr-un interviu, Corneliu Porumboiu m\u0103rturisea\u015fte c\u0103 inten\u0163ia a lui fu a\u0163ea di-a zbur\u00e2re dispre na\u015ftirea a unui filmu \u015fi constr\u00e2ndzerile impuse\u201d. Corneliu Porumboiu dz\u00e2se:<\/p>\n
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\u201dMi interesa rela\u0163ia dintr\u0103 personaje \u015fi paramithulu propriu-dz\u00e2s. Ideea \u00eem\u2019i vine ninte cu v\u00e2r\u00e2 trei an\u2019i, c\u00e2ndu fu propus\u0103 un\u00e2 nau\u0103 leadze a chinematografiil\u2019ei, conform a cure concursul la Centrul Na\u0163ional a Chinematografiil\u2019ei si didea dup\u0103 un decupaj reghizoral. Aesta \u00eem\u2019i provoc\u0103 amintiri din facultate, din momentul tru care mi ac\u00e2\u0163ai di cinema, \u00een \u015fcoal\u0103 b\u00e2nam dipriun\u00e2 cu un anume tip di limitare. \u015ei mi-adu\u015f aminte c\u0103 \u015fi aclo mi du\u0163eam cu un decupaj reghizoral pi care-l f\u0103\u0163eam singur acas\u0103, cronometr\u00e2nda cadrile di-tru filmu. \u015ei di la a\u0163iste amintiri chinesi aestu filmu. Evidentu, filmul con\u0163\u00e2ne \u015fi un\u00e2 interoga\u0163ie asupra a turliil\u2019ei \u00een care eo arhiusii s\u0103 fac cinema.\u201d<\/p>\n
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Festivalul di la Rotterdam, \u0163el ma importantul di-tru Benelux, atradze la cathiun\u00e2 edi\u0163ie priste 3000 di jurnali\u015fti \u015fi profesioni\u015fti a industril\u2019ei chinematografic\u00e2. Unulu di obiectivile majore a festivalului easte promovarea a \u0163ilor ma talenta\u0163\u00e2l\u2019i tineri reghizori.<\/p>\n
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\u201cC\u00e2ndu si alas\u0103 seara priste Bucure\u015fti sau Metabolismu\u201d di Corneliu Porumboiu, \u201cBucure\u015fti, iu e\u015fti?\u201d di Vlad Petri \u015fi \u015fcurtumetrajulu \u201cUn\u00e2 aumbr\u0103 di nior\u201d di Radu Jude suntu a\u0163eale treie filme rom\u00e2ne\u015fti \u0163i fur\u00e2 selec\u0163ionate \u00een competi\u0163ia a Festivalului Interna\u0163ional di Filmu di la Rotterdam – FIFR (22 ianuarie – 2 februarie 2014). Ma […]<\/p>\n","protected":false},"author":135,"featured_media":189074,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[48445],"tags":[],"coauthors":[],"class_list":["post-189073","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-carnet-cultural"],"acf":[],"yoast_head":"\n