Chiro di dau\u0103 sept\u0103m\u00e2n\u2019i, Chentrulu Na\u0163ional a Dansului Bucure\u015fti fu gazda a unor spectacole di referin\u0163\u0103 tr\u00e2 schena a dansului contemporan polonez, prezentate sum titlul \u201cdans\/\/pl – Ieri.M\u00e2ne.Az\u00e2\u201d. Vrem \u015fi noi s\u0103 v\u0103 oferim un\u00e2 imaghine a dansului polonez, \u015fi s\u00e2 v\u00e2 prezent\u01cem \u00eendoi di arti\u015ftil\u2019i invita\u0163, care zbur\u01cescu di turlia \u00een care abordeaz\u0103 dansul tru spectacolile a lor.<\/p>\n
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Dz\u00e2lile a dansului polonez fur\u00e2 di\u015fcl\u2019ise di Teatrulu Dada von Bzd\u00fcl\u00f6w, di Gdansk, fondat \u00een 1992 di Leszek Bzdyl \u015fi Katarzyna Chmielewska. A\u0163i\u015ftia prezentar\u00e2 spectacolul Duete inexistente\u201d, cure tem\u0103 easte adunarea dintr\u01ce mul\u2019iare \u015fi b\u0103rbat, sum toate formile. Multe di spectacolile create di \u0163el\u2019i doil\u2019i suntu inspirate din literatur\u0103, a\u0163istua hiinda \u015fi cazulu a Duetilor inexistente\u201d. Leszek Bzdyl dz\u00e2\u0163e:<\/p>\n
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A\u0163ist spectacol are la baz\u0103 cartea a lu Italo Calvino, \u201cPolitii invizibile\u201d. U avem citit\u00e2 \u015fi n\u00e2 si p\u0103ru un\u00e2 istorim\u00e2 interesant\u0103. Marco Polo va tra s\u0103 l\u2019i spun\u0103 a lu Khan Kublai paramithile a unor c\u00e2s\u00e2badz, ams ae\u015fti c\u00e2s`badz nu exist\u0103. Pasa politie easte mplin\u00e2 di m\u2019iurisme, culori, idei, filosofii\u2026 U prelu\u01cem a\u0163ist\u0103 idee a politiilor invizibile tru spectacolul a nostru \u015fi n\u00e2 minduim c\u0103 va hib\u00e2 interesantu s\u0103 zbur\u00e2m dispre mul\u2019iare \u015fi b\u0103rbat a\u015fi cum Marco Polo l\u2019i zbura dispre aeste politii a lu Khan Kublai\u201d.<\/p>\n
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\u00cen timpu \u0163i a\u0163el\u2019i doil\u2019i dansatori spun paramithe cu trupurile a lor, pi fundal cur\u00e2 texte care, tru arada a lor, spun paramithe. Coregrafulu Leszek Bzdyl dz\u00e2\u0163e:<\/p>\n
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\u00cen varliga a noastr\u00e2 are multe zboar\u00e2. C\u00e2ndu v\u2019ine zborulu di un\u00e2 situa\u0163ie di ban\u00e2, prota mutrim s\u0103 u descriim pri-tru intermediul a cuvendz\u00e2lor. Ama ufelisim copii a cuvendzilor di-tru alte situa\u0163ii. Di a\u0163ea aform\u2019ie, lom apofase s\u0103 prezent\u0103m a\u0163iast\u0103 istorim\u00e2 \u00eentr\u01ce un b\u0103rbat \u015fi un\u00e2 mul\u2019iare f\u0103r\u0103 s\u0103 ofelisim zboar\u00e2. Ma\u015fi s\u0103 him pi schen\u0103, ama cuvindz\u00e2le, poemulu, textulu suntu \u00een varliga a noastr\u00e2. Aoa easte zborlu dispre nivelul di achic\u00e2sire, dispre a\u0163ea \u0163i vrem s\u0103 videm. Di exemplu, textulu pi care \u00eel proiect\u0103m pi ecrane easte poezia a unui priiaten, ama nu easte dispre noi. Easte paramithulu a lui dispre un b\u0103rbat \u015fi un\u00e2 mul\u2019iare. Un altu textu apar\u0163\u00e2ne a unui compozitor polonez \u015fi easte un\u00e2 alt\u00e2 turlie di poezie. Tutun\u00e2oar\u00e2, mutrea\u015fte s\u0103 spun\u0103 \u0163iva dispre un\u00e2 mul\u2019iare \u015fi un b\u0103rbat, ama agiundz p\u00e2n\u0103 tru sone s\u0103 zburasc\u00e2 di el. Aesta easte provocarea tr\u00e2 public: \u0163i vre\u0163 s\u0103 vide\u0163? Ave\u0163 dor s\u0103 vide\u0163 propria a voastr istorim\u00e2 sau vre\u0163 s\u0103 hi\u0163 cu noi? Vre\u0163 s\u0103 hi\u0163 cu cuvindz\u00e2le sau cu ghesturile, cu sensibilitatea a arti\u015ftilor di pi schen\u0103?\u201d.<\/p>\n
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La invita\u0163ia a colectivului komuna\/\/warszawa, dansatorulu \u015fi coregrafulu Miko\u0142aj Miko\u0142ajczyk diznou aduse \u00een memoria a publicului, \u00een cadrul a proiectului RE\/\/MIX, un\u00e2 di leghendile a teatrului polonez \u015fi a\u0163el care are stat\u00e2 la baza a carier\u00e2l\u2019ei a sa di dansator, Henryk Tomaszewski. Spectacolul \u201cRE\/\/MIX Henryk Tomaszewski\u201d fu prezentat \u015fi la Bucure\u015fti, \u00een cadrulu a Dz\u00e2lilor a dansului polonez. Miko\u0142aj Miko\u0142ajczyk explic\u00e2 faptul c\u0103, spri diferen\u0163\u00e2 di maestrulu s\u0103u, care b\u00e2ga \u0163el ma marile accentu pi estetic\u0103, pi tehnica di dansu, tr\u00e2 el a\u0163el ma importantul lucru \u00eel reprezint\u0103 contactulu cu spectatorulu \u015fi stratulu emo\u0163ional a spectacolului, \u015fi dz\u00e2se:<\/p>\n
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\u201cTru aestu spectacol, tru \u0163ea ma marea misur\u0103 escu eo insum\u2019i, ama f\u0103r\u0103 Tomaszewski, care easte p\u0103rintile a meu artistic, a\u0163ist spectacol nu vrea s\u00e2 exista. Bana a mea artistic\u0103 arhiusi atum\u0163ea c\u00e2ndu Tomaszewski \u00ee\u2019mi deade aest\u0103 suflare. \u00cen spectacol mutrescu s\u0103 exprim \u0163i \u00eensimn\u01ce aesta tr\u00e2 mine. A\u015fi \u015fi bitisescu a\u0163ist spectacol: suflarea d\u0103ruit\u0103 a m\u2019ia di Tomaszewski agiumse persoana a mea. Eu deveniiu artistul Mikolaj Mikolajczyk pri-tru aest\u00e2i suflare a lu Tomaszewski. Pi di alt\u0103 parte, a\u0163ist spectacol easte mutrita a mea tra s\u00e2 tal\u2019u cordonulu ombilical cu p\u0103rintile a meu. Aoa \u015fi 20 ani, Tomaszewski mi invit\u01ce tru teatrulu a lui. Mi lo di m\u00e2n\u0103 \u015fi-m\u2019I deade cale. A\u015fi fac \u015fi eo cu spectatoril\u2019i. Voiu ca spectatoril\u2019i s\u0103 simt\u0103 exactu aceau\u015fi emo\u0163ie pi care u am sim\u0163it\u00e2 eo amu\u015fi 20 ani, c\u00e2ndu Tomaszewski mi invit\u01ce \u00een teatru\u201d.<\/p>\n
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Considerat precursor a dansului contemporan, ocup\u00e2nda un loc unic \u015fi di niegalat \u00een istoria dansului, Vaslav Nijinsky scria tru \u201cJurnalul\u201d a lui: \u201cEscu Dumnidz\u01ceu n\u0103untrul a meu. Tu\u0163 au aestu sentiment, ma\u015fi c\u0103 ni\u0163iunom nu si folosea\u015fte di el\u201d. A\u0163ist Jurnal \u015fidzu la baza a spectacolului \u201cNijinsky. S\u0103rb\u0103toarea a v\u2019isilor\u201d, creat\u00e2 di un\u00e2 echip\u0103 di trei arti\u015fti, \u015fi care p\u01cern\u2019ea\u015fte di la ideea a reghizorului S\u0142awek Krawczy\u0144ski, care si inspir\u00e2 di-tru psihologhia orientat\u0103 pi proces dezvoltat\u0103 di elve\u0163ianul Arnold Mindell. Dansatorulu Tomasz Wzgoda, dispre crearea a spectacolului dz\u00e2\u0163e: \u201cAest\u0103 metod\u0103 a psihologhiil\u2019ei orientat\u00e2 pi proces fu multu interesant\u0103, di aform\u2019ia c\u0103 lucreadz\u0103 ma mult cu psihiculu, iara Nijinski, dup\u0103 \u0163i nu mata giuc\u01ce, ac\u00e2\u0163\u01ce s\u0103 aib\u0103 probleme psihologhi\u0163e, diagnosticate dreptu schizofrenie. Am lucrat\u00e2 \u00een special cu imaghina\u0163ia, cu impulsurile puterni\u0163e, cu minduitile a lui. El si afla pi schen\u0103 tra s\u00e2 l\u00e2 da a oamin\u2019ilor energhie tr\u00e2 ban\u00e2. C\u00e2t chiro dans\u01ce, fu s\u0103n\u0103tos. C\u00e2ndu si d\u00e2n\u00e2si, nu mai folosi a\u0163ist\u0103 energhie, nu mata u transform\u01ce \u015fi si \u00eendip\u0103rt\u01ce di ban\u00e2. Fu foarte interesantu s\u0103 urm\u0103rim a\u0163ist paramith \u015fi s\u0103 afl\u01cem mi\u015fc\u0103rile care s\u0103 spun\u00e2 toate aestea. \u00cen special metoda pi care u folosim tr\u00e2 creare coregrafia, \u0163ea a psihologhiil\u2019ei orientat\u00e2 pi proces, easte interesant\u0103 tru aestu sensu. \u015ei nu easte ma\u015fi coregrafie, easte ma multu psiho-procesulu a lu Nijinski\u201d.<\/p>\n
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Dz\u00e2lile a dansului polonez la Bucure\u015fti fur\u00e2 \u00eencl\u2019iate di dau\u0103 solouri create \u015fi interpretate di dau\u0103 tinire coregrafe, Agata Maszkiewicz \u015fi Agata Siniarska, reprezentative tr\u00e2 a\u0163ea \u0163i si fa\u0163e \u00een prezentu \u00een dansul contemporan di-tru Polonia: din cauza a elipsil\u2019ei a finan\u0163\u0103rilor, \u0163el\u2019i mai mul\u0163\u00e2l\u2019i coregrafi aleg s\u0103 danseze tru solourile create di el\u2019i. \u201cdans\/\/pl — Ieri.M\u00e2ne.Az\u00e2\u201d easte un evenimentu organizat di CNDB \u00een parteneriat cu Institutulu Polonez \u015fi si \u00eencadreaz\u0103 \u00een inten\u0163ia CNDB de b\u00e2gare \u00een discu\u0163ie rela\u0163ia pi care dansul rom\u00e2nescu u are cu culturile coregrafi\u0163e din zon\u0103.<\/p>\n
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Chiro di dau\u0103 sept\u0103m\u00e2n\u2019i, Chentrulu Na\u0163ional a Dansului Bucure\u015fti fu gazda a unor spectacole di referin\u0163\u0103 tr\u00e2 schena a dansului contemporan polonez, prezentate sum titlul \u201cdans\/\/pl – Ieri.M\u00e2ne.Az\u00e2\u201d. Vrem \u015fi noi s\u0103 v\u0103 oferim un\u00e2 imaghine a dansului polonez, \u015fi s\u00e2 v\u00e2 prezent\u01cem \u00eendoi di arti\u015ftil\u2019i invita\u0163, care zbur\u01cescu di turlia \u00een care abordeaz\u0103 dansul […]<\/p>\n","protected":false},"author":129,"featured_media":159145,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[48445],"tags":[],"coauthors":[],"class_list":["post-189119","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-carnet-cultural"],"acf":[],"yoast_head":"\n