Minduit\u00e2 tra a\u0163ea ma \u00eenzestrat\u0103 cu h\u01ceri mul\u2019iare-sculptor a Rom\u00e2niil\u2019ei tru secolul XX, participant\u0103 la minarea artistic\u0103 di avangard\u0103 di-tru \u0163ara a noastr\u0103 din perioada interbelic\u0103, ma multu la gruparea constituit\u0103 anvarliga a revist\u00e2l\u2019ei “Contimporanul”, niantricut\u0103 maestr\u0103 tru arta a portretului, Mili\u0163a Petra\u015fcu va evoc\u00e2 p\u00e2n\u0103 la bitisita a ban\u00e2l\u2019ei a l\u2019ei, tru scrisori sau discu\u0163ii, importan\u0163a adunaril\u2019ei \u015fi cunu\u015fteatril\u2019ei cu sculptorulu Constantin Br\u00e2ncu\u015fi. Sculptura a Mili\u0163ei Petra\u015fcu reprezint\u0103, prota oar\u00e2, un actu di rezisten\u0163\u0103 dinintea a distruc\u0163il\u2019ei a li imaghine. Pidimolu a l\u2019ei p\u0103streadz\u0103 ambi\u0163iile a instantaneului \u015fi rigorile a compozi\u0163il\u2019ei clasic\u00e2, aflate isa tru arta a arhiusit\u00e2l\u2019ei di secol. A\u0163ist lucru va u agiut\u00e2, tru lunga perioad\u0103 tru care lucreadz\u0103 cu Br\u00e2ncu\u015fi, s\u0103 si ap\u01cer\u00e2 di tenta\u0163ia a imitaril\u2019ei a marilui s\u0103u maestru \u015fi s\u0103 nu mutreasc\u00e2 tr\u00e2 ghestul simplu a abstrac\u0163il\u2019ei\u201d noteadz\u0103 Dan Bruda\u015fcu dispre sculptura a Mili\u0163ei Petra\u015fcu. Constantin Z\u0103rnescu, \u0163el ti adun\u01ce \u015fi edit\u01ce aforismile a lu Br\u00e2ncu\u015fi, n\u00e2 zbura\u015fte dispre adunarea anamisa di Mili\u0163a Petra\u015fcu \u015fi marile artistu, adunare ti vrea l\u00e2 marcheadz\u00e2 a doilor destinile. Si f\u00e2\u0163ea tru 1919. Constantin Z\u01cernescu dz\u00e2se:<\/p>\n
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:\u201d Cu ndoi an\u2019I ninte, Br\u00e2ncu\u015fi fu invitat la dau\u0103 expozi\u0163ii di grup di avangard\u0103 european\u0103 la New York. Aclo expuse un\u00e2 variant\u0103 a B\u00e2\u015fearil\u2019ei\u201d, Mademoiselle Pogany\u201d, Muz\u0103 adurm\u2019it\u0103\u201d, Cap di copil\u201d. Mili\u0163a remarc\u00e2 tru operile a l\u2019ei puritatea geometric\u0103, esen\u0163ializarea a f\u0103ptur\u00e2l\u2019ei uman\u00e2. \u00cenvea\u0163\u0103 sculptura arada di Br\u00e2ncu\u015fi ti u numea\u015fte Petric\u0103\u201d. A l\u2019ei \u015fi a l\u00e2ntor tinire vinite din Rom\u00e2nia, Br\u00e2ncu\u015fi l\u00e2 bag\u00e2 dalta ntru m\u00e2n\u0103 \u015fi l\u00e2 amintea\u015fte c\u0103 \u015fi-aleapsir\u00e2 un\u00e2 z\u00e2nate masculin\u0103. Li \u00eenvea\u0163\u0103 importan\u0163a a blocului di marmur\u0103 pi care, spune el, nu ai \u00eendreptu s\u0103-l distrudz. Sculptura \u00eenseamn\u0103 tru prota oar\u00e2 minduire \u015fi nu easte tra tiniri, \u00eel\u2019I dz\u00e2se artistul a li Mili\u0163\u00e2 di fa\u0163\u0103 cu poetulu amirican Ezra Pound.\u201d<\/p>\n
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Milita Petra\u015fcu easte atea ti-l convindze pi Br\u00e2ncu\u015fi s\u0103 renun\u0163\u00e2 la proiecte importante \u00een Fran\u0163a, tra-s v\u2019in\u00e2 tru patrid\u00e2 \u015fi s\u00e2 realizeadz\u00e2, la T\u00e2rgu Jiu, renumitulu ansamblu \u0163i agiundze tru cipit pri-tru “Coloana f\u0103r\u0103 bitisit\u00e2”. Easte perioada candu Br\u00e2ncu\u015fi, aflat tru Rom\u00e2nia, \u00eel\u2019i pozeadz\u0103 a li Mili\u0163a Petra\u015fcu, ea realiz\u00e2nda protulu portret a sculptorului, turnat tru brondzu, \u00een prezent amplasat tru Pia\u0163a Doroban\u0163i din capital\u0103. Turlia li\u015foar\u00e2 \u0163i si videa la Mili\u0163a Petra\u015fcu \u015fi la realizarea a sculpturilor tru spiritulu a art\u00e2l\u2019ei clasic\u00e2, \u015fi tru arta modern\u00e2, atradze admira\u0163ia a lu Br\u00e2ncu\u015fi, ti-l\u2019i m\u0103rturisea\u015fte: \u0162\u00e2 da di m\u00e2n\u00e2 \u015fi po\u0163 s\u0103 lucredz cum vrei, figurativ sau abstractu, \u0163i ghine di tine!”. Scriitorulu Constantin Z\u0103rnescu dz\u00e2\u0163e:<\/p>\n
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\u201dTru 1927, dup\u0103 Congresulu a Pres\u00e2l\u2019ei Latin\u00e2 la Bucure\u015fti, Mili\u0163a Petra\u015fcu easte elogiat\u0103 pi plan interna\u0163ional. Multu interesantu easte c\u0103 Aretia T\u0103t\u0103rescu, pre\u015fedinta a Asocia\u0163il\u2019ei a Mul\u2019erilor din Gorj, u invit\u00e2 pi Mili\u0163a s\u0103 mut\u00e2 la T\u00e2rgu Jiu un monument \u00eencl\u2019inat a memoril\u2019ei a eroilor c\u0103dzu\u0163 tru Protulu Polim Mondial. Mili\u0163a avea realizat\u00e2 deja monumentul a Ecaterin\u00e2l\u2019ei Teodoroiu \u015fi eara un\u00e2 personalitate cunoscut\u0103 tru Gorj. Mili\u0163a refuz\u00e2 propunirea a doamn\u00e2l\u2019ei T\u0103t\u0103rescu, spun\u00e2nda c\u0103 Br\u00e2ncu\u015fi easte \u0163el mai uidisitlu tra a mutare un ahtare monumentu dedicat a solda\u0163\u00e2lor ti si asteasir\u00e2 pi frontu. \u015ei tru a\u0163ist momentu arhiusea\u015fte un\u00e2 intens\u0103 coresponden\u0163\u0103 anamisa di Mili\u0163a \u015fi Br\u00e2ncu\u015fi, iara tru 1937 Br\u00e2ncu\u015fi v\u2019ine la T\u00e2rgu Jiu cu inten\u0163ia di a realizare un\u00e2 singur\u0103 lucrare. <\/p>\n
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Pri tru agiutorulu a lu Victor Cr\u0103ciun, putem s\u00e2 urm\u0103rim coresponden\u0163a a \u0163ilor doil\u2019 arti\u015fti pi care, dz\u00e2\u0163e el, “\u00eel\u2019i lig\u01ce isa-isa arta, ama \u015fi un\u00e2 mare su\u0163\u00e2l\u2019e \u015fi priiatinie. Un\u00e2 priiatenie \u0163i \u0163\u00e2nu di-tru 1919 p\u00e2n\u0103 la moartea a lu Br\u00e2ncu\u015fi, di-tru care Mili\u0163a P\u0103tra\u015fcu amint\u01ce preceptile\/dimensiun\u2019ile a art\u00e2l\u2019ei modern\u00e2, iara Rom\u00e2nia va s\u00e2 \u00eembog\u0103\u0163ea patrimoniul artistic cu Ansamblul di la T\u00e2rgu Jiu, di aform\u2019ia c\u0103 ea easte atea ti impuse ideea ca Br\u00e2ncu\u015fi s\u0103 \u00eenf\u0103ptuiasc\u0103 a\u0163iste sculpturi arhiectoni\u0163e, uni\u0163e \u00een lume”.<\/p>\n
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Scriitorul Constantin Z\u0103rnescu dz\u00e2\u0163e: Tru 1946 Mili\u0163a \u00eel\u2019i scrie a lu Br\u00e2ncu\u015fi Deadun cu priiatin\u2019l\u2019i a mei n\u00e2 ndridzem s\u0103-\u0163 pitrea\u0163im m\u00e2care \u015fi merinde\u201d. Eara momentul tru care criza avea ac\u00e2\u0163at\u00e2 mare parte din Europa. Tut tru atea perioad\u0103, Mili\u0163a \u00eel informeadz\u0103 pi Br\u00e2ncu\u015fi di hib\u00e2 \u0163i oar\u00e2 c\u00e2ndu apare un articol dispre el. \u00cel\u2019i semnaleadz\u0103 \u0163i scrise Petru Comarnescu dispre el, \u00eel anun\u0163\u0103 c\u0103 Ionel Jianu scrise tru revista Lumin\u0103 \u015fi Culoare\u201d, tutun\u00e2oar\u00e2, c\u0103 teoriile a lui ligate di art\u0103 fur\u00e2 publicate tru pres\u0103. \u015ei nu poate s-ag\u00e2r\u015feasc\u00e2 cum, ninte cu 20 an\u2019i, el l\u2019I avea spus\u00e2 ah\u00e2ntea lucre dispre naua sculptur\u0103 modern\u0103, lucre \u015fi minduite ti tora putea s\u00e2 si verific\u00e2 deja.\u201d<\/p>\n
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Cu aform\u2019ia a vernisajului a li expozi\u0163ie organizat\u0103 deadun cu Marcel Iancu, tru 1934, criticulu Petru Comarnescu afirma: \u00censu\u015firea principal\u0103 a Mili\u0163ei Petra\u015fcu ar\u0103m\u00e2ne calitatea di temel\u2019u a sculptur\u00e2l\u2019e \u00eensu\u015fi: cultul a form\u00e2l\u2019ei plin\u00e2, ligat\u0103 di spa\u0163iu \u015fi lum\u2019in\u0103\u201d. Artista nu caft\u0103 tru prosupulu al \u0163ilui portretizat un\u00e2 dominan\u0163\u0103 expresiv\u0103, \u0163i reconstituie, tru ansamblul a detaliilor, atributile a unei personalitate. Portretulu a actri\u0163\u00e2l\u2019ei Elvira Godeanu, goal\u0103 p\u00e2n\u0103 di mese, easte naturalistu \u015fi discret hieratic tru a\u0163elu\u015fi chiro, prelu\u00e2nda \u00eendr\u0103zne\u0163 \u015fi niconven\u0163ional tipologhia clasic\u0103 a bustului f\u0103r\u0103 bra\u0163e. Portretulu tru marmor\u0103 a unei alt\u00e2 actri\u0163e cunoscut\u00e2, Agepsina Macri, so\u0163ia a lu Victor Eftimiu, expus la Salonulu Oficial di-tru 1934, calc\u0103 \u015fi el uzan\u0163ile a timpului, tru care nu era permis ca portretulu a unei persoan\u00e2 clar individualizat\u00e2, ghine cunoscut\u00e2 tru lumea bucure\u015ftean\u0103, hib\u00e2 ea \u015fi actri\u0163\u0103, s\u0103 hib\u00e2 reprezentat\u0103 cu sinile goale. Hici \u0163iva frivol ama tru aest\u0103 remarcabil\u0103 sculptur\u0103, monumentalitatea \u015fi statismul a\u0163istui portret pitrec la antichitatea clasic\u0103, tru numa a cure nuditatea putea sib\u00e2 acceptat\u0103.\u201d<\/p>\n
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Minduit\u00e2 tra a\u0163ea ma \u00eenzestrat\u0103 cu h\u01ceri mul\u2019iare-sculptor a Rom\u00e2niil\u2019ei tru secolul XX, participant\u0103 la minarea artistic\u0103 di avangard\u0103 di-tru \u0163ara a noastr\u0103 din perioada interbelic\u0103, ma multu la gruparea constituit\u0103 anvarliga a revist\u00e2l\u2019ei “Contimporanul”, niantricut\u0103 maestr\u0103 tru arta a portretului, Mili\u0163a Petra\u015fcu va evoc\u00e2 p\u00e2n\u0103 la bitisita a ban\u00e2l\u2019ei a l\u2019ei, tru scrisori sau […]<\/p>\n","protected":false},"author":135,"featured_media":159428,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[48445],"tags":[],"coauthors":[],"class_list":["post-189160","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-carnet-cultural"],"acf":[],"yoast_head":"\n