Tru 1922, sculptorulu Constantin Br\u00e2ncu\u015fi adr\u01ce un costum di dansu (stran\u2019e) tr\u00e2 Lizica Codreanu, b\u00e2g\u01ce vinilul cu Gymnopediile\u201d a lu Erik Satie la picup \u015fi u invit\u01ce pi aesta s\u0103 creadz\u01ce un dansu tru atelierulu a lui, printr\u01ce sculpturi. Toat\u0103 ac\u0163iunea fu documentat\u0103 di Br\u00e2ncu\u015fi cu agiutorulu a unui Thornton Pickard cu foale \u015fi cremalier\u0103, rezult\u00e2nda \u015fapte imaghini. Tru 1996, reghizorulu Cornel Mihalache reconstituia costumulu a Lizic\u0103l\u2019ei Codreanu dup\u0103 imaghinile di-tru 1922 \u015fi \u00eel\u2019i propunea a dansatoaril\u2019ei \u015fi a coregraf\u00e2l\u2019ei Vava \u015etef\u0103nescu un reenactment\/ re\u00eenschenare aparentu imposibil(\u0103): s\u0103 refac\u0103 dansulu di-tru atelierulu a sculptorului pi muzica a lu Satie. Di pu\u0163\u00e2n chiro, Chentrul Na\u0163ional a Dansului Bucure\u015fti organiz\u01ce un evenimentu \u0163i u avu \u00een aten\u0163ie pi coregrafa \u015fi dansatoarea Lizica Codreanu.<\/p>\n
\n
<\/p>\n
Adunarea fu organizat\u0103 \u00een cadrul a programului Hors les Murs\u201d a Chentrului Na\u0163ional a Dansului Bucure\u015fti, lansat tru 2014, pri-tru care institu\u0163ia \u00ee\u015fi propune s\u0103 ias\u0103 dintr\u01ce muril\u2019i \u0163i u ap\u00e2nghisescu, tra s\u00e2 bag\u00e2 discu\u0163ie \u015fi alt\u00e2 turlie di teme. Evenimentul l\u2019i-aduse deadun pi reghizorulu Cornel Mihalache, cercet\u0103toarea Doina Lemny \u015fi coregrafa Vava \u015etef\u0103nescu, \u00eentr-un\u00e2 discu\u0163ie moderat\u0103 di Igor Mocanu:<\/p>\n
\n
<\/p>\n
Edi\u0163ia di az\u00e2 u consacr\u01cem a Lizic\u0103l\u2019ei Codreanu di aform\u2019ia c\u0103, p\u00e2n\u0103 aproapea ca aieri, eara dansatoarea \u015fi coregrafa prin excelen\u0163\u0103 nicunoscut\u0103 a istoril\u2019ei a dansului rom\u00e2nescu, din \u0163ar\u0103 sau di-tru diaspora, Hors les Murs \u00ee\u015fi propuse tamam tra s\u0103 aduc\u0103 \u00een actualitatea a discu\u0163il\u2019ei, ama \u015fi a practic\u00e2l\u2019ei artistic\u01ce a dansului, un\u01ce istorie pi care nu u cunoa\u015ftim\u201d.<\/p>\n
\n
<\/p>\n
Lucr\u00e2nda, tru 1995, la documentarulu Br\u00e2ncu\u015fi\u201d, reghizorulu Cornel Mihalache descoperi fotografii di-tru dansul a Lizic\u0103l\u2019ei Codreanu. Mihalache apeleadz\u0103 la Geta Solomon tr\u00e2 re-crearea a costumului di stran\u2019e \u015fi la dansatoarea \u015fi coregrafa Vava \u015etef\u0103nescu, tr\u00e2 re\u00eenschenarea a dansului a Lizic\u0103l\u2019ei Codreanu.<\/p>\n
\n
<\/p>\n
Vava \u015etef\u0103nescu: Aveam v\u00e2r\u00e2 25 di an\u2019i. H\u00e2bare nu aveam c\u0103 fac un re-enactment \u015fi c\u0103 tru v\u2019initor va mi preocup\u01ce ah\u00e2t di multu figurile \u015fi recuperarea a crea\u0163iilor \u015fi a personalit\u0103\u0163ilor din lumea a dansului. \u015ei nu aveam di iu s\u0103 \u015ftiu c\u0103, di c\u00e2te ori vrei s\u0103 fa\u0163 un\u01ce cercetare, ti bazedz pi g\u0103vre (guve) laie. A m\u2019ia \u00eem\u2019i conveni foarte multu faptul c\u0103 nu avuiu para mult\u0103 informa\u0163ie, di aform\u2019ia c\u0103 putui s\u0103 inventedz \u015fi s\u0103 cred c\u0103 intru tru spiritulu a unei tr\u00e2 mirache, ama fantasmatic\u01ce personalitate. \u015ei, de faptu, earam sum lupa a ocl\u2019iului a lu Cornel \u015fi aveam reperulu a lu Erik Satie. Nu ma spun c\u0103 am p\u0103straiu, c\u01ce \u0163\u00e2nuiu cu un\u01ce turlie di relighiozitate costumulu, di aform\u2019ia c\u0103 aveam senza\u0163ia c\u0103 escu \u00eemviscut\u01ce \u00eentr-un\u01ce sculptur\u0103 a lu Br\u00e2ncu\u015fi\u201d.<\/p>\n
\n
<\/p>\n
Ninte cu doi an\u2019i, Editura Vellant lansa la Bucure\u015fti cartea Lizica Codreanu. Un\u01ce dansatoare rom\u00e2nc\u0103 tru avangarda parizian\u0103\u201d, carte \u0163i avea ap\u0103rut\u01ce deja \u00een Fran\u0163a. Autoarea eara Doina Lemny, cercet\u0103tor la Muzeulu na\u0163ional di art\u0103 modern\u0103, Chentrul Pompidou, Paris \u015fi specialist\u0103 \u00een Br\u00e2ncu\u015fi, dispri care avea scris\u01ce ma multe lucr\u0103ri. Pi Lizica Codreanu u descoperi, sigura, cercet\u00e2nda arhiva Br\u00e2ncu\u015fi. Intrigat\u0103 di faptul c\u0103 ni\u0163iunom nu \u015ftea care easte, aca\u0163\u01ce s\u0103 caft\u01ce documente.<\/p>\n
\n
<\/p>\n
Cercetarea fu baighi greau\u01ce, di aform\u2019ia c\u0103, la arhiusita a secolului 20 cum nu exista un\u01ce \u015fcoal\u0103 di balet pi care Lizica lipsea s-u o urmeadz\u01ce, nu avui a cure s\u0103 mi adresedzu. Di pu\u0163\u00e2nulu pi care \u00eel aveam, c\u01ceftaiu tra s\u01ce desf\u0103\u015for hirulu a li\u015ftei ban\u01ce, care m\u2019i si p\u0103ru interesant\u0103 ninca di la arhiusit\u01ce, di aform\u2019ia c\u0103 Br\u00e2ncu\u015fi li avea pi Lizica \u015fi pi Irina Codreanu — lipsea\u015fte s\u0103 li aprochi, di aform\u2019ia c\u0103 ele b\u01cenar\u01ce practic toat\u0103 bana deadun, deci, mutriiu s\u0103 desf\u0103\u015for hirulu a lu\u015ftor dau\u0103 bane, care-m\u2019i p\u0103rur\u01ce extrem di interesante. Dau\u0103 personalit\u0103\u0163 multu curajoase, care si himusir\u01ce \u00eentr-un\u01ce aventur\u0103 \u00een Paris, niav\u00e2nda mare \u00eendup\u01cemintu \u015fi reu\u015fir\u01ce s\u0103 di\u015fcl\u2019id\u0103 u\u015fa a atelierului a lu Br\u00e2ncu\u015fi. Cred c\u0103 aestua fu a\u0163el mai importantul momentu di-tru bana a lor, di aform\u2019ia c\u0103 pri-tru el reu\u015fir\u01ce amindaule s\u0103 \u00ee\u015fi fac\u0103 ma multe rela\u0163ii tru avangarda parizian\u0103. Am brodat\u01ce (chidisit\u01ce) \u00een varliga a unor afi\u015fe pi care m\u2019i li spusir\u01ce hil\u2019ilu \u015fi nipotulu a Lizic\u0103l\u2019ei Codreanu. Afi\u015fe orighinale, fotografii \u015fi foarte pu\u0163ine scrisori. Di care, dau\u0103-treie documente di la Tristan Tzara. Am identificat\u01ce, cu a\u0163ist\u0103 ocazie, prezen\u0163a a Lizic\u0103l\u2019ei \u00eentr-un\u01ce fotografie care si afl\u0103 la MOMA\u201d.<\/p>\n
\n
<\/p>\n
Lizica Codreanu avu un\u01ce apari\u0163ie multu \u015fcurt\u0103 ca dansatoare \u015fi coregraf\u0103. \u015ei-u d\u01cen\u01cesi activitatea tru 1927, c\u00e2nd si c\u0103s\u0103tori (si m\u00e2rt\u01ce) cu un strilu\u0163it intelectual francez, Jean Fontenoy, cu care si du\u0163e tru misiunea a lui tru China. C\u0103s\u0103toria nu mata m\u2019earse, iar\u01ce Lizica si turn\u01ce la Paris. Hire inventiv\u0103, nu \u015fi-u pl\u00e2mse mira, \u0163i \u00ee\u015fi di\u015fcl\u2019ise un cabinet di Hatha Yoga, sum supravigl\u2019area a unuia di a\u0163el\u2019i mai m\u01ceril\u2019i speciali\u015fti \u00een yoga. Eara momentul c\u00e2nd si introdu\u0163ea, la arhiusita a an\u2019ilor \u201930, yoga la Paris. Doina Lemny dz\u00e2\u0163e:<\/p>\n
\n
<\/p>\n
Hil\u2019lu mi descuraj\u01ce, c\u00e2ndu dz\u00e2se c\u0103 Lizica nu fea\u0163e un\u01ce carier\u0103 di dansatoare. A\u0163ea \u0163i easte adev\u0103rat, easte aver. Ea a ap\u0103ru ca un meteor. Dansa cama multu tru atelierulu a lu Br\u00e2ncu\u015fi \u015fi atrapse aten\u0163ia a ndoi arti\u015fti multu cunoscu\u0163, printr\u01ce care Sonia Delaunay, care la a\u0163ea dat\u0103 crea costume, adra stran\u2019e. Lu atrapse pi (Fernand) Leger, ama Lizica refuz\u01ce (nu vru) s\u0103 poart\u01ce un costum creat di el, di aform\u2019ia c\u0103 Leger crea costume tr\u01ce balete, ama costume rigide. \u015ei Lizica, ma agiumse \u00een Paris, achic\u01cesi multu ag\u2019on\u2019e \u0163i si fa\u0163e pi schena artistic\u0103 \u015fi al\u0103s\u01ce diun\u01ceparte baletulu. Nu urm\u01ce ni\u0163iun\u01ce \u015fcoal\u0103 di balet. Din contra, urm\u01ce cursuri la circu\u2026 zbura cu arti\u015ftil\u2019i\u2026 Ea intr\u01ce practic \u00eentr-un\u01ce atmosfer\u0103 di crea\u0163ie. Spirit artistic \u015fi inventiv, ea \u00ee\u015fi f\u0103\u0163ea antrenamentul \u00een atelier la Br\u00e2ncu\u015fi, a\u0163ea \u0163i lu faschin\u01ce, lu m\u00e2gh\u2019ipsi pi aestua\u201d.<\/p>\n
\n
<\/p>\n
Cartea avu un ecou multu mare \u00een Fran\u0163a, spuse cercet\u0103toarea Doina Lemny: Colegil\u2019i a mei di la Chentrul Pompidou, care si ocup\u00e2 cu prioritate di Sonia Delaunay, di Leger, fur\u00e2 multu interesa\u0163 s\u0103 vead\u0103 care easte lig\u0103tura \u00eentr\u01ce costumile propuse di Sonia \u015fi a\u0163ist\u0103 artist\u0103 dispri care nu \u015ftiea ni\u0163iunom. Dinclo di Chentrul Pompidou, si organizeadz\u0103 multe colocvii, la care escu invitat\u0103. Agium\u015fu purt\u0103toarea di zbor a Lizic\u0103l\u2019ei Codreanu \u015fi toat\u0103 lumea si ciudusea\u015fte cu harau\u01ce di imaghinile extraordinare, toat\u0103 lumea easte impresionat\u0103 di \u0163i inven\u0163ii, di punctu di videare a mi\u015fcaril\u2019ei, al dansului, a performan\u0163\u01cel\u2019ei fea\u0163e aest\u0103 artist\u0103.\u201d<\/p>\n
\n
<\/p>\n
Vava \u015etef\u0103nescu, managerulu a CNDB, dispri loculu ocupat di Lizica Codreanu tru dansulu contemporan rom\u00e2nescu:<\/p>\n
\n
<\/p>\n
M\u2019i si pare c\u0103 reprezint\u0103 la nivel simbolic v\u00e2r\u00e2 lucru \u0163iva saghlame. \u015ei anume tamam a\u0163ist\u0103 fluiditate \u015fi mobilitate \u00eentr\u01ce lumi, domenii artisti\u0163e, \u00eentr\u01ce idei, \u00eentr\u01ce perspective di a mutrire corpul, mi\u015fcarea, a\u0163ea \u0163i cred c\u0103, \u00eentr-un\u01ce v\u00e2r\u00e2 \u0163iva misur\u0103, si fa\u0163e ast\u0103ndz\u00e2 cu arti\u015ftil\u2019i\u201d.<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Tru 1922, sculptorulu Constantin Br\u00e2ncu\u015fi adr\u01ce un costum di dansu (stran\u2019e) tr\u00e2 Lizica Codreanu, b\u00e2g\u01ce vinilul cu Gymnopediile\u201d a lu Erik Satie la picup \u015fi u invit\u01ce pi aesta s\u0103 creadz\u01ce un dansu tru atelierulu a lui, printr\u01ce sculpturi. Toat\u0103 ac\u0163iunea fu documentat\u0103 di Br\u00e2ncu\u015fi cu agiutorulu a unui Thornton Pickard cu foale \u015fi cremalier\u0103, […]<\/p>\n","protected":false},"author":129,"featured_media":189270,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[48445],"tags":[],"coauthors":[],"class_list":["post-189269","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-carnet-cultural"],"acf":[],"yoast_head":"\n