Nu exist\u0103 districtu \u00een toat\u0103 Europa tru care etniile s\u0103 hib\u0103 ah\u00e2t di amisticate ca \u00een Banat\u201d, scria tru secolul tricut istoriculu \u015fi politicianulu englez R.W.Seton Watson tru lucrarea lui ,,Europe in the Melting Pot\u201d. Timi\u015foara, spa\u0163iu prin excelen\u0163\u0103 a multiculturalitatil\u2019ei, easte c\u0103s\u0103b\u0103lu care g\u0103zduia\u015fte, easte loculu iu suntu fapte, treie teatre publice, care func\u0163ioneadz\u0103 tru tut a\u0163eau\u0103i cas\u0103 \u015fi produc spectacole tru limbe diferite: rom\u00e2n\u0103, german\u0103 \u015fi maghiar\u0103. Easte zborulu dispre Teatrulu Na\u0163ional Timi\u015foara, Teatrulu Ghirman di Stat Timi\u015foara \u015fi Teatrulu Maghiar di Stat Csiky Gergely Timi\u015foara. Pi n\u00e2ng\u0103 reghizoril\u2019i rom\u00e2n\u2019i care monteadz\u0103 aoa\u0163e, cathiun di a\u0163eale treie teatre are \u00een strateghia a lui invitarea a reghizorilor xen\u2019i. Ispate, treie premiere prezentate la buitisit\u0103 di an, dispre care zbur\u0103m ast\u0103ndz\u0103.<\/p>\n
\n
<\/p>\n
P\u00e1l Frenak, unulu di a\u0163el\u2019i ma cunoscu\u0163\u00e2l\u2019i coregrafi \u015fi dansatori europeni, \u00ee\u015fi \u00eemparte bana artistic\u0103 \u00eentr\u0103 Paris \u015fi Budapesta. Timi\u015forean\u2019il\u2019i suntu deja familiariza\u0163 cu crea\u0163iile a lui, Frenak hiinda invitat la ma multe edi\u0163ii a FEST — FDR (Festivalul European a Spectacolului Timi\u015foara — Festival al Dramaturghiil\u2019eei Rom\u00e2neasc\u0103) \u015fi hiinda \u015fi \u0163el \u0163i are creat\u0103 primulu spectacol di teatru-dans a Teatrului Na\u0163ional Timi\u015foara, sWitch\u201d. La arhiusita a lu decembrie, Pal Frenak \u015fi Na\u0163ionalul timi\u015forean au propus\u0103 a publicului spectacolul di teatru-dans Prin vis\u201d, un road-movie turnat\u201d, \u00een care si intersecteadz\u0103 teatrulu, dansul \u015fi sugestia chinematografic\u0103. Ada Hausvater, managerulu a Teatrului Na\u0163ional Timi\u015foara dz\u00e2\u0163e:<\/p>\n
\n
<\/p>\n
Sunt paramite contemporane, spuse \u00eentr-un\u0103 manier\u0103 contemporan\u0103. Suntu diverse paramite, spuse pri-tru corp. \u015ei mult\u0103 energhie. Suntu imaghini splendide, actoril\u2019i suntu tr\u00e2 mirache, suntu ni\u015fte dansatori fabulo\u015fi. Totul easte b\u00e2nat tru dansu! Easte un istorim\u0103 mu\u015fat\u0103, cu un Cadillac real tru mesea, nolgica di di schen\u0103. Him tru ma\u015fin\u0103, pi autostrad\u0103; \u00een func\u0163ie di reperile personale, avem ocazia s\u0103 n\u0103 minduim la tute tuirliile di personaje celebre. Cu c\u00e2t \u015ftii ma multu, cu ah\u00e2t ai ocazia s\u0103 hii ma fericit. Easte un spectacol extrem di provocator \u015fi inteligentu. Aest\u0103 m\u2019i si pare importantu c\u0103 are creat\u0103 P\u00e1l. Tru a\u0163ist spectacol, emo\u0163ia ar\u0103m\u00e2ne dreptu locomotiva principal\u0103\u201d.<\/p>\n
\n
<\/p>\n
Multiculturalitatea c\u0103s\u0103b\u0103luii di pi malurile a Beg\u0103l\u2019ei si reflect\u0103 \u015fi \u00een strateghia Teatrului Na\u0163ional Timi\u015foara. Ada Hausvater, managerulu a institu\u0163il\u2019ei dz\u00e2\u0163e:<\/p>\n
\n
<\/p>\n
Easte multu importantu tr\u0103 noi s\u0103 lucr\u0103m cu arti\u015fti \u015fi di-tru alte \u0163\u0103ri, s\u0103 b\u00e2g\u0103m deadun \u00een Teatrul Na\u0163ional experien\u0163e, idealuri \u015fi s\u0103 afl\u0103m a\u0163eale puncte comune, a\u0163ea \u0163i fa\u0163e ca teatrulu \u015fi artile a spectacolului s\u0103 m\u2019earg\u0103 ma departe. M\u2019i si pare obligatoriu tr\u0103 noi, ca teatru na\u0163ional, s\u0103 di\u015fcl\u2019idim u\u015file c\u0103tr\u0103 nou. \u015ei ca s\u0103 po\u0163 s\u0103 fa\u0163 aest\u0103, si dz\u00e2\u0163e c\u0103 dai importan\u0163\u0103 a diversitatil\u2019ei. Fu importantu tr\u0103 mine di la arhiusit\u0103 ca teatrul s\u0103 nu agiung\u0103 ni\u0163iun\u00e2oar\u0103 unilateral, s\u0103 nu si \u00eencl\u2019id\u0103 pi un\u0103 direc\u0163ie, s\u0103 nu lom apofase: a\u015fi easte ghine, aestua easte bun, aestua easte slab. A\u0163ea \u0163i-m\u2019i p\u0103ru \u0163el mai importantu ca mentalitate easte s\u0103 dezvolt\u0103m creativitatea, capacitatea individual\u0103 tra s\u0103 him c\u00e2t ma orighinali, c\u00e2t ma sensibili\u201d.<\/p>\n
\n
<\/p>\n
\u015ei Teatrulu Ghirman di Stat Timi\u015foara are \u00een strategia lui invitarea a unor reghizori din afoara a spa\u0163iului rom\u00e2nescu. Lucian V\u0103r\u015f\u0103ndan, managerul institu\u0163iei dz\u00e2\u0163e: Teatrulu Ghirman di Timi\u015foara are \u015fi scupolu tra s\u0103 prezint\u0103 \u00een Rom\u00e2nia crea\u0163ii a unor arti\u015fti di-tru spa\u0163iul di expresie ghirman\u0103. Lucrul aestua \u00eem\u2019i adu\u0163e aminte un\u0103 discu\u0163ie avut\u0103 cu un\u0103 spectatoare aoa \u015fi ndoi an\u2019i, care m\u2019i spuse c\u0103 \u00ee\u015fi are dor s\u0103 vead\u0103 c\u00e2ndu \u015fi c\u00e2ndu la Teatrulu Ghirman cum si fa\u0163e teatru \u00een spa\u0163iul di limb\u0103 ghirman\u0103. Literatura dramatic\u0103 actual\u0103 di expresie ghirman\u0103 easte un\u0103 di a\u0163eale mai interesantile \u015fi aplicate asupra a temilor fundamentale a omului contemporan. \u00cen a\u0163ist contextu, easte importantu tr\u00e2 noi s\u0103 prezent\u0103m crea\u0163iile a unor reghizori importan\u0163\u00e2 di-tru aestu spa\u0163iu, a unor reghizori care \u00ee\u015fi fea\u0163ir\u0103 un\u0103 num\u0103 nu ma\u015fi \u00een spa\u0163iul di limb\u0103 ghirman\u0103, ama \u015fi dinclo di grani\u0163ile a lu\u015ftui. Categoric, Volker Schmidt easte unulu di arti\u015ftil\u2019i care \u00eendeplinescu toate a\u0163iste condi\u0163ii. Semn\u0103tura a lui, hib\u0103 ca reghizor, hib\u0103 ca autor di text dramatic si afl\u0103 pi afi\u015fe tru multe \u0163\u0103ri europeane, tru multe di multe limbe. Easte, a\u015fima, un reghizor \u015fi un creator total multu ancorat tru a\u0163ea \u0163i \u00eenseamn\u0103 teatrulu contemporan\u201d.<\/p>\n
\n
<\/p>\n
Aflat la a treia colaborare cu Teatrulu Ghirman, austriaculu Volker Schmidt are montat\u0103 la aest\u0103 bitisit\u0103 di an propriul a lui textu, Eigentlich sch\u00f6n\u201d\/ De fapt easte mu\u015fat\u201d. Un spectacol dispre bana personal\u0103 a oamin\u2019ilor din Europa di az\u0103, care uneori nu easte ni\u0163e pi departe ah\u00e2t di mu\u015fat\u0103, di fericit\u0103 c\u00e2t pretindu ae\u015ftia c\u0103 easte pi re\u0163ealile di socializare. Volker Schmidt dz\u00e2\u0163e:<\/p>\n
\n
<\/p>\n
Bitisim cu Teatrulu Maghiar di Stat Csiky Gergely\u201d, din Timi\u015foara, sigura, iu, tot la aest\u0103 bitisit\u0103 di an, Pusk\u00e1s Zolt\u00e1n, reghizor \u015fi actor independentu din Zenta (S\u0103rbie), are b\u00e2gat\u0103 \u00een schen\u0103 celebrulu musical Hair\u201d. Invitarea reghizorilor xen\u2019i fa\u0163e parte, \u015fi ea, din strategia Teatrului Csiky Gergely\u201d. Actorulu Attila Balazs, managerulu a institu\u0163il\u2019ei dz\u00e2\u0163e: Noi him \u00een zona aesta a Banatului, iu b\u00e2n\u0103m multu aproapea di Ungaria, di Serbia\u2026 Putem s-dz\u00e2\u0163m c\u0103 zbur\u00e2m tut a\u0163eau\u0103\u015fi limb\u0103, \u0163i cara c\u0103 zbur\u0103m \u00een limbi diferite, adic\u0103 n\u0103 achic\u0103sim multu ghine. Reghizorulu Pusk\u00e1s Zolt\u00e1n are b\u00e2gat\u0103 \u015fi spectacole pi schena Teatrului Maghiar din Timi\u015foara, spectacole muzicale. Cred c\u0103 tora n\u0103 avem loat\u0103 cum si dz\u00e2\u0163e inima \u00een din\u0163\u0103 \u015fi, cu musicalul Hair\u201d, fea\u0163im un\u0103 dr\u00e2\u015fcl\u2019eau\u0103 mare n\u0103inte. Tru a\u0163ist\u0103 stagiune, avem un\u0103 colaborare tot cu un reghizor di-tru S\u0103rbie, n\u0103scut \u00een Muntenegru. Zona a\u0163ista a Balcanilor easte multu interesant\u0103 \u015fi v\u2019ie \u015fi noi, ma him multu aproapea, \u015ftim \u0163i si fa\u0163e, av\u00e2nda \u015fi Festivalul Euroregional di Teatru TESZT. Disigura, dorim, avem dor s\u0103 invit\u0103m \u015fi al\u0163\u0103 reghizori. Di exemplu, avem \u00een videare \u015fi un reghizor american. Nu cred c\u0103 aesta conteadz\u0103. Conteadz\u0103 linia pi care m\u2019eardze Teatrulu Maghiar din Timi\u015foara, care easte un\u0103 linie contemporan\u0103, cu spectacole v\u2019ie, cu un\u0103 trup\u0103 energic\u0103 \u015fi cu dor \u015fi vreare di rezultate bune\u201d.<\/p>\n
Autor: Luana Ple\u015fea<\/p>\n
Armanipsire: Histu Steriu<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":" Nu exist\u0103 districtu \u00een toat\u0103 Europa tru care etniile s\u0103 hib\u0103 ah\u00e2t di amisticate ca \u00een Banat\u201d, scria tru secolul tricut istoriculu \u015fi politicianulu englez R.W.Seton Watson tru lucrarea lui ,,Europe in the Melting Pot\u201d. Timi\u015foara, spa\u0163iu prin excelen\u0163\u0103 a multiculturalitatil\u2019ei, easte c\u0103s\u0103b\u0103lu care g\u0103zduia\u015fte, easte loculu iu suntu fapte, treie teatre publice, care func\u0163ioneadz\u0103 […]<\/p>\n","protected":false},"author":129,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[48445],"tags":[],"coauthors":[],"class_list":["post-189438","post","type-post","status-publish","format-standard","hentry","category-carnet-cultural"],"acf":[],"yoast_head":"\n
\n
<\/p>\n
\n
<\/p>\n
\n
<\/p>\n