Dansatorulu, coregrafulu \u015fi, di nisc\u00e2ntu chiro, \u015fi reghizorulu R\u0103zvan Mazilu adu\u0163ea ninte cu doi an\u2019i pi schena Teatrului Ghirman di Timi\u015foara partituri celebre pricum Cabaret\u201d sau Money, Money\u201d, printr-un spectacol \u0163i are avut\u0103 mare succes la public, ama \u015fi tru arada criti\u0163lor: musicalul Cabaret\u201d di Joe Masteroff. Daniela T\u00f6r\u00f6k \u015fi Georg Peetz fur\u0103 nominaliza\u0163 la Premiile UNITER 2015: Daniela T\u00f6r\u00f6k, la categoria \u0162ea ma buna actri\u0163\u0103 \u00een rol principal\u201d tr\u0103 rolul a lu Sally Bowles, iara Georg Peetz la sec\u0163iunea \u0162el ma bunulu actor \u00een rol secundar\u201d tr\u0103 rolul Conf\u00e9rencier. La un an dup\u0103 produc\u0163ia Cabaret\u201d, un musical dispre lumea a cabaretului, \u00een toamna a lu 2015, R\u0103zvan Mazilu are vinit\u0103 pi schena bucure\u015ftean\u0103, cu un spectacol di cabaret burlescu, Mon Cabaret Noir\u201d, un\u0103 produc\u0163ie di dimensiun\u2019i multu mai m\u2019i\u0163, creat\u0103 \u00eentr-un spa\u0163iu independentu, Teatrelli.<\/p>\n
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R\u0103zvan Mazilu dz\u00e2se: \u00centr-un\u0103 ban\u0103 anterioar\u0103, cred c\u0103 am b\u00e2nat\u0103 tru epoca interbelic\u0103. Cred c\u0103 am un sim\u0163u, un\u0103 intui\u0163ie c\u0103tr\u0103 zona di spectacol. Di a\u0163ea aform\u2019ie mi are atrapt\u0103 \u015fi celebrul titlu Cabaret\u201d, pi care lu-am montat\u0103 la Timi\u015foara. Mi intereseadz\u0103 genulu, mi informedzu, mi documentedzu permanent. Am arhiusit\u0103 genulu a\u0163istua di cabaret un\u00e2oar\u0103 cu Anghilul nalbastru\u201d, proiectul a meu di la Teatrul Odeon di-tru 2001. Spectacolul easte dup\u0103 romanulu a lu Heinrich Mann \u015fi dup\u0103 filmul cu Marlene Dietrich, care u fea\u0163e celebr\u0103. Atum\u0163ea am sim\u0163it\u0103 c\u0103 poate s\u0103 \u00eem\u2019i aib\u0103 hare zona aesta. Apoia, mi-am adunat\u0103 \u015fi cu cabaretulu un\u00e2oar\u0103 cu one-man show-ul Sell me\u201d, realizat \u00eempriun\u0103 cu coregrafulu Florin Fieroiu, un spectacol di un\u0103 giumitate di or\u0103, tru care dansam pi muzica di cabaret a interpret\u00e2l\u2019ei Eartha Kitt \u015fi pi care lu-am giucat\u0103 \u00een spa\u0163ii niconven\u0163ionale. Di atum\u0163\u0103, m\u2019i-am promis\u0103, m\u2019I-am t\u0103xit\u0103 s\u0103 mi tornu iara asupra a\u0163istui univers. \u00cem\u2019i are hare s\u0103 fac musical, di afoprm\u2019ia c\u0103 easte genulu care mi reprezint\u0103 pi mine \u0163el cama ghine, di aform\u2019ia c\u0103 easte un gen probat la public. Musicalul easte un\u0103 form\u0103 \u0163i sincretizeadz\u0103 dansul, teatrulu \u015fi muzica \u00een armonie cu sensibilitatea publicului di az\u0103. Easte un gen di care publiculu are nivol\u2019ie, un gen di entertainment intelighentu, cultural, nu ma\u015fi divertismentu, c\u0103 \u015fi un tip di spectacol care poate s\u0103 mut\u0103 \u00eentrib\u0103ri, probleme. A\u015fi cum am fapt\u0103 aestu lucru cu The Full Monty\u201d, la Teatrulu Na\u0163ional di Timi\u015foara sau Cabaret\u201d la Teatrulu Ghirman di Stat din Timi\u015foara, care sunt ni\u015fte paramithe mintiminil\u2019e, paramithe di-tru care publiculu \u00eenvea\u0163\u0103 \u0163iva\u201d.<\/p>\n
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\u00centr-un\u0103 lume tru care televiziunea promoveadz\u0103 masiv divertismentul facil, exist\u0103 a\u0163ist pericol \u015fi \u00een zona teatrului. R\u0103zvan Mazilu are putut\u0103 s\u0103 stabileasc\u0103 \u00eempriun\u0103 cu to\u0163 actoril\u2019i cu care are lucrat\u0103 un\u0103 direc\u0163ie profesionist\u0103. El dz\u00e2se: Prota oar\u0103, problematica pi care u am aleapt\u0103 nu ti alas\u0103 s\u0103 cadz \u00eentr-un divertismentu facil sau di un gustu nu dip tamam. Titlurile pi care m\u2019i le-am aleapt\u0103 sunt ni\u015fte propuniri, pi c\u00e2t di curajoase, pi at\u00e2ntu di profunde, sunt ni\u015fte capodopere a genului. Hiinda \u015fi multu ghine scrise, \u015fi multu ghine compuse \u015fi eo \u015ftiinda multu ghine \u0163i voiu di la i\u0163ipasa proiect, a\u0163istea lu mut\u0103 interpretulu, \u00eel\u2019i \u00eembug\u0103\u0163escu tropurile di expresie artistic\u0103, un actor evolueadz\u0103 atum\u0163ea c\u00e2ndu lucreadz\u0103 \u00eentr-un musical, di aform\u2019ia c\u0103 easte un gen di spectacol complexu \u015fi multu elaborat, la care si lucreadz\u0103 multu di multu, la care am mutrit\u0103 tra s\u0103 mut tut chjirolu cam nsus \u015ftacheta a performan\u0163\u00e2l\u2019ei \u015fi a virtuozitatil\u2019ei\u201d.<\/p>\n
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Parmithulu a spectacolului Mon Cabaret Noir\u201d easte str\u00e2nsu ligat\u0103 di a\u0163el a b\u00e2garil\u2019ei \u00een schen\u0103 a musicalului Cabaret\u201d. Di aform\u2019ia c\u0103 ninte di s-aca\u0163\u0103 lucrulu la celebra produc\u0163ie, si duse s\u0103 se documenteadz\u0103 la Berlin. Cum c\u00e2fta umbre di-tru cabaretulu di e altuv\u00e2r\u0103 chiro, di nintea a doilui polim mondial, R\u0103zvan Mazilu u are descoperit\u0103 pi Anita Berber, dansatoare, coregraf\u0103, actri\u0163\u0103 di mare succes di-tru an\u2019il\u2019i 20, personalitate avangardist\u0103, rebel\u0103, \u0163i li-are inspirat\u0103 pi mult mai celebrile Marlene Dietrich \u015fi Greta Garbo. R\u0103zvan Mazilu dz\u00e2\u0163e:
Tr\u0103 Mon Cabaret Noir\u201d, R\u0103zvan Mazilu aleapse patru actri\u0163e multu talentate, cu personalit\u0103\u0163 puterni\u0163e \u015fi multu diferite: Alina Petric\u0103, Anca Florescu, Ana Bianca Popescu \u015fi Ilona Brezoianu. Tra s\u0103 gio\u0163 cu succes \u00eentr-un musical sau un spectacol di cabaret easte nivol\u2019ie di talentu, ama \u015fi di dischiplin\u0103 \u015fi rigoare, calit\u0103\u0163 care definescu \u015fi trupa Teatrului Ghirman di Timi\u015foara, cu care R\u0103zvan Mazilu are lucrat\u0103 tr\u0103 Cabaret\u201d. Coregrafulu R\u0103zvan Mazilu dz\u00e2\u0163e: Un actor di cabaret prinde s\u0103 \u015ftib\u0103 s\u0103 c\u00e2nt\u0103, s\u0103 danseadz\u0103, s\u0103 hib\u0103 actor, s\u0103 spun\u0103 proz\u0103, s\u0103 aib\u0103 disponibilitatea tra s\u0103 achic\u00e2seasc\u0103 c\u0103 easte un altu gen, un altu tip di spunire pi schen\u0103. Lipsea\u015fte s\u0103 aib\u0103 un\u0103 stare ludic\u0103 permanent\u0103, s\u0103 hib\u0103 uidisit s\u0103 fac\u0103 i\u0163i s-hib\u0103, s\u0103 si agioac\u0103, s\u0103 sta \u00een cap, s\u0103 spun\u0103 \u015fi s\u0103 c\u00e2nt\u0103 textul st\u00e2nda pi cap. S\u0103 aib\u0103 curaj, s\u0103 nu hib\u0103 pudic, s\u0103 hib\u0103 provocator, s\u0103 hib\u0103 carismatic, s\u0103 \u015ftib\u0103 s\u0103 sumar\u00e2d\u0103 \u015fi s\u0103 hib\u0103 di\u015fcl\u2019is, \u00eentr-un\u0103 permanent\u0103 rela\u0163ie cu publiculu. Di aform\u2019ia c\u0103 easte clar, fa\u0163e parte di-tru leadzea a spectacolului di cabaret, c\u0103 exist\u0103 un\u0103 rela\u0163ie permanent\u0103 \u015fi direct\u0103 \u00eentr\u0103 actori \u015fi public\u201d.<\/p>\n
Autor: Luana Ple\u015fea<\/p>\n
Armanispire: Hristu Steriu<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":" Dansatorulu, coregrafulu \u015fi, di nisc\u00e2ntu chiro, \u015fi reghizorulu R\u0103zvan Mazilu adu\u0163ea ninte cu doi an\u2019i pi schena Teatrului Ghirman di Timi\u015foara partituri celebre pricum Cabaret\u201d sau Money, Money\u201d, printr-un spectacol \u0163i are avut\u0103 mare succes la public, ama \u015fi tru arada criti\u0163lor: musicalul Cabaret\u201d di Joe Masteroff. Daniela T\u00f6r\u00f6k \u015fi Georg Peetz fur\u0103 nominaliza\u0163 la […]<\/p>\n","protected":false},"author":129,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[48445],"tags":[],"coauthors":[],"class_list":["post-189440","post","type-post","status-publish","format-standard","hentry","category-carnet-cultural"],"acf":[],"yoast_head":"\n
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