Un\u0103 expozi\u0163ie dedicat\u0103 a aniversaril\u2019i a 100 di an\u2019i di dadaismu fu di\u015fcl\u2019is\u0103 la ARCUB — Chentrul Cultural a Municipiului Bucure\u015fti tru sediul din strada Gabroveni, aflat\u0103 \u00een chentrul vecl\u2019iu a capital\u00e2l\u2019ei a li Rom\u00e2nie. Expozi\u0163ia TZARA.DADA.ETC, realizat\u0103 di Erwin Kessler cu lucr\u0103ri din colec\u0163ia familil\u2019ei Emilian Radu, reprezint\u0103 \u0163ea mai ampla retrospectiv\u0103 a crea\u0163iilor \u015fi publica\u0163iilor a lu Tristan Tzara organizat\u0103 v\u00e2r\u00e2oar\u0103 \u00een Rom\u00e2nia. Easte, tru tut a\u0163elu\u015fi chiro, \u015fi prima expozi\u0163ie la nivel interna\u0163ional care prezint\u0103 un\u0103 mare parte di opera poetic\u0103 di prim\u0103 edi\u0163ie a lu Tzara, ilustrat\u0103 di maril\u2019i arti\u015fti a lumil\u2019ei. Evenimentul celebreaz\u0103 \u015fi inaugurarea Cabaret Voltaire \u015fi na\u015ftirea a mi\u015fcaril\u2019ei Dada la Z\u00fcrich, pi 5 februarie 1916. Printr\u0103 \u0163eale ma cunoscutile texte dadaiste a lu Tristan Tzara si nuamir\u0103 La Premi\u00e8re Aventure c\u00e9leste de Monsieur Antipyrine (1916; Prima aventur\u0103 \u0163ireasc\u0103 a domnului Antipyrine) \u015fi Vingt-cinq po\u00e8mes (1918; \u0162ispr\u00e2gh\u2019inghi\u0163 di poeme), respectiv manifestile a mi\u015fcaril\u2019ei: Sept manifestes Dada (1924; \u015eapte manifeste Dada). Lucr\u0103rile a lui di maturitate aca\u0163\u0103 cu LHomme approximatif (1931; Omulu aproximativ) \u015fi continu\u0103 cu Parler seul (1950; Zbur\u00e2ndalui singur) \u015fi La Face int\u00e9rieure (1953; Fa\u0163a interioar\u0103). Erwin Kessler, realizatorulu a expozi\u0163il\u2019eei TZARA.DADA.ETC.<\/p>\n
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: Easte un\u0103 realizare ahoria faptul c\u0103 un tinir fudzit di Bucure\u015fti tru 1915, noiembrie, agiundze pi 5 februarie 1916 s\u0103 intre directu pi marea sccen\u0103 a art\u00e2l\u2019ei interna\u0163ional\u0103, pi \u015fi u creaz\u0103. Aesta easte \u015fi teza expozi\u0163il\u2019ei, c\u0103 dadaismul fu creat \u00eentr-un v\u00e2rtej di inspira\u0163ie la arhiusita a lu 1916, iara Tristan Tzara \u00eempriun\u0103 cu Marcel Iancu \u015fi Arthur Segal, tu\u0163 orighinari din Rom\u00e2nia, Bucure\u015fti, au creat\u0103 cu a\u0163ist impulsu extraordinar dadaismul. \u00cen expozi\u0163ia di la ARCUB prezent\u0103m aproapea 100 di piese care provin din colec\u0163ia Emilian Radu, un colec\u0163ionar bucure\u015ftean care si-are dedicat\u0103 tru ultimil\u2019i an\u2019i a li\u015ftei cu minuti\u015furi, minu\u0163ioas\u0103, \u015fi extrem di costisitoare activitatei tra s\u0103 bag\u0103 deadun un amplu dosar Tristan Tzara \u015fi DADA. Suntu piese cu valoare di unicat, unile di eale nu fur\u0103 expuse v\u00e2r\u00e2oar\u0103 ni \u0163e la nivel interna\u0163ional, cu toate c\u0103 au un\u0103 imens\u0103 relevan\u0163\u0103, cum easte un\u0103 scrisoare pitricut\u0103 di Tristan Tzara a lu Andre Breton tru alonar 1919, un\u0103 scrisoare esen\u0163ial\u0103, scris\u0103 pi un\u0103 fil\u0103 arupt\u0103 din cartea lui, \u0162ispr\u0103gh\u2019inghi\u0163 di poeme\u201d, prima lui carte. Un\u0103 scrisoare tru care \u00ee\u015fi aranjeadz\u0103 v\u2019inearea la Paris, \u015fi un\u0103oar\u0103 cu v\u2019inearea lui, mutarea DADAISM-ului di la Zurich la Paris.\u201d<\/p>\n
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Tru mplin\u0103 glorie, Tristan Tzara l\u2019ia apofase s\u0103 si retrag\u0103 di-tru bana public\u0103. \u00centr-un interviu dat a priiatinului, oaspile a lui br\u0103ilean Ilarie Voronca, tru cunoscuta revist\u0103 di avangard\u0103 \u201cIntegral\u201d, Tristan Tzara m\u0103rturisea :\u201dScriu tra s\u0103 discoapir oamin\u2019i. \u015ei, ca dialithea, am descoperit\u0103 oamin\u2019i, ama care m\u2019i-au fr\u00e2mt\u0103 chefea ah\u00e2t di mult, \u00eenc\u00e2t aest\u0103 ra\u0163iune disp\u0103ru didip, ca bruma, din cadrul vizual, di-tru preocup\u0103rile a meale. Faptul \u00eensu\u015fi c\u0103 obiectul a decep\u0163il\u2019ei a mea easte \u015fi ast\u0103ndz\u0103 di un\u0103 manier\u0103 pi care u cred relativ \u0163ea mai demna di aten\u0163ie, nu fa\u0163e dic\u00e2t s\u0103 creasc\u0103 triste\u0163ea a mea. Achic\u00e2siiu, p\u0103n\u0103 tru sone, c\u0103 alan\u0163\u0103 scria ma c\u0103 nu tra s\u0103 alin\u0103, socialemente ma s\u0103 zbur\u0103m, barim tra s\u0103-\u015fi fac\u0103 un depozit \u00een banca rela\u0163iilor a lor, care \u00eentr-un\u0103 dzuu\u0103 va l\u0103 di\u015fcl\u2019id\u0103 u\u015file a unei Academie di care dip pu\u0163\u0103n avuiu sinfer. Continui s\u0103 scriu tr\u0103 mine, tamam tr\u0103 momentu \u015fi, cum nu aflaiu al\u0163\u0103 oamin\u2019i, mi caftu dipriun\u0103. Contrar a zboar\u00e2lor false \u0163i suntu r\u0103sp\u00e2ndite, conform a cure Dada s-aib\u0103 moart\u0103 pri-tru demisia a ndoi individz, eo insumi escu \u0163el care u muri Dada, \u00een mod voluntar, di aform\u2019ia c\u0103 am considerat\u0103 c\u0103 un\u0103 stare di libertate individual\u0103 avea agiumt\u0103 p\u0103n\u0103 ru sone un\u0103 stare colectiv\u0103 \u015fi c\u0103 diver\u015fil\u2019i pre\u015fedin\u0163\u0103\u201d arhiusea s\u0103 simt\u0103 \u015fi s\u0103 minduiasc\u0103 tut a\u015fi. Ama, ici \u0163iva nu-m\u2019i easte mai antipatic dic\u00e2t leanea cerebral\u0103 care anihileadz\u0103 mi\u015fc\u0103rile individuale hiinda aproape di nibunil\u2019e tru minte \u015fi contrar a interesului gheneral.\u201d (lu ncl\u2019isim citatulu) Erwin Kessler, realizatorulu a expozi\u0163il\u2019ei TZARA.DADA.ETC. :<\/p>\n
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\u201dDi alithea, fu extrem di cu chefea fr\u00e2mt\u0103, iara ligat di a\u0163ist\u0103 fr\u00e2ndzire chefea\/dezam\u0103gire pot s\u0103 v\u0103 prezintu un\u0103 alt\u0103 scrisoare extraordinar\u0103 din colec\u0163ie, \u015fi implicit di-tru expozi\u0163ie, un\u0103 pies\u0103 adresat\u0103 di Tristan Tzara a unui m\u00e2rat birocrat di la biroulu di pres\u0103 francez, care adunaa documenta\u0163ie dispre dadaism. C\u00e2nd, tru 1928, respectivulu func\u0163ionar \u00eel\u2019i pitrea\u0163e un dosar dispre DADA, Tristan Tzara \u00eel\u2019i r\u0103spunde cu mult\u0103 triste\u0163e c\u0103 nu mata va s\u0103 aproache ici \u0163iva referitor la DADA \u015fi dadaismu, ma\u015fi \u0163i easte referitor la el \u00eensu\u015fi. Din cauza a li\u015ftei situa\u0163ie, cu chefea fr\u0103mt\u0103, si avea decuplat\u0103 di la dadaismu, crea\u0163ia lui. Di aform\u2019ia c\u0103 dadaismul fu un\u0103 \u00eentreprindere – un\u0103 \u00eentreprindere di rela\u0163ionare, di comunicare, di publicare, \u015fi social\u0103, \u015fi politic\u0103 unic\u0103, de faptu. \u015ei pi parcursul a li\u015ftei \u00eentreprindire, urm\u0103rindalui a\u0163isst\u0103 \u00eentreprindire, lu descoperiiu de faptu pi Tristan Tzara. Nu lu-am descoperit\u0103 tora, lucredzu di \u0163in\u0163e, \u015fase an\u2019i, mi documentedzu \u015fi citescu dispre Tristan Tzara, am publicat\u0103 ma multe texte dispre el, inclusiv tru xin\u0103tate, tru SUA, dispre capacitatea lui tra s\u0103 creadz\u0103 di-ru ici \u0163iva, un curentu di un\u0103 amploare extraordinar\u0103. Di aform\u2019ia c\u0103 la ora actual\u0103 neodadaismul easte unulu di curentile care contribuie la arta contemporan\u0103.\u201d<\/p>\n
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Expozi\u0163ia TZARA. DADA. ETC, di\u015fcl\u2019is\u0103 la Bucure\u015fti p\u00e2n\u0103 la bitisita mesului aprilie, include lucr\u0103ri orighinale di grafic\u0103 simnate di avangardi\u015fti avdz\u00e2\u0163 pricum Andr\u00e9 Breton, Pablo Picasso, Henri Matisse, Joan Mir\u00f3, Sonia Delaunay, Max Ernst, Alberto Giacometti, Yves Tanguy, Jean Arp \u015fi Marcel Iancu, c\u0103r\u0163\u00e2 di artist \u015fi publica\u0163ii avangardiste istori\u0163e, afi\u015fe a unor manifest\u0103ri dadaiste interbeli\u0163e, c\u00eet \u015fi un\u0103 colec\u0163ie impresionant\u0103 di fotografii di epoc\u0103 \u0163i-l repreziint\u0103 pi Tristan Tzara tru toate etapile a ban\u00e2l\u2019ei a lui. Expozi\u0163ia fa\u0163e parte di-tru seria evenimentilor organizate cu aform\u2019ia a candidatur\u00e2l\u2019ei a c\u00e2s\u00e2b\u0103lui Bucure\u015fti la titlul di Capital\u0103 European\u0103 a Cultur\u00e2l\u2019ei tru 2021, demersu ini\u0163iat \u015fi coordonat di ARCUB.<\/p>\n
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Autor: Corina Sab\u0103u<\/p>\n
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Arm\u00e2nipsi: Hristu Steriu<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Un\u0103 expozi\u0163ie dedicat\u0103 a aniversaril\u2019i a 100 di an\u2019i di dadaismu fu di\u015fcl\u2019is\u0103 la ARCUB — Chentrul Cultural a Municipiului Bucure\u015fti tru sediul din strada Gabroveni, aflat\u0103 \u00een chentrul vecl\u2019iu a capital\u00e2l\u2019ei a li Rom\u00e2nie. Expozi\u0163ia TZARA.DADA.ETC, realizat\u0103 di Erwin Kessler cu lucr\u0103ri din colec\u0163ia familil\u2019ei Emilian Radu, reprezint\u0103 \u0163ea mai ampla retrospectiv\u0103 a crea\u0163iilor […]<\/p>\n","protected":false},"author":135,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[48445],"tags":[],"coauthors":[],"class_list":["post-189444","post","type-post","status-publish","format-standard","hentry","category-carnet-cultural"],"acf":[],"yoast_head":"\n