Alantu\/ Migra\u0163ie\u201d, tem\u0103 deja a existen\u0163\u00e2lei a noastr\u0103 di cathe dzu\u0103, fu \u015fi propunirea a \u0163ilei de-a treia edi\u0163ie a Platform\u00e2lei Interna\u0163ional\u0103 di Teatru Bucure\u015fti, evenimentu organizat di ARPAS \u015fi di Prim\u0103ria Municipiului Bucure\u015fti, pri-tru ARCUB — Chentrul Cultural a Municipiului Bucure\u015fti.<\/p>\n
\n
<\/p>\n
Uidisit a curatoaril\u2019ei a li platform\u0103i, criticulu di teatru Cristina Modreanu, pri-tru spectacolile invitate di-tru Ghirmanie, Marea Britanie, Statile Unite \u015fi Rom\u00e2nia, publiculu avu ocazia s\u0103 cunoasc\u0103 modalit\u0103\u0163 pri-tru care poate s\u0103 si negociadz\u0103 rela\u0163ia cu Alantu. Cum \u00eel\u2019i accept\u0103m la noi acas\u0103 pi a\u0163el\u2019i xen\u2019il\u2019i di noi \u015fi cum fa\u0163im s\u0103 him noi \u00een\u015fin\u0103 accepta\u0163 aclo iu him xen\u2019i tr\u00e2 al\u0163\u00e2 — a\u0163istea sunt teme provocate di naua chimat\u0103 migratoare generat\u0103 di escaladarea a conflictilor armate di-tru Orientul di Mese\u201d, spune Cristina Modreanu. Ea dz\u00e2se:<\/p>\n
\n
<\/p>\n
\u201cDalga migratoare easte compus\u0103 di oamin\u2019i multu diferi\u0163, care agiungu \u00eentr-un teritoriu, Ghirmania, Marea Britanie, alte \u0163\u0103ri europeane. Tru cathiun di aeste locuri problemile sunt diferite. \u015ei sistemile \u00een care el\u2019i apliic\u0103, ic\u0103 fac c\u00e2ftare tr\u00e2 azil sau mutrescu s\u0103 si integreadz\u0103 v\u00e2r\u00e2 turlie sunt multu diferite \u015fi sigura c\u0103 di cathioar\u0103 problemile sunt cu totul alte. Eale sunt ama semnificative \u015fi tr\u00e2 noi, di aform\u2019ia c\u0103 \u015fi noi, ca i\u0163e \u0163ar\u0103 european\u0103, avem un\u0103 cot\u0103 di refugia\u0163. Avem a\u0163i\u015fti oamin\u2019i care ar\u0103m\u00e2n \u015fi la noi, chiru\u0163 \u00eentr-un sistem care nu para \u015ftie \u0163i s\u0103 fac\u0103 cu el\u2019i. Aleapsim spectacolile tamam tra s\u0103 prezent\u0103m c\u00e2t ma multe di a\u0163iste paramithe, di a\u0163iste cazuri ahtare turlie \u00eenc\u00e2t s\u0103 videm c\u0103 suntu tu\u0163 oamin\u2019i ca noi, oamin\u2019i care trec prin situa\u0163ii criti\u0163e di ban\u0103, care trec printr-un\u0103 suferin\u0163\u0103 di un tip sau altu \u015fi pi care lipsea\u015fte s\u0103 \u00eel\u2019i achic\u00e2sim ma ghine\u201d.<\/p>\n
\n
<\/p>\n
Aeste paramithe fur\u00e2 spuse \u00een timpul a Platform\u00e2lei tru turlii diferite: prin boa\u0163e, ritmu \u015fi muzic\u0103, prin teatru fizic, f\u0103r\u0103 zboar\u0103, printr-un discursu multu \u0163i \u015f-u adu\u0163e cu a\u0163el a politician\u2019ilor, printr-un tur ghidat performativ pi str\u0103dz\u00e2le a Bucure\u015ftiului sau prin teatru radiofonic.<\/p>\n
\n
<\/p>\n
Evenimentul fu di\u015fcl\u2019is di spectacolul di-tru Ghirmanie, Monoloadze din azil\u201d, textu \u015fi reghie Michael Ruf, care prezint\u0103, \u00eentr-un\u0103 form\u0103 minimalist\u0103, treie paramithe extrem di impresionante. Produc\u0163ia a unei structur\u0103 teatrale special\u0103: B\u00fchne f\u00fcr Menschenrechte\u201d \/ Actors for Human Rights\u201d, un teatru di proiectu care func\u0163ioneadz\u0103 ca un\u0103 re\u0163eau\u0103. Lara Chahal, asistent di reghie dz\u00e2\u0163e: Avem un\u0103 re\u0163eau\u0103 di actori \u015fi muzician\u2019i di-tru Ghirmanie \u015fi fa\u0163im spectacole tru diferite politii. Di exemplu, ma c\u0103 fa\u0163im un spectacol \u00een M\u00fcnchen, atum\u0163ea c\u0103ft\u0103m actori care locuiesc tru .locurile di nvarliga a M\u00fcnchenului, ca s\u0103 poat\u0103 s\u0103 particip\u0103 la proiectu. Deci, tot\u00e2na sunt actori diferi\u0163i. Textile si bazeadz\u0103 pi interviurile pi care li fea\u0163im cu refugia\u0163\u00e2l\u2019i care au vinit\u0103 tru Ghirmanie. Tru aeste interviuri, zburascu dispre experien\u0163ile a lor cu sistemulu european di azil. Vrem s\u0103 ar\u0103sp\u00e2ndim bo\u0163\u00e2le a rifugia\u0163\u00e2lor, ahtare turlie \u00eenc\u00e2t tut ma mul\u0163\u00e2 oamin\u2019i s\u0103 agiung\u0103, s\u0103 catandiseasc\u0103 con\u015ftien\u0163\u00e2 di problemile cu care ae\u015ftia si confrunt\u0103 \u00een Europa. Di arad\u0103, dup\u0103 spectacol st\u0103m di zbor cu publiculu \u015fi \u00eel provoc\u0103m la un\u0103 discu\u0163ie dispre \u0163i putem sa fa\u0163im \u00een lig\u0103tur\u0103 cu a\u0163iste situa\u0163ii. Unil\u2019i oamin\u2019i sunt \u015foca\u0163 di aeste paramithe, di aform\u2019ia c\u0103 nu \u015ftiu c\u0103 si fac aht\u0103ri lucre, al\u0163\u00e2 sunt deja implica\u0163 \u015fi vor s\u0103 fac\u0103 ma multu. Ne dorim, avem dor multu di multu s\u0103 implic\u0103m oaminil\u2019i \u00een discu\u0163ie \u015fi, tutun\u00e2oar\u0103, s\u0103 \u00eel\u2019i convindzim s\u0103 zburasc\u0103 dispre a\u0163ea \u0163i au avdz\u00e2t\u00e2, s\u0103 r\u0103sp\u00e2ndeasc\u0103 informa\u0163iile \u015fi s\u0103 discute unil\u2019i cu al\u0163\u00e2 dispre cum pot s\u0103 ndrupasc\u0103 refugia\u0163\u00e2l\u2019i la nivel local, \u00een comunit\u0103\u0163\u00e2le a lor\u201d.<\/p>\n
\n
<\/p>\n
Un\u0103 analiz\u0103 a problem\u00e2lei a li migra\u0163ie, a posibilelor efecte tru v\u2019initor a lu\u015ftui fenomen realizeadz\u0103 dramaturgul Matei Vi\u015fniec \u00een textul Migraaaan\u0163\u00e2 sau Para him mul\u0163\u00e2 tru tut a\u0163eau\u0103\u015fi barc\u0103\u201d, prezentat ca spectacol-lectur\u0103 \u00een cadrul a Platform\u00e2lei. Spectacolul are prefa\u0163at\u0103 premiera di teatru radiofonic pi care Teatrul Na\u0163ional Radiofonic va u produc\u0103 la \u00een\u0163eputulu a anului 2017, \u00een reghia artistic\u0103 a lu Mihai Lungeanu. \u00cen opinia a lu Mihai Lungeanu, problema a migra\u0163ilei easte zbur\u0103t\u0103 cu obiectivitate di c\u0103tr\u0103 autorulu a textului Migraaaan\u0163\u00e2…\u201d El dz\u00e2se:<\/p>\n
\n
<\/p>\n
Matei Vi\u015fniec aleadze un\u00e2 descriire a evenimentilor, nu un\u0103 implicare. Un\u0103 descriire a raporturilor care si creadz\u0103 \u00eentr\u0103 a\u0163el\u2019i care ghestioneadz\u0103 aest\u0103 v\u2019ineare a araghilor, a\u0163el\u2019i care fac comer\u0163u, a\u0163el\u2019i care fac afaceri, a\u0163el\u2019i care fac politic\u0103 … la toate nivelurile — cultural, politic, administrativ, uman… Are ndau\u0103 schene foarte sensibile ligate di universalitatea a moartilei, c\u00e2nd trupurile scoase pi uscat nu mata au ni\u0163e etnie, ni\u0163e sex, ni\u0163e v\u00e2rst\u0103… \u015ei atum\u0163ea, pi n\u00e2ng\u0103 capacitatea a noastr\u0103 tra s\u0103-l\u2019i apruchem pi a\u0163el\u2019i v\u2019iil\u2019i, si bag\u0103 \u015fi problema a mor\u0163\u00e2lor care lipsea\u015fte sa hib\u0103 ar\u0103d\u0103psi\u0163 \u00eentr-un\u0103 anumit\u0103 turlie. Mutrea\u015fte cu umor, cum fa\u0163e di arad\u0103 Matei Vi\u015fniec, cu sensibilitate, cu poezie \u015fi cu foarte mult\u0103 luciditate\u201d.<\/p>\n
\n
<\/p>\n
\u00cen ultima perioad\u0103, \u00een Bucure\u015fti, arti\u015ftil\u2019i arhiusir\u0103 s\u0103 manifeste interes tr\u00e2 crearea di proiecte di explorare urban\u0103. Unulu di a\u0163istea easte Harta senzorial\u0103 a Bucure\u015ftiului, un tur ghidat performativ, tru care sunt ufilisi\u0163 actori, invita\u0163 speciali care sunt liga\u0163 di case cu paramithe memorabile \u015fi instala\u0163ii video \u015fi audio. Harta senzorial\u0103 a Bucure\u015ftiului fea\u0163e parte din programulu a Platform\u00e2lei Interna\u0163ional\u0103 di Teatru Bucure\u015fti. Cristina Modreanu, curatoarea a proiectului dz\u00e2\u0163e:<\/p>\n
\n
<\/p>\n
Harta senzorial\u0103 a Bucure\u015ftiului\u201d easte un proiectu care n\u00e2 fa\u0163e s\u0103 n\u0103 adun\u0103m cu foarte multe fa\u0163e a c\u00e2s\u00e2b\u0103lui Bucure\u015fti, di-tru diferite epo\u0163 a lui. Lu-avem integrat\u0103 \u015fi \u00een Platform\u0103 di aform\u2019ia c\u0103 no\u0163iunea di alantu\u201d easte un\u0103 no\u0163iune cu care n\u00e2 avem confruntat\u0103 de-a lungul a istorilei. Easte surprinz\u0103tor s\u0103 vedz c\u0103 oamin\u2019i care au participat\u0103 la a\u0163est tur, p\u00e2n\u0103 tora nu \u015ftea c\u0103 exist\u0103 un cartier evreiescu tru c\u00e2s\u00e2blu Bucure\u015fti, c\u0103 mai ar\u0103mase foarte pu\u0163\u00e2n di el, nu \u015ftea c\u0103 exist\u0103 un cartier armenescu \u015fi multe alte tipuri di popula\u0163ie care au existat\u0103 aoa\u0163e, care exist\u0103 \u00een continuare \u015fi care fac diversitatea a c\u00e2s\u00e2b\u0103lui Bucure\u015fti\u201d.<\/p>\n
\n
<\/p>\n
\u00cen cazulu a companiilei din Marea Britanie, problema a migra\u0163ilei fu abordat\u0103 dinspre psihologhie. Amint\u00e2tor a premiului \u0162el ma bunulu spectacol Fringe 2014, Confirmare\u201d caft\u0103 s\u0103 n\u0103 fac\u0103 s\u0103 minduim: ama ma c\u0103 argumentele alante, care n\u00e2 si par ah\u00e2t di opuse a discursului a nostru \u015fi a prigiudic\u0103\u0163\u00e2lor a noastre sunt \u015fi eale tut ah\u00e2t di adev\u0103rate?\u201d.<\/p>\n
\n
<\/p>\n
Autor: Luana Ple\u015fea<\/p>\n
\n
<\/p>\n
Arm\u00e2nipsi: Hristu Steriu<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Alantu\/ Migra\u0163ie\u201d, tem\u0103 deja a existen\u0163\u00e2lei a noastr\u0103 di cathe dzu\u0103, fu \u015fi propunirea a \u0163ilei de-a treia edi\u0163ie a Platform\u00e2lei Interna\u0163ional\u0103 di Teatru Bucure\u015fti, evenimentu organizat di ARPAS \u015fi di Prim\u0103ria Municipiului Bucure\u015fti, pri-tru ARCUB — Chentrul Cultural a Municipiului Bucure\u015fti. Uidisit a curatoaril\u2019ei a li platform\u0103i, criticulu di teatru Cristina Modreanu, […]<\/p>\n","protected":false},"author":129,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[48445],"tags":[],"coauthors":[],"class_list":["post-189451","post","type-post","status-publish","format-standard","hentry","category-carnet-cultural"],"acf":[],"yoast_head":"\n