“UncannyOrder”, nai ma n\u0103u proiect di cercetari \u0219i di produc\u021bie artistic\u0103 dizv\u0103rtitu di Asocia\u021bia “Qolony”, ari ca laitmotiv arada ca ti ciudie cari s\u2019instaureadz\u0103 tru un\u0103 turlie spontan\u0103 \u0219i pi cari u num\u0103sim sincronicitate. Asocia\u021bia “Qolony” – Colonia tr\u0103 art\u0103 \u0219i \u0219tiin\u021b\u0103 easti un\u0103 asocia\u021bie cultural\u0103 \u0163i lucreadz\u0103 ca agregator al unei comunit\u0103\u021bi mixte di profesioni\u0219ti ti nisc\u0103nti dis\u0163ipline diferite, di la arti\u0219ti contemporani, cercet\u0103torii \u0219tiin\u021bifici, speciali\u0219ti tru lenu turlii di tehnologii, aduna\u0163 cu mirakea tr\u0103 practi\u0163 interdisciplinari \u0219i tr\u0103 creativitatea pi cari aesti u genereadz\u0103. Proiectili a su\u0163at\u0103llei mutrescu importan\u021ba practicilor colaborative, emu tr\u0103 amai sil\u0103 creativitatea \u0219i dezvoltaria personal\u0103, em \u0219i tr\u0103 prucukia curent\u0103 \u0219i yinitoari a societatillei. Ti proiect \u015fidzumu di zboru cu PR-ul cultural Anca Spiridon:<\/p>\n
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<\/p>\n
“Ini\u021biativa noastr\u0103 nkisea\u015fti di la teoria haosului, cari easti zugr\u0103psit\u0103 di nai multi ori ca hiinda aleatoriu, ama cu tuti aestea ti\u00f1isescu nisc\u0103nti reguli matemati\u0163i stricte cari diriv\u0103 ditu ecua\u021bii. Iara sincronicitatea easti tamam tendin\u021ba organic\u0103 a naturii ti s\u2019ndreag\u0103, ti s\u2019 ordoneadza, cu tut\u0103 hauua aparint pi cari u dukim\u0103simu. \u0218i c\u00e2ndu zbur\u0103mu ti aest\u0103 sincronicitate tru natur\u0103, putem s\u2019monduimu la celulele cardiace ditu inimile noastre, la stolurile di pulli cari azboair\u0103 tru sincron, tru un\u0103 direc\u021bie ma\u015f di eale \u0219tiut\u0103 ic\u0103 di purtati\u0163li sociale di grup. Iar miza nkisit\u0103llei “Uncanny Order” easti ta s\u2019ndreag\u0103 un m\u0103nuclliu di instala\u021bii intearactive \u0163i ufilisescu ca izvuru di inspira\u021bie, prin\u0163ipii di lucru, aesti seturi di date asociate modelilor matemati\u0163i ali teorie hauu\u0103llei, cari recreeadz\u0103 situa\u021bii di sincronicitate. Designul interior ali materie, formaria norilor \u0219i a daldz\u0103lor, ama \u0219i reprezent\u0103ri vizibile cum easti grafica computerizat\u0103, imaginea genearativ\u0103 ic\u0103 iholu genearativ. … Instala\u021bia va s\u2019poat\u0103 s\u2019hib\u0103 vidzut\u0103 di c\u0103tre public anamisa di 16 \u0219i 30 ciri\u015faru la Galeria “MV Sci-Art Center” ditu Timi\u0219oara, iar tru meslu alunaru va s\u2019d\u0103n\u0103seasc\u0103 la Galeria “Mobius” ditu Bucure\u0219ti.”<\/em><\/p>\n
Cari llia parti la aestu proiect? Cari suntu arti\u0219tii \u0219i cercet\u0103torii minti\u0163 tru realizaria “UncannyOrder”? Anca Spiridon:<\/p>\n
“A\u0163elli trei arti\u0219ti participan\u021bi tru “UncannyOrdir” sunt Floriama C\u00e2ndea, Claudia Chiri\u021b\u0103 \u0219i C\u0103t\u0103lin Cre\u021bu. Floriama C\u00e2ndea easti un artistu cari cerceteaz\u0103 ufilisearia \u0219i poten\u021bialele c\u0103lliuri di expirimentari cu tipuri noi di medii, cum suntu \u021besuturi \u0219i culturi biologhi\u0163i yii, ca un suport artistic, ama \u0219i tehni\u0163 fotografice alternative, iar conceptele \u0219i procesele a llei di lucru s\u2019ufilisescu di estetica imaginilor \u0219tiin\u021bifice, caduri macro modificate, scheme di clasificari vizual\u0103 \u0219i, dealihea, \u0219i a n\u0103sc\u0103ntoru h\u0103l\u0103\u0163 di cercetari \u0219tiin\u021bific\u0103 cari pot s\u2019hib\u0103 convertite tru practi\u0163 artisti\u0163i, procese chimi\u0163i, materiale biocompatibile \u0219i a\u0219a ma largu.<\/em><\/p>\n
Claudia Chiri\u021b\u0103 easti lector \u0219i cercet\u0103tor tru logic\u0103 matematic\u0103 \u0219i inteligen\u021ba artificial\u0103 la Facultatea di Matematic\u0103 \u0219i Informatic\u0103 di la Universitatea ditu Bucure\u0219ti, ama di \u0163ispr\u0103dza\u0163i a\u00f1i lucreadz\u0103 \u0219i ca ilustrator \u0219i grafician, iar temele pi cari u arisescu s\u2019li zburasc\u0103 suntu securitatea \u0219i confidin\u021bialitatea, vigllearia digital\u0103 \u0219i colaboraria ad hoc, tr\u0103 s\u2019examineadz\u0103 rela\u021bia cu patrimoniul socialist ic\u0103 tr\u0103 si xanapirmituseasc\u0103 bana minuti\u015f ditu antichitate. Iar <\/em><\/p>\n
C\u0103t\u0103lin Cre\u021bu ari un\u0103 diplo formari, easti inginer tru profilul electromecanic, ama \u0219i muzician, cu un\u0103 crea\u021bie avut\u0103 tru cari s\u2019cedu lucr\u0103ri di genuri super diferite, di la muzic\u0103 di camer\u0103, coral\u0103, opusuri simfonice, la muzic\u0103 electronic\u0103, instala\u021bii, lucr\u0103ri multimedia intearactive \u0219i easti, \u0219i cercet\u0103tor \u0219tiin\u021bific la Centrul di Muzic\u0103 electroacustic\u0103 \u0219i Multimedia. Easti profesor al Universitatea Na\u021bionale di Muzic\u0103 ditu Bucure\u0219ti \u0219i nu dip tu soniu, director executiv al Festivalului di Arte Noi “InnerSound”. <\/em><\/p>\n
Proiectul nsimneadz\u0103 \u0219i cercetari \u0219i programari, iar parte ditu el, deadunu cu arti\u0219tilli pi cari lli-adusimu aminti ma ninti sunt \u0219i programatorul Cristian Bala\u0219 \u0219i cercet\u0103torii Marian Zamfirescu \u0219i Ionu\u021b Andrei Relu. Suntu deadunu cu noi tr\u0103 a\u0163ea c\u0103 teoria haosului ari multi aplica\u021bii cu cari publicul larg easti ma p\u0163\u0103nu nvi\u0163atu. Ama aesti aplica\u021bii sedu la baza tehnologiilor cu cari intearac\u021bion\u0103m totna, a interfe\u021belor anamisa di oami\u00f1i \u0219i computer ic\u0103 mediul digital, \u0219i ase n\u0103 easti ma li\u015foru s\u0103 spunemu a publicului turliili tru cari sincronicitatea poate s\u2019hib\u0103 exprimat\u0103 ufilisinda tehnologia.”<\/em><\/p>\n
Cum nkisi ini\u021biativa proiectului? Ti vre\u0163 s\u2019explora\u021bi prit aesti instala\u021bii interactive? PR-ul cultural Anca Spiridon ap\u0103nd\u0103sea\u015fti:<\/p>\n
“Ini\u021biativa nkisea\u015fti di la teoria haosului. Aest\u0103 \u0219tiin\u021b\u0103 a sistemelor dinami\u0163i neliniari \u0163i easti akic\u0103sit\u0103 di noi, oami\u00f1illi, di nai ma multi ori ca un\u0103 teorie determinist\u0103 \u0163i ari logica thimilliusit\u0103 pi paradox \u0219i pi recursivitate. Haosul, cum spuneam \u0219i tu ahurhit\u0103, zugr\u0103psea\u015fti \u0219i prin\u0163ipii complexe ditu lumea natural\u0103 \u0219i, ac\u0103 easti zugr\u0103psit\u0103 ca hiindda aleatoriu, haosul ari \u0219i str\u0103xea\u015fti reguli matemati\u0163i extraordinar di stricte. A\u0219i c\u0103 noi interpret\u0103m haosul ca hiinda multu pi arad\u0103, multu organizat, iara pritu instala\u021biile realizate tru cadrul a proiectului vrem s\u0103 spunemu \u0219i ti publiclu largu nu ma\u015f aest\u0103 structur\u0103, ama \u0219i s\u2019vad\u0103 c\u0103 pot interfeara cu aest\u0103 structur\u0103. Pi scurtu, a\u0163eali ditu cadrul “UncannyOrdir” \u0219\u2019pripun s\u2019exploreadz\u0103 n\u0103sc\u0103nti modeli matemati\u0163i a sistemelor dinuami\u0163i cari sedu la thimellilu a alu\u015ftoru fenomene naturale, biologice \u0219i fizice, iara instala\u021biile artisti\u0163i sunt interactive \u0219i bazate pi eali \u0219i va lu-ghideadz\u0103 publiclu tru un set di intearac\u021biuni cu obiecte cari recreeadz\u0103 situa\u021biile di sincroni\u0163itate. C\u0103 zbur\u0103mu aoa ti muzic\u0103 \u0219i di cum s\u2019formeadz\u0103 ea, c\u0103 zbur\u0103mu di ritmoluri cardia\u0163i, c\u0103 zbur\u0103mu di imagini generative, publicul va s\u2019poat\u0103 s\u2019intearac\u021bioneadz\u0103 cu instala\u021biile prezente tru expozi\u021bie \u0219i va s\u2019poat\u0103 s\u2019li afecteadza aeasti structuri cari ordoneadz\u0103 haoslu, arada cari lu structureadz\u0103.”<\/em><\/p>\n
Tru bitisita a muabeytillei a noastre, Anca Spiridon cundille:<\/p>\n
“Tru contextul a muabe\u0163loru ditu soni \u0219i multu polarizante di om versus aftukin\u0103, minduescu c\u0103 experien\u021ba a publiclui cari yine la “UncannyOrdir”, cu \u0163i vremu s\u2019fug\u0103 elli dup\u0103 vizitarea ali\u015ftei expozi\u021bii, alu\u015ftor instala\u021bii intearactive, concluzia pi cari vrea s-u trag\u0103 easti c\u0103 azbuir\u0103mu cama di cama di om, deadunu cu inteligen\u021ba artificial\u0103, di aftukin\u0103 \u0219i nu tru antitez\u0103.”<\/em><\/p>\n
Autoru: Ion Puican<\/p>\n
Arm\u00e2nipsearea: Ta\u015fcu Lala<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":" “UncannyOrder”, nai ma n\u0103u proiect di cercetari \u0219i di produc\u021bie artistic\u0103 dizv\u0103rtitu di Asocia\u021bia “Qolony”, ari ca laitmotiv arada ca ti ciudie cari s\u2019instaureadz\u0103 tru un\u0103 turlie spontan\u0103 \u0219i pi cari u num\u0103sim sincronicitate. Asocia\u021bia “Qolony” – Colonia tr\u0103 art\u0103 \u0219i \u0219tiin\u021b\u0103 easti un\u0103 asocia\u021bie cultural\u0103 \u0163i lucreadz\u0103 ca agregator al unei comunit\u0103\u021bi mixte di […]<\/p>\n","protected":false},"author":139,"featured_media":164288,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[48445],"tags":[48696,48697,48695],"coauthors":[],"class_list":["post-189746","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-carnet-cultural","tag-asociatia-qolony","tag-logica-matematica-si-inteligenta-artificiala","tag-uncannyordir"],"acf":[],"yoast_head":"\n
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