{"id":191180,"date":"2013-06-19T15:17:00","date_gmt":"2013-06-19T12:17:00","guid":{"rendered":"http:\/\/devrri.freshlemon.ro\/actualitati\/gavranlu-di-edgar-allan-poe-armaneasti-di-toma-enache-191180.html"},"modified":"2023-10-04T15:37:16","modified_gmt":"2023-10-04T12:37:16","slug":"gavranlu-di-edgar-allan-poe-armaneasti-di-toma-enache","status":"publish","type":"post","link":"https:\/\/www.rri.ro\/ro_ar\/cultura-si-adet-armanesti\/scriitori-armani\/gavranlu-di-edgar-allan-poe-armaneasti-di-toma-enache-id191180.html","title":{"rendered":"Gavranlu – di Edgar Allan Poe (arm\u00e2nea\u015fti di Toma Enache)"},"content":{"rendered":" <\/p>\n <\/p>\n <\/p>\n <\/p>\n
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Corbul di Edgar Allan Poe

\n\t\t\t

\n\t\t\tGavranlu arm\u00e2nea\u015fti Toma Enache

\n\t\t\t

\n\t\t\tTu una \u015fcret\u0103 laie noapti , ar\u00e2mas mutream n\u0103 carti

\n\t\t\tMinduiam la anve\u0163lu vecl\u2019i \u0163i a lui noim\u00e2 fu ta s-chiar\u0103

\n\t\t\tMi-ancl\u2019inam: \u015f-avdu cic\u00e2tea, tu u\u015fi arada c\u0103 b\u00e2tea;

\n\t\t\t\u201cV\u0103rnu oaspi\u201d -dz\u0103cu- \u201ctri\u0163ea, s-agudi di u\u015fi afoar\u0103

\n\t\t\tV\u0103rnu oaspi vru ta s-intr\u0103, mizi ciucuti nafoar\u0103\u201d.

\n\t\t\t\u201cS-nu mi-aspar toradioar\u0103\u201d.

\n\t\t\t

\n\t\t\tMea \u0163\u0103nu minti c\u0103 era, tu Andreu \u0163\u00e2ngrimi s-f\u00e2\u0163ea

\n\t\t\tPirili tu ugeag zghilea \u015fi chilimea u-aumbrar\u0103;

\n\t\t\tA\u015ftiptam dzua multu vrut\u00e2 ,c\u0103r\u0163\u00e2li niheam s-agiut\u00e2

\n\t\t\tS-aflu Lenora chirut\u00e2. Steaua-n \u0163er Lenor fu s-chiar\u0103

\n\t\t\tS-anghilii u haidipsescu; Lenor numa nu-ari s-chiar\u0103

\n\t\t\tMa aclo, aoa v\u0103roar\u0103.

\n\t\t\t

\n\t\t\tScrets\u00e2l\u2019i di pirdadz aro\u015fi di mitasi \u015fi l\u00e2ht\u00e2ro\u015fi

\n\t\t\tMi ast\u00e2l\u2019iara p\u00e2n di oasi , inima n\u2019i-iu asp\u00e2rear\u0103;

\n\t\t\tFrica s-asgunescu ma ghini dz\u0103\u015fu a\u015fe n\u00e2poi ti mini:

\n\t\t\t\u201cI, v\u0103r oaspi-n casa yini; tu u\u015fi i-di-ah\u0103nt\u0103 oar\u0103

\n\t\t\tCaft\u00e2 am\u00e2natlu oaspi ugeag di ah\u0103nt\u0103 oar\u0103\u201d.

\n\t\t\t\u201cS-nu mi-aspar toradioar\u0103\u201d.

\n\t\t\t

\n\t\t\tLoai curai cama cu sil\u00e2 c\u0103t\u0103 u\u015fi f\u0103r\u0103 n\u2019il\u00e2;

\n\t\t\t\u201cDomnule\u201d grii \u201cvahi doamna s-mi l\u2019irtats \u015fidzut nafoar\u0103\u201d

\n\t\t\t\u201cMi-ancl\u2019inam; \u015f-avdzai ciucutit,cum eram ca adurn\u2019it

\n\t\t\tVahi mizi voi ciucutit, nu ac\u0103\u0163ai ta s-bagu oar\u0103

\n\t\t\tdza\u015f c\u0103 i var agudit\u201d; Dishcl\u2019id u\u015fa \u015f-bagu oar\u0103:

\n\t\t\t\u201cN\u00e2 scutidi ca v\u0103rnoar\u0103\u201d.

\n\t\t\t

\n\t\t\tDi ciudii \u015f-asp\u00e2reari,mutrii tu scutidea mari

\n\t\t\tAnyisam yisi \u0163i tu yis al\u0163\u0103 oamin\u2019i nu-anyisar\u0103.

\n\t\t\tIsihie v\u0103r ici nu grea \u015fi scutidea \u015fi ea t\u00e2\u0163ea;

\n\t\t\tMa\u015f unu zbor io grii atum\u0163ea: \u201cLenor!\u201d – s-avdz\u0103 prit zboar\u0103-

\n\t\t\tAirlu n\u2019i-ap\u00e2ndisi tut \u201cLenor\u201d; \u00e2n\u2019i turna a meali zboar\u0103.

\n\t\t\tMa\u015f zboar\u0103 fur\u0103 afoar\u0103.

\n\t\t\t

\n\t\t\tTu ud\u0103 mi aveam turnat\u0103, heavra mi-avea ac\u00e2\u0163at\u0103

\n\t\t\tS-ahurhi n\u00e2poi ta s-bat\u0103, ma salami \u015f-cama troar\u0103.

\n\t\t\t\u201cSiyura s-avdi cum bati, tu firid\u0103 pi canati

\n\t\t\tVrea sa \u015ftiu \u0163i ari c\u00e2bati, vrea s-dizleg ciudia troar\u0103

\n\t\t\tS-inima vrea ta s\u00e2-\u015ftie; va s-vedu tu aest\u0103 oar\u0103\u201d:

\n\t\t\t\u201cVimtu bati ca v\u0103rnoar\u0103\u201d.

\n\t\t\t

\n\t\t\tDau canatea dinaparti \u015f-vedu n\u00e2 arip\u0103 cum bati

\n\t\t\tS-intr\u0103 cum amir\u0103lu, un gavran lai dit eta di alt\u00e2oar\u0103

\n\t\t\tNi bun\u0103 dzua vrea s-dzac\u0103,ni cl\u2019in\u0103ciuni ici s-fac\u0103

\n\t\t\tPirifan aca\u0163\u0103 s-treac\u0103, c\u0103t\u0103 ayalm\u00e2 diunoar\u0103

\n\t\t\tPi ayalma ali Antini, pi ea \u015fidzu diun\u0103oar\u0103.

\n\t\t\tS-sta ca glar toradioar\u0103.

\n\t\t\t

\n\t\t\tMutrita laie \u015fi sert\u0103 an\u2019i si parea multu pseft\u0103

\n\t\t\tMa sumar\u00e2\u015fi di anvirinari; -\u201cLai gavran di altoar\u0103\u201d-

\n\t\t\t\u201cTi cara nu ai c\u00e2r\u00e2ntari,siyura nu hii ti arcari\u201d

\n\t\t\t\u201cTi-aminta\u015f dit chis\u00e2 s-pari, ama \u0163i numa-\u0163 b\u00e2gar\u0103

\n\t\t\tTu cratlu di pisa Pluton, \u0163i numa laie-\u0163 b\u00e2gar\u0103?\u201d

\n\t\t\tEl ap\u00e2ndisi:\u201dV\u0103rnoar\u0103\u201d.

\n\t\t\t

\n\t\t\tPi \u015fcreta \u00e2l\u2019i du apandisea; ni hazi \u015f-ici nu s-uidisea

\n\t\t\tMa chitrusii c\u0103ndu avdz\u00e2i,un gavran s-dz\u0103c\u0103 zboar\u0103.

\n\t\t\tNu s-ari avdzat\u0103 ici iuva, bana di om s\u00e2 \u015ftea \u0163iva

\n\t\t\tC\u0103 pul\u2019i, prici i altu\u0163iva, s-intr\u00e2 tu ud\u0103 a\u015fetsi troar\u0103

\n\t\t\tPi ayalma ali Antini s\u00e2 \u015fead\u0103 ah\u0103ntu troar\u0103

\n\t\t\tSi s-aib\u0103 numa: \u201cv\u0103rnoar\u0103\u201d.

\n\t\t\t

\n\t\t\tMa gavranlu ca limnusit, unu zbor aleapsi minduit

\n\t\t\tTu\u015f canda tu a\u0163el zbor crip\u0103ri \u015f-suflit s-adunar\u0103.

\n\t\t\tMa\u015f unu zbor vru ta s\u00e2 spun\u0103, v\u0103r\u0103 pean\u0103 ici nu min\u0103;

\n\t\t\tC\u0103ndu un zbor a-meu asun\u0103:\u201dC\u0103\u0163 so\u0163 avui tu\u0163 s-chiar\u0103?

\n\t\t\tA\u015fe \u015f-el; va s-fug\u0103 cum n\u0103diili vecl\u2019i arada azbuirar\u0103\u201d.

\n\t\t\tGavranlu dza\u0163i – \u201cV\u0103rnoar\u0103\u201d.

\n\t\t\t

\n\t\t\tMi l\u00e2ht\u00e2rsi est\u0103 ciudie, zborlu cu mintiminie

\n\t\t\tDz\u0103c: \u201cvahi ma\u015f aistu zboru aleadzi di alti zboar\u0103;

\n\t\t\tLu-anvi\u0163\u0103 nicuchirlu cari avu v\u0103r bl\u00e2stemu mari

\n\t\t\tSi di-ah\u0103nt\u0103 jali s-pari, vrur\u0103 vahi \u015f-dol\u2019ii c\u00e2ntar\u0103

\n\t\t\tC\u00e2ntic \u0163i ma\u015f un iho avea, idyiul iho dol\u2019i c\u00e2ntar\u0103\u201d:

\n\t\t\t\u201cV\u0103roar\u0103, lele, v\u0103rnoar\u0103!\u201d

\n\t\t\t

\n\t\t\tSumar\u00e2\u015fi di-ahant\u0103 jali \u015f-trap\u015fu troar\u0103 alt\u0103 cali;

\n\t\t\tDinintea ali u\u015fi pi fotel yisli caplu n\u2019i-angrupar\u0103.

\n\t\t\tMinduiam s-aca\u0163 tu pring\u0103, pul\u2019iu lai ca v\u0103r\u0103 strig\u0103

\n\t\t\tC\u00e2ftam mintea su dishcl\u2019id\u0103 gavranlu di alt\u0103oar\u0103

\n\t\t\tTi va s-dz\u0103c\u0103 \u015fcretu, str\u00e2mbu, c\u0103ndu spuni esti zboar\u0103:

\n\t\t\t\u201cV\u0103roara, Cra! V\u0103rnoar\u0103\u201d.

\n\t\t\t

\n\t\t\tGavranlu cu a lui mutrit\u0103 p\u00e2n tu suflit mi avea fript\u0103

\n\t\t\tIuva iuva nu-n\u2019i t\u00e2c\u00e2nea \u0163i vrea spun\u0103 \u0163eali zboar\u0103?

\n\t\t\tMut a\u015fe an\u2019i b\u00e2team caplu \u0163i s-aib\u0103 tu minti draclu;

\n\t\t\tS-arihati n\u2019i-alas caplu, pi fotelu iu s-virsar\u0103-

\n\t\t\tLun\u2019in\u2019li ali lambi -, iu caplu feata \u0163ea ambar\u0103

\n\t\t\tNu va lu a\u015ftearn\u0103, v\u0103rnoar\u0103.

\n\t\t\t

\n\t\t\tAirlu l\u2019ia s-al\u00e2xea\u015fti n\u00e2 n\u2019iurizm\u00e2 lu mintea\u015fti

\n\t\t\tC\u00e2\u0163e candilili tu \u0163er anghilii li lig\u00e2nar\u0103.

\n\t\t\t\u201cM\u00e2rate\u201d -b\u00e2gai io boa\u0163i- \u201cDumidz\u0103 tea \u0163\u00e2 pitrea\u0163i

\n\t\t\tYitrii s-bei nac\u0103 \u0163\u00e2 trea\u0163i caimolu ti Lenor ma troar\u0103\u201d

\n\t\t\t\u201cBea su-ag\u00e2r\u015fe\u015fti Lenor, bea s\u00e2-t\u0103 fug\u00e2 dorlu troar\u0103!\u201d

\n\t\t\tDz\u0103si gavranlu – \u201cV\u0103rnoar\u0103\u201d.

\n\t\t\t

\n\t\t\t\u201cSemn ar\u0103u\u201d, \u201cvombir\u201d io grii – \u201cCubil\u2019ii\u201d- \u201cgavran i-\u0163i s-hii\u201d

\n\t\t\t\u201cDheavulu ic\u0103 tufanea pi aistu meal ti arcar\u0103?\u201d

\n\t\t\t\u201cTu aistu ud\u0103 \u0163i suschir\u0103 \u0163i \u015fcretu \u015fi pondu s-deapir\u0103

\n\t\t\tIu l\u00e2htarea-i-nicuchir\u0103; ti p\u00e2l\u00e2c\u0103rsescu dz\u0103 troar\u0103

\n\t\t\tS-afl\u0103 Iudeea yitria? Dz\u0103 ma\u015f u-aflu dz\u0103 ma troar\u0103?\u201d

\n\t\t\tDza\u0163i gavranlu – \u201cV\u0103rnoar\u0103\u201d.

\n\t\t\t

\n\t\t\t\u201cSemn ar\u0103u\u201d, \u201cvombir\u201d-io grii- \u201cCubil\u2019i\u201d- \u201cgavran i-\u0163i s-hii\u201d

\n\t\t\t\u201cPi \u0163erlu \u0163i-i supra, pi Dumidz\u0103lu vrut; dz\u0103 troar\u0103

\n\t\t\tTu Paradis \u0163i-i naparti, su-stringu tu bra\u0163\u0103 s-poati,

\n\t\t\tFeata steau\u0103 \u0163i-i aparti, tu \u0163er s\u00e2mts\u00e2l\u2019i u-aflar\u0103

\n\t\t\tDi \u0103l\u2019i grescu tora Lenor; va u-stringu tu bra\u0163\u0103 vloar\u0103 !?\u201d

\n\t\t\tDz\u0103si gavranlu – \u201cV\u0103rnoar\u0103\u201d.

\n\t\t\t

\n\t\t\t\u201cTel dit soni s-hib\u0103 zborlu\u201d. \u201cFudz tu chis\u0103 \u0163\u00e2-i laolu\u201d.

\n\t\t\t\u201cTufanea ca bl\u00e2stem s-ti duc\u0103, tel cu un cicior s-ti chiar\u0103

\n\t\t\tS-nu-ar\u00e2m\u0103n\u0103 pean\u0103 scret\u0103 di minciuna tau\u0103 pseft\u0103;

\n\t\t\tSingur vream ta s-hiu n\u00e2 et\u0103\u201d.\u201dFudz di aoa tu aist\u0103 oar\u0103\u201d.

\n\t\t\t\u201cL\u2019iats dit cheptu-a-meu dintana, zverca l\u2019ia\u0163 tu-aist\u0103 oar\u0103\u201d.

\n\t\t\tDzasi gavranlu -\u201cV\u0103rnoar\u0103\u201d.

\n\t\t\t

\n\t\t\tDi-atum\u0163ea lailu gavran sta, supra di u\u015fi \u015f-tora sta

\n\t\t\tNiminat pi-ayalma ali Antini; I-si-aprindu troar\u0103

\n\t\t\tOcl\u2019i di demun \u0163i au turbat\u0103 \u015f-aumbra lui arcat\u0103

\n\t\t\tC\u00e2dzu dit lamb\u0103 virsat\u0103, pi chilimi damc\u0103 s-moar\u0103

\n\t\t\tSuflitlu n\u2019i-iu lu-ac\u00e2\u0163ar\u0103, damca \u015fcret\u0103 va s-lu moar\u0103

\n\t\t\tTi daima \u015f-ti v\u0103rnoar\u0103!

\n\t\t\t_<\/u>_<\/u>_<\/u>_<\/u>_<\/u>_<\/u>_<\/u>_<\/u>_<\/u>_<\/u>_<\/u>_<\/u>

\n\t\t\tThe Raven

\n\t\t\tEdgar Allan Poe

\n\t\t\t[First published in 1845]
\n\t\t\t

\n\t\t\tOnce upon a midnight dreary, while I pondered weak and weary,

\n\t\t\tOver many a quaint and curious volume of forgotten lore,

\n\t\t\tWhile I nodded, nearly napping, suddenly there came a tapping,

\n\t\t\tAs of some one gently rapping, rapping at my chamber door.

\n\t\t\t`Tis some visitor, I muttered, `tapping at my chamber door –

\n\t\t\tOnly this, and nothing more.

\n\t\t\t

\n\t\t\tAh, distinctly I remember it was in the bleak December,

\n\t\t\tAnd each separate dying ember wrought its ghost upon the floor.

\n\t\t\tEagerly I wished the morrow; – vainly I had sought to borrow

\n\t\t\tFrom my books surcease of sorrow – sorrow for the lost Lenore –

\n\t\t\tFor the rare and radiant maiden whom the angels named Lenore –

\n\t\t\tNameless here for evermore.

\n\t\t\t

\n\t\t\tAnd the silken sad uncertain rustling of each purple curtain

\n\t\t\tThrilled me – filled me with fantastic terrors never felt before;

\n\t\t\tSo that now, to still the beating of my heart, I stood repeating

\n\t\t\t`Tis some visitor entreating entrance at my chamber door –

\n\t\t\tSome late visitor entreating entrance at my chamber door; –

\n\t\t\tThis it is, and nothing more,

\n\t\t\t

\n\t\t\tPresently my soul grew stronger; hesitating then no longer,

\n\t\t\t`Sir, said I, `or Madam, truly your forgiveness I implore;

\n\t\t\tBut the fact is I was napping, and so gently you came rapping,

\n\t\t\tAnd so faintly you came tapping, tapping at my chamber door,

\n\t\t\tThat I scarce was sure I heard you – here I opened wide the door; –

\n\t\t\tDarkness there, and nothing more.

\n\t\t\t

\n\t\t\tDeep into that darkness peering, long I stood there wondering, fearing,

\n\t\t\tDoubting, dreaming dreams no mortal ever dared to dream before;

\n\t\t\tBut the silence was unbroken, and the darkness gave no token,

\n\t\t\tAnd the only word there spoken was the whispered word, `Lenore!

\n\t\t\tThis I whispered, and an echo murmured back the word,

\n\t\t\tLenore!

\n\t\t\t

\n\t\t\tMerely this and nothing more.

\n\t\t\tBack into the chamber turning, all my soul within me burning,

\n\t\t\tSoon again I heard a tapping somewhat louder than before.

\n\t\t\t`Surely, said I, `surely that is something at my window lattice;

\n\t\t\tLet me see then, what thereat is, and this mystery explore –

\n\t\t\tLet my heart be still a moment and this mystery explore; –

\n\t\t\tTis the wind and nothing more!

\n\t\t\t

\n\t\t\tOpen here I flung the shutter, when, with many a flirt and flutter,

\n\t\t\tIn there stepped a stately raven of the saintly days of yore.

\n\t\t\tNot the least obeisance made he; not a minute stopped or stayed he;

\n\t\t\tBut, with mien of lord or lady, perched above my chamber door –

\n\t\t\tPerched upon a bust of Pallas just above my chamber door –

\n\t\t\tPerched, and sat, and nothing more.

\n\t\t\t

\n\t\t\tThen this ebony bird beguiling my sad fancy into smiling,

\n\t\t\tBy the grave and stern decorum of the countenance it wore,

\n\t\t\t`Though thy crest be shorn and shaven, thou, I said, `art sure no craven.

\n\t\t\tGhastly grim and ancient raven wandering from the nightly shore –

\n\t\t\tTell me what thy lordly name is on the Nights Plutonian shore!

\n\t\t\tQuoth the raven, `Nevermore.

\n\t\t\t

\n\t\t\tMuch I marvelled this ungainly fowl to hear discourse so plainly,

\n\t\t\tThough its answer little meaning – little relevancy bore;

\n\t\t\tFor we cannot help agreeing that no living human being

\n\t\t\tEver yet was blessed with seeing bird above his chamber door –

\n\t\t\tBird or beast above the sculptured bust above his chamber door,

\n\t\t\tWith such name as `Nevermore.

\n\t\t\t

\n\t\t\tBut the raven, sitting lonely on the placid bust, spoke only,

\n\t\t\tThat one word, as if his soul in that one word he did outpour.

\n\t\t\tNothing further then he uttered – not a feather then he fluttered –

\n\t\t\tTill I scarcely more than muttered `Other friends have flown before –

\n\t\t\tOn the morrow he will leave me, as my hopes have flown before.

\n\t\t\tThen the bird said, `Nevermore.

\n\t\t\t

\n\t\t\tStartled at the stillness broken by reply so aptly spoken

\n\t\t\tDoubtless, said I, `what it utters is its only stock and store,

\n\t\t\tCaught from some unhappy master whom unmerciful disaster

\n\t\t\tFollowed fast and followed faster till his songs one burden bore –

\n\t\t\tTill the dirges of his hope that melancholy burden bore

\n\t\t\tOf “Never-nevermore.”

\n\t\t\t

\n\t\t\tBut the raven still beguiling all my sad soul into smiling,

\n\t\t\tStraight I wheeled a cushioned seat in front of bird and bust and door;

\n\t\t\tThen, upon the velvet sinking, I betook myself to linking

\n\t\t\tFancy unto fancy, thinking what this ominous bird of yore –

\n\t\t\tWhat this grim, ungainly, ghastly, gaunt, and ominous bird of yore

\n\t\t\tMeant in croaking `Nevermore.

\n\t\t\t

\n\t\t\tThis I sat engaged in guessing, but no syllable expressing

\n\t\t\tTo the fowl whose fiery eyes now burned into my bosoms core;

\n\t\t\tThis and more I sat divining, with my head at ease reclining

\n\t\t\tOn the cushions velvet lining that the lamp-light gloated oer,

\n\t\t\tBut whose velvet violet lining with the lamp-light gloating oer,

\n\t\t\tShe shall press, ah, nevermore!

\n\t\t\t

\n\t\t\tThen, methought, the air grew denser, perfumed from an unseen censer

\n\t\t\tSwung by Seraphim whose foot-falls tinkled on the tufted floor.

\n\t\t\t`Wretch, I cried, `thy God hath lent thee – by these angels he has sent thee

\n\t\t\tRespite – respite and nepenthe from thy memories of Lenore!

\n\t\t\tQuaff, oh quaff this kind nepenthe, and forget this lost Lenore!

\n\t\t\tQuoth the raven, `Nevermore.

\n\t\t\t

\n\t\t\t`Prophet! said I, `thing of evil! – prophet still, if bird or devil! –

\n\t\t\tWhether tempter sent, or whether tempest tossed thee here ashore,

\n\t\t\tDesolate yet all undaunted, on this desert land enchanted –

\n\t\t\tOn this home by horror haunted – tell me truly, I implore –

\n\t\t\tIs there – is there balm in Gilead? – tell me – tell me, I implore!

\n\t\t\tQuoth the raven, `Nevermore.

\n\t\t\t

\n\t\t\t`Prophet! said I, `thing of evil! – prophet still, if bird or devil!

\n\t\t\tBy that Heaven that bends above us – by that God we both adore –

\n\t\t\tTell this soul with sorrow laden if, within the distant Aidenn,

\n\t\t\tIt shall clasp a sainted maiden whom the angels named Lenore –

\n\t\t\tClasp a rare and radiant maiden, whom the angels named Lenore?

\n\t\t\tQuoth the raven, `Nevermore.

\n\t\t\t

\n\t\t\t`Be that word our sign of parting, bird or fiend! I shrieked upstarting –

\n\t\t\t`Get thee back into the tempest and the Nights Plutonian shore!

\n\t\t\tLeave no black plume as a token of that lie thy soul hath spoken!

\n\t\t\tLeave my loneliness unbroken! – quit the bust above my door!

\n\t\t\tTake thy beak from out my heart, and take thy form from off my door!

\n\t\t\tQuoth the raven, `Nevermore.

\n\t\t\t

\n\t\t\tAnd the raven, never flitting, still is sitting, still is sitting

\n\t\t\tOn the pallid bust of Pallas just above my chamber door;

\n\t\t\tAnd his eyes have all the seeming of a demons that is dreaming,

\n\t\t\tAnd the lamp-light oer him streaming throws his shadow on the floor;

\n\t\t\tAnd my soul from out that shadow that lies floating on the floor

\n\t\t\tShall be lifted – nevermore!

\n\t\t\t

\n\t\t\tAve\u0163 ma-nghios \u015fi varianta audio a “Gavranlui” di Edgar Allan Poe (pi arm\u00e2nea\u015fti – Toma Enache)<\/td>\n


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\n<\/table>\n


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