Roxana Iorgulescu Bandrabur spune: \u201cHib\u0103 \u0163i conversa\u0163ie pi teme oficiale, purtat\u0103 cu pre\u015fedintile a etni\u0163\u00e2lor rom\u00e2n\u2019i din Bulgaria, Ivo Gheorghiev, si transfoorm\u0103 cum nin\u0163e nu ti a\u015ftep\u0163\u00e2 \u00eentr-un lungu bair di spuniri lucre ni\u015ftiute mutrinda limba rom\u00e2na, tradi\u0163iile \u015fi ar\u0103dz\u00e2le a \u0163ilor pi care \u00eel\u2019i reprezint\u0103. A\u015fi c\u0103 vine aproapea hirescu intribarea: \u201cCare v\u00e2 \u00eenvi\u0163\u0103 pi Dvs. rom\u00e2ne\u015fte \u015fi mai ahoria care v\u00e2 are insuflat\u0103 ideea aesta s-v\u00e2 u \u0163\u00e2ni\u0163 rom\u00e2n\u0103, s-nu v\u00e2 al\u00e2sa\u0163 azvmtu, aplucusit di toate presiunile ?\u201d<\/p>\n
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Ivo Gheoghiev da apandisea:<\/p>\n
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\u201cP\u0103i, ni\u0163iun om nu mi-are \u00eenvi\u0163at\u0103. Eu voiu s\u0103 spun c\u0103 aestu lucru easte aproapea tradi\u0163ie. Aesta voiu s\u0103 spun cu m\u00e2ril\u2019e, c\u0103 str\u0103bunicul\/str\u0103papulu a meu alumt\u0103 la Turtucaia contra armat\u00e2l\u2019ei rom\u00e2n\u0103, dup\u0103 care fu prizonier. Fu prizonier di polim la Bucure\u015fti, iu fu contactat de c\u0103pitanulu Ion Antonescu, atun\u0163ea, mai t\u00e2rdziu mare\u015falul Ion Antonescu, care lu agiut\u0103\u0103 mai t\u00e2rdziu, fu 3 ani di dz\u00e2le [prizonier], dup\u0103 care si toarn\u0103 \u00een Bulgaria. Ninte di aesta fu invitat, tru 1918, la marea Unire, \u015fi \u00een ciudia faptului, la Alba Iulia fu aesta, buniculu\/bunlu pap a meu cu ninca 5 persoane, di iu avea adus\u0103 un flamborion: care flamborion era cu tricolor, ama pe lungu, nu eara a\u015fi [cumu-i tora] — pi vertical\u0103, c\u0103 eara pi orizontal\u0103 –<\/p>\n
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pi care culoarea\/hroma di-tru mese scria cu creion chimic, mac\u0103 si mai \u0163\u00e2ne\u0163 minte exista ni\u015fte creioane chimi\u0163e mai ninte —<\/p>\n
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pi care scria \u201cUnirea\u201d. Aestu flamborion fu vrearea a str\u0103bunului a meu, a lu pap-au\u015flu Gheorghe, s\u0103-l \u00eenmormint\u0103m cu el, c\u00e2nd plec\u0103\/fudzii di anamisa di noi, \u015fi io \u0163\u00e2n minte c\u0103 bunica\/baba-moa\u015fe atum\u0163ea, tamam cum adetea la olten\u2019i, si bag\u0103-n sin, aclo, sare, p\u00e2ne, \u015fi nu \u015ftiu \u0163e, \u015fi bunica nu anv\u0103li tru distimelea din sin cum eara, p\u00e2nea \u015fi sarea tru steagulu\/flamborionulu respectiv.<\/p>\n
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Aesta u fea\u0163im. Ts\u00e2n minte cum spunea istorima, cu \u0163e m\u00e2ndrie, cu \u0163e pirifan\u2019e u spunea istorima. Ma c\u0103 saga a lui balcanic\u0103, a\u015fi s\u0103 dz\u00e2c eu, di aform\u2019ia c\u0103 eu hiinda cet\u0103\u0163ean bulgar, rom\u00e2n di origine, alumt\u0103\u0103 un\u00e2oar\u00e2 contra Rom\u00e2niil\u2019ei, un\u0103 oar\u0103 contra Bulgaril\u2019ei, un\u0103 oar\u0103 contra Serbil\u2019ei. A\u015fi c\u0103, tricu prin toate armatele aestea balcani\u0163e, \u015fi sigura \u00eel loa la polim. Ama, cama multu spunea c\u00e2ndu fu \u201cprizonier\u201d, dz\u00e2c eu \u00een ghilimele, \u00een Rom\u00e2nia, di aform\u2019ia c\u0103 spunea \u201cTaic\u0103 ah\u00e2ta ciocolat\u0103 \u0163e m\u2019i-adu\u0163ea c\u0103pitanulu a meu inc\u00e2t — dz\u00e2\u0163e — ni\u0163i nu v\u00e2 u trea\u0163i\u0163 cu mintea. Ama, dumnil\u2019ea lui \u0163e f\u0103\u0163ea ? Seara c\u00e2ndu si turna acas\u0103, si turna aclo iu st\u0103tea, gazda, iu [st\u0103tea], \u015fi dz\u00e2\u0163e, c\u00e2nd-\u0163ido m\u2019i-adu\u0163ea sau halvi\u0163\u0103, sau ciocolat\u0103, sau ma c\u0103 si nu avea \u0163i s\u0103-m\u2019i aduc\u0103, rupea ni\u015fte corcodu\u015fe, purne aghre \u015fi m\u2019i-adu\u0163cea purne\/corcodu\u015fe, m\u2019i le b\u00e2ga ntru m\u00e2n\u0103 \u015fi dz\u00e2\u0163ea: \u201cL\u2019ia, Gheorghe, l\u2019ia di m\u0103nc\u0103 \u015fi tine ! \u201c<\/p>\n
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Eu – dz\u00e2\u0163e Ivo Gheorghiev – nu mi-am minduit\u0103 tora di oar\u0103 s\u0103 scriu un\u0103 carte, ama escu obligat s-o facu aest\u0103, \u015fi — cum s-dz\u00e2c eu – simtu un\u0103 obliga\u0163ie; di aform\u2019ia c\u0103 aceste lucrei nu si fea\u0163ira ma\u015fi cu papulu a meu, si fea\u0163ira la mai mul\u0163\u00e2. Deci, c\u00e2nd fu atum\u0163ea, \u00een trei\u015fpe, la 1913, polimulu la Turtucaia, atum\u0163ea, \u00eentr-un\u0103 noapte el\u2019i \u015ftea c\u0103 si alupt\u0103 cu ru\u015fi, da, \u015fi avdz\u00e2\u00e2 c\u0103 zbur\u0103scu rom\u00e2ne\u015fte. Si atum\u0163ea piste frontu… Si avdza, noapte, s-avdza mai ghine. Spunea el, — \u015fi zice: \u201cIntribaiu < Di iu hi\u0163 voi, m\u0103, di iu hi\u0163?> Hi\u0163 rom\u00e2n\u2019i?, c\u0103 a\u015fi-m\u2019i pare dup\u0103 zbor.\u201d V\u00e2r\u00e2, din Rom\u00e2nia, atu\u0163ea dup\u0103 \u0163i zbur\u00e2 pisti frontu dz\u00e2se: \u201cAvdz\u00e2\u0163, ficiori? M\u00e2ne, si da un atac mare. S\u0103 nu tradzi\u0163 tru noi, c\u0103 n\u00e2 v\u00e2t\u00e2m\u0103m \u015fi murim ca c\u00e2n\u2019il\u2019i pi fronturi.\u201d — spunea paplu.<\/p>\n
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Easte atestat\u0103 \u00een istorie \u00eenfr\u0103\u0163ire \u00eentre armata bulgar\u0103 \u015fi armata rom\u00e2n\u0103. Ama, la noi \u00een Bulgaria si spune c\u0103 si fea\u0163e \u00eenfr\u0103\u0163ire \u00eentre bulgari \u015fi ru\u015fi. A\u0163ea \u0163i eara inadmisibil.<\/p>\n
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Si, a\u0163el \u0163i zbura piste frontu dz\u00e2\u0163e: \u201cS\u0103 \u015fu\u0163\u00e2\u0163, s\u0103 turna\u0163 pu\u015ftile\/tufechile cu patulu, cu lemnul, n\u00e2inte ca s\u0103 v\u0103 cunoa\u015ftem c\u0103 hi\u0163 a no\u015ftri.\u201d El\u2019i turnar\u0103 pu\u015ftile cu patulu n\u0103inte. Dz\u00e2se paplu a meu: \u201catum\u0163ea si de\u015fcl\u2019ise frontul \u015fi apoia n\u0103 apruchear\u0103. Intrar\u0103m, m\u2019earsim, m\u2019earsim multu, al\u00e2s\u0103m pu\u015ftile\/tufechile toate deadun la un loc.\u201d Dup\u0103 cum dz\u00e2\u0163ea papulu, diapoia \u00eel\u2019i dusir\u0103 la Bucure\u015fti, \u00eentrun lag\u0103r de prizonieri.<\/p>\n
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De fapt, \u00eentr-un\u0103 dzuu\u0103 trea\u0163e Antonescu pi n\u00e2ng\u0103 el\u2019i, \u015fi-l\u2019i avde c\u0103 zbur\u0103scu rom\u00e2nea\u015fte. Si dz\u00e2se: \u201cFiciori, care \u015ftie rom\u00e2nea\u015fte, s\u0103 si scoal\u0103 \u00een cicioare !\u201d Si si scul\u0103\u0103, ama, nu un-doi c\u0103, regimentul intreg, care eara aclo prizonier. Atum\u0163ea el \u00eel\u2019i lo \u015fi-l\u2019i pitricu, nu-l\u2019i pitricu pi frontu, \u00eel\u2019i pitricu aclo din\u00e2poi. Dz\u00e2\u0163e: \u201cmul\u0163\u00e2 di noi f\u0103\u0163ea m\u00e2ncare.\u201d Nunulu, str\u0103buniculu meu, papu-au\u015fulu, fu dus la un doctor francez. Eara sanitar; \u015fi aclo, dup\u0103 \u0163i venii la hoar\u0103, venii din prizonierie, el eara \u015fi doctorulu\/iatrulu a hoar\u00e2l\u2019ei, c\u0103 atum\u0163ea nu avea… F\u0103\u0163ea injec\u0163ii, scotea din\u0163\u00e2, f\u0103\u0163ea pansamente la toate turliile di ar\u0103n\u2019i. A\u015fi c\u0103, a m\u2019ia multu ar\u0103u \u00eem\u2019i pare atum\u0163ea c\u00e2nd easte zborulu de un polim, s\u00e2 n\u00e2 spunim care easte mai gione, care are puteare mai mare, care avimse, pi care aazvimse. Ama, s\u0103 mutrim n\u00e2heam diferit la aeast\u0103 problem\u0103. S\u0103 mutrim din partea omului, \u015fi s\u0103 videm din partea suferin\u0163elor. Di aform\u2019ia c\u0103, \u015fi di-un\u0103 parate \u015fi di altant\u0103 fur\u0103 ficiori, ficiori care \u015fi-al\u0103sar\u0103 bana pi frontu \u00een numa a unor interese.<\/p>\n
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Autor interviu: Roxana Iorgulescu Bandrabur<\/p>\n
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Enciclopedia RRI: Palatulu a Cultur\u00e2l\u2019ei di Ia\u015fi<\/p>\n
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Modernizarea a Rom\u00e2niil\u2019ei are \u00eensimnat\u0103 tr\u00e2 Ia\u015fi, fosta capital\u0103 a Moldov\u00e2lei, un\u0103 \u00eent\u00e2rziare fa\u0163\u0103 di Bucure\u015fti, capitala a Rom\u00e2niil\u2019ei Unit\u0103. Ama Ia\u015fiulu cunoscuu \u015fi el fazile a modernitatilei urbanistic\u0103, apari\u0163ia a Palatului a Cultur\u00e2l\u2019ei dreptu binaie\/cas\u0103-simbol hiinda un\u0103 a\u015ftiptat\u0103, un\u0103 promisiune pi care primulu suveran rom\u00e2n Carol I di Hohenzollern-Sigmaringen \u015fi elita politic\u0103 \u015fi-u \u0163\u00e2nur\u0103 fa\u0163\u0103 di moldovean\u2019i.<\/p>\n
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Un\u0103 \u015fcurt\u0103 c\u0103l\u0103torie \u00een istoria a Palatului ali Cultur\u0103, az\u0103 un\u0103 impresionant\u0103 prezen\u0163\u0103 tru peisajulu ie\u015fean, avem realizat \u00eempreun\u0103 cu L\u0103cr\u0103mioara Stratulat di la Complexul Muzeal Moldova: \u201cAoa\u0163e fur\u0103 cur\u0163\u00e2le domne\u015fti, iar dup\u0103 abdicarea for\u0163at\u0103 a lu Alexandru Ioan Cuza \u015fi v\u2019inearea a lu Carol I la condu\u0163irea a \u0163ar\u00e2lei, la prima vizit\u0103 a lui \u00een Ia\u015fi, Carol promise a ie\u015fean\u2019ilor c\u0103 va l\u00e2 adar\u0103 \u00eendau\u0103 case monumentale, \u00eentr\u0103 care \u015fi un palat di justi\u0163ie, un palat administrativ. Aestu lucru si fea\u0163e cu diaver, chiro di 19 ani dur\u0103\u0103 construirea, arhiusit\u0103 tru chirolu a lu Carol \u015fi terminat\u0103 rui chirolu a regelui urm\u0103tor, Ferdinand I. Are durat\u0103 ah\u00e2t di multu di aform\u2019ia c\u0103 travers\u0103 perioada primului polim mondial, an\u2019il\u2019i grei a refugiului di-tru 1916-1918 c\u00e2ndu proiectantul a palatului, I. D. Berindei, arhitectu avdz\u00e2t, fu ananghe s\u0103 l\u2019ia cathe oar\u0103 casa\/binaia di la arhiusit\u0103 \u015fi s-u refac\u0103. Cathe oar\u0103 nu fur\u0103 p\u00e2radz tr\u00e2 continuarea a lucraril\u2019ei a\u015fi cum vru arhitectul I. D. Berindei.\u201d<\/p>\n
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Arhitectul Ioan D. Berindei fu un\u0103 num\u0103 important\u0103 a arhitectur\u00e2l\u2019ei rom\u00e2n\u0103 di-tru a doaua giumitate a secolului 19. Unulu di adep\u0163\u00e2l\u2019i a stilului arhitectonic neorom\u00e2nescu, Berindei \u015fi-asum\u0103a misiunea tra s\u0103 bitiseasc\u0103 palatulu ie\u015fean. L\u0103cr\u0103mioara Stratulat dz\u00e2se: \u201dEl fu al doilea din familia lui care fea\u0163e un\u0103 \u015fcoal\u0103 di arhitectur\u0103 la avdz\u00e2ta Universitate din Paris, un om care mindui un\u0103 binaie\/cas\u0103 di 36 di m\u2019il\u2019e di metri p\u0103tra\u0163, ca pi un\u0103 structur\u0103 li\u015foar\u0103, \u0163i cara c\u0103 ah\u00e2t di mare \u015fi voluminoas\u0103, a\u015fezat\u0103 pi un sit arheologhic. Aestu lucru da un\u0103 particularitate ahoria a binailei \u015fi di aoa\u0163e poate s\u0103 transpar\u0103 \u015fi geniul a lui: faptul c\u0103 reu\u015fi s\u0103 fac\u0103 un\u0103 cas\u0103 care s\u0103 rezist\u0103 la m\u0103rile cutrembure, a\u0163el di-tru 1940, \u0163el di-tru 1977 \u015fi urm\u0103toarile. Casa nu-are cunoscut\u0103 distrudziri majore din cauza a cutremburilor, ama are cunoscut\u0103 un\u0103o perioad\u0103 baia trist\u0103 tru doilu polim mondial, un\u0103 parte a l\u2019ei hiinda afectat\u0103 di bombardamentile armat\u00e2lei sovietic\u0103, apoia di armata gherman\u0103. Zonile bombardate fur\u0103 ref\u0103cute \u00eentr-un chiro cama \u015fcurtu. Berindei mindui aest\u0103 structur\u0103 multu mare \u00eentr-un stil neogotic flamboaiantu care are ama \u00een interior \u015fi numeroase accente di stil arhitectural romantic.<\/p>\n
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L\u0103cr\u0103mioara Stratulat descrise \u015fi stilurile arhitectoni\u0163e care pot s\u0103 si vead\u0103 la Palatul a Cultur\u00e2lei: \u201cSi ved doau\u0103 stiluri, unulu mai sobru \u015fi altul mai pu\u0163\u00e2n sobru \u015fi interven\u0163ia a doi regi importan\u0163\u00e2. Stilul mai sobru easte \u0163el a lu Carol I \u015fi stilul mai pu\u0163\u00e2n sobru a lui Ferdinand I, ama \u015fi mai ahoria a regin\u00e2lei Maria care impuse curente multu la mod\u0103 la arhiusita a secolului 20. Mi refer \u00een mod ahoria la a\u0163eale doau\u0103 u\u015fi di la intrare \u015fi la u\u015fa di la intrare a \u0163il\u2019ei mai mare sal\u0103 din palat, Sala Voievoz\u00e2lor, realizate \u00een stilul art nouveau. Regina Maria eara cu mare vreare tr\u00e2 stilul art nouveau \u015fi amprentile a l\u2019ei si ved tru multe zone din Palatulu a Cultur\u00e2l\u2019ei. Prima destina\u0163ie a binail\u2019ei fu a\u0163ea di palat ali justi\u0163ie, di palat administrativ. A\u015fi si expliic\u0103 somptuozitatea a s\u0103l\u2019ilor principale. Di-tru 1955 el l\u2019ia un\u0103 alt\u0103 destina\u0163ie, a\u0163ea di palat a cultur\u00e2l\u2019ei, aoa\u0163e hiinda ad\u0103postite\/apanghisite patru muzee cu tese na\u0163ional \u015fi un chentru zonal di restaurare \u015fi conservare a bunurilor di patrimoniu mobil. A\u0163eale 4 muzee sunt: Muzeulu di Istorie a Moldov\u00e2lei, Muzeulu ali \u015etiin\u0163\u0103 \u015fi Tehnic\u0103 \u201d\u015etefan Procopiu\u201d, Muzeulu di Etnografie a Moldov\u00e2l\u2019ei \u015fi Muzeulu di Art\u0103.\u201d<\/p>\n
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Construirea fu un\u0103 greau\u0103, obstacolile fur\u0103 unile care \u0163\u00e2nur\u0103 di chiro. L\u0103cr\u0103mioara Stratulat: \u201dConstruirea propriu-dz\u00e2s\u0103 a binailei arhiusi tru anulu 1906, proiectul str\u00e2xi \u00een decursul a timpului numeroase modific\u0103ri. \u00cen timpul a primului polim mondial si d\u0103n\u0103si construirea, \u00een timpul a refugiului aoa\u0163e fu spital di campanie, \u015fi tot aoa\u0163e fur\u0103 cantonate trupile rom\u00e2ne, \u0163\u00e2n\u00e2nda isape c\u0103 eara \u0163ea mai mare cas\u0103 din c\u0103s\u0103b\u0103. Di punctul di vedeare a arhitectului, al\u00e2xirea a destina\u0163il\u2019ei ali cas\u0103, a unei cas\u0103 care nu eara etim\u0103, nu-l\u2019i fea\u0163e ghine a construc\u0163il\u2019ei. Prin urmare, dup\u0103 retradzirea a trupilor la Bucure\u015fti, el fu anaghe s\u0103 refac\u0103 un\u0103 parte di elementile di arhitectur\u0103 artistic\u0103, baighi deteriorat\u0103. \u015ei di aform\u2019ia c\u0103 Berindei are mizat\u0103 pi un anumit buget care fu multu aghon\u2019ea dep\u0103\u015fit, arhiusi s\u0103-\u015fi caft\u0103 so\u0163 s\u0103 poat\u0103 s\u0103 \u00eenlocuiasc\u0103 anumite materiale di construc\u0163ie la pre\u0163uri mai m\u2019i\u0163, ama s\u0103 nu fac\u0103 rabat di la calitate. Easte, di exemplu, di men\u0163ionat inven\u0163ia a lu Henri Coand\u0103, a unui cimentu mai ahoria. Cum restaurarea a unei binaie \u00eenseamn\u0103 turnarea a l\u2019ei la formula ini\u0163ial\u0103, cu agiutorulu a unor speciali\u015fti lu xanaadr\u0103m a\u0163el \u201dbois ciment\u201d, care si veade perfectu, a\u015fi cum vru Berindei \u015fi a\u015fi cum vru \u015fi Coand\u0103, ca lemnul di cupaciu. Textura easte a lemnului di cupaciu \u015fi sunetulu easte a lemnului di cupaciu atun\u0163ea c\u00e2ndu cioc\u0103nim\/ciucutim \u00eentr-un lambriu.\u201d<\/p>\n
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Palatulu a Cultur\u00e2l\u2019ei di Ia\u015fi doomin\u0103 az\u0103 chentrul a fost\u00e2lei capital\u0103 a Moldov\u00e2lei. \u015ei easte, a\u015fi cum li\u015for putem s-n\u00e2 minduim, unulu di locurile care merit\u0103 vizitat di care nu agiundze aclo. (\u015et.B)<\/p>\n
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Autori: Marius Ti\u0163a, Steliu Lambru<\/p>\n
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Arm\u00e2nipsire: Hristu Steriu<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Roxana Iorgulescu Bandrabur spune: \u201cHib\u0103 \u0163i conversa\u0163ie pi teme oficiale, purtat\u0103 cu pre\u015fedintile a etni\u0163\u00e2lor rom\u00e2n\u2019i din Bulgaria, Ivo Gheorghiev, si transfoorm\u0103 cum nin\u0163e nu ti a\u015ftep\u0163\u00e2 \u00eentr-un lungu bair di spuniri lucre ni\u015ftiute mutrinda limba rom\u00e2na, tradi\u0163iile \u015fi ar\u0103dz\u00e2le a \u0163ilor pi care \u00eel\u2019i reprezint\u0103. A\u015fi c\u0103 vine aproapea hirescu intribarea: \u201cCare v\u00e2 \u00eenvi\u0163\u0103 […]<\/p>\n","protected":false},"author":124,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[48889],"tags":[],"coauthors":[],"class_list":["post-196783","post","type-post","status-publish","format-standard","hentry","category-agenda-armaneasca"],"acf":[],"yoast_head":"\n