Tema identitatil\u2019ei urban\u0103 \u015fi Chi\u015fin\u0103ulu tru an centenar: Mara Popa precizeadz\u0103 liniile a interviului cu profesor universitar Sergiu Mustea\u0163\u0103, care di-tru 2011 orgzanizeadz\u0103 conferin\u0163e \u015fi coordoneadz\u0103 apari\u0163ia unor volume colective \u00eempline di orighinalitate cu studii nale dispre diversitatea cultural\u0103 a Chi\u015fin\u0103ului.<\/p>\n
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Mara Popa dz\u00e2se alidzem: “Identitatea urban\u0103 agiumse una tema di lucu \u015fi di crea\u0163ie nu ma\u015fi tr\u00e2 sociolodz \u015fi arti\u015fti, c\u00e2t mai ahoria \u015fi tr\u00e2 manageri \u015fi administratori urbani. In Europa, \u015fi nu ma\u015fi, marketing urban refleect\u0103 identitatea locului \u015fi a locuitorilor, \u015fi determin\u0103 politi\u0163\u00e2le di dezvoltare urban\u0103. Procesile di integrare european\u0103 \u015fi modernizare tru care easte implicat\u0103 \u015fi capitala Republic\u00e2l\u2019ei Mold presupun\/caft\u0103 abord\u0103ri similare.”<\/p>\n
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Sergiu Mustea\u0163\u0103 si referi la culeadzirea di studii \u0163i reprezeint\u0103 materialile di conferin\u0163\u0103<\/p>\n
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realizate anulu trecut la Chi\u015fin\u0103u, tu care si veade c\u00e2t di multu si are transoformat\u0103 Chi\u015fin\u0103ului tru a\u0163eale aproapea 600 di an\u2019i di ala atestarea documentar\u0103 di-tru anulu 1436<\/p>\n
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Volumulu al patrulea reprezinta edi\u0163ia a patra a conferin\u0163\u00e2lei: topos istoric \u015fi cultural, diversitatea confesional\u0103, primari di diferite orighini etni\u0163e la chivernisea a Chi\u015fin\u0103ului, etnie bulgar\u0103, rom\u00e2neasc\u0103, rus\u0103, gherman\u0103. Anulu tricut prima dat\u0103 si are lansat\u0103 \u015fi un atelier care vizeadza c\u00e2s\u00e2b\u0103lu literar \u015fi artistic, adic\u0103 \u0163i au spus\u0103 scriitoril\u2019i, cum au pictat\u0103 pictoril\u2019i tru lucr\u0103rile a lor. Si discutar\u0103 multe aspecte, scrierile a oamin\u2019ilor de-a lungul a timpului, scririle, memoriile a scriitorilo \u015fi a multor oamin\u2019i di cultura \u015fi art\u0103, care au reflectat\u0103\/minduita asupra a Chi\u015finaului; hiba din perspectiva ca un c\u00e2s\u00e2b\u0103 a stunden\u0163iilei, hib\u0103 din perspectiva a b\u00e2naril\u2019ei ca loc carel\u2019i-are aprucheata s-b\u00e2neadz\u0103 aoa, care l\u2019i-are formata \u015fi l\u2019i-are promovat\u0103 in diferite func\u0163ii \u015fi sc\u0103ri profesionale. Chi\u015fin\u0103ulu si reflect\u0103\u0103 \u00een diferite piese di teatru, \u015fi tru alte componente artisti\u0163e de-a lungul a timpului. Avem discutat\u0103 \u015fi despre numismatic\u0103. Easte un\u0103culeadzire care \u00eentrunea\u015fte piste 30 di studii a oamin\u2019ilor di \u015ftiin\u0163\u0103 din Republica Moldova, din Suedia, din Rom\u00e2nia, va u continu\u0103m aesta experin\u0163\u0103 \u015fi anulu aestu, tamam di 1 \u015fi 2 noiembrie avem un\u0103 alta edi\u0163ie: identit\u0103\u0163\u00e2le a Chi\u015finaului, c\u00e2s\u00e2b\u0103lu interbleic, \u00een contextul a Centenarului.<\/p>\n
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Sergiu.Mustea\u0163\u0103 zbur\u0103 di locuri \u0163i li are cama tru veare \u00een Chi\u015fin\u0103u. El spuse c\u0103 Vatra Chi\u015finaului easte pu\u0163\u00e2n cunoscuta, colina Mazarachi, dupa numa a B\u00e2searic\u00e2lei Mazarachi, dupa numa a p\u00e2rc\u0103labului Mazarachi, di la bitisita secolului al 18-lea, ama din p\u0103cate replanificarea a c\u00e2s\u00e2b\u0103lui, reminduiarea\/minduiarea diznou a c\u00e2s\u00e2b\u0103lui, tru secolul al 19, c\u00e2ndu are intrata in componnen\u0163a imperiului rus \u015fi mai apoia partea di sus, ghinenachic\u00e2sit c\u0103 are minimalizat\u0103 rolul \u015fi ponderea c\u00e2s\u00e2balui vecl\u2019iu, pia\u0163\u00e2lei\/p\u00e2zarilei veacl\u2019e, a catedral\u00e2lei veacle pi care reghimulu comunistu u distruse. Aza videm mai diavrapa partea naua c\u00e2s\u00e2balui, care easte un rezultat a secolului al 19-lea \u015fi al sec 20. Sigur ca easte zona a catedral\u00e2lei, zona chentralo\u0103, muzeile, iara, care suntu \u00een zona chentral\u0103. Aest\u00e2 s-dz\u00e2\u0163im c\u0103 suntu locurile a\u0163eale cama pl\u0103cute, Parcul Na\u0163ional, aoa\u0163e iu si fac a\u0163eale mai multe evenimente culturale, ama \u015fi politi\u0163e.<\/p>\n
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Autor interviu: Mara Popa<\/p>\n
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Enciclopedia RRI: Palatulu a Cultur\u00e2l\u2019ei din T\u00e2rgu Mure\u0219<\/p>\n
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Stilul arhitectonic Sezession sau art nouveau pitrumse \u00een Transilvania, spa\u021biu multietnic din componen\u021ba a Austro-Ungaril\u2019ei, la confluen\u021ba secolilor 19 \u0219i 20. Expresie a rebeliunil\u2019ei a unor arti\u0219ti care vrea s\u0103 ias\u0103 din canoanele academi\u0163e, di iu l\u0103 si tradze \u0219i numa di secesioni\u0219ti, noulu curentu ap\u0103rut \u00een Fran\u021ba an\u2019ilor 1890 propunea \u00een principal elemente \u0219i decora\u021biun\u2019i bazate pe linii curbe \u0219i pi forme naturale pricum plantile \u0219i florile, ama \u0219i ornamente multicolore. Exuberan\u021ba a noului curentu artistic si remarca \u0219i din titlul a unor reviste, a\u0219i cum eara a\u0163ea austriac\u0103 \u201dJugend\u201d (\u201dTinerea\u021b\u0103\u201d), mi\u0219carea Sezession lu\u00e2nda \u0219i numa \u201dJugendstil\u201d \u00een spa\u021biul gherman. Dezinvoltura a noilor arti\u0219ti contrasta ama cu pesimismul tot cama accentuat a secolului al 19-lea, denumit \u201dfin de siecle\u201d, sintagm\u0103 care spunea bitisita a unei epoc\u0103 \u0219i na\u0219terea a alteia, sumbr\u0103, incert\u0103. Sezession sau art nouveau ac\u00e2\u0163\u0103\/cuprinse arhitectura \u0219i pictura mai ahoria, ama ea contamin\u0103\u0103 toate domeniile a artisticului ca desenul \u0219i grafica, artile decorative, moda, lucrile di gh\u2019ialie\/sticl\u0103ria, mozaiculu, bijuteriile, mobila.<\/p>\n
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Apari\u021biilea \u0163eale mai spectaculoase tru arhitectura a c\u0103s\u0103badz\u0103lor a Sezessionului si produsir\u0103 ini\u021bial \u00een Fran\u021ba, Italia, Spania, Germania, Belghia, Austro-Ungaria, pi misur\u0103 \u0163i curentul si deplasa c\u0103tr\u0103 estul a Europ\u00e2l\u2019ei el nu mata eara un\u0103 prezen\u021b\u0103 urban\u0103 pregnant\u0103. C\u0103s\u0103b\u0103lu T\u00e2rgu Mure\u0219 de\u021b\u00e2ne\/are \u00een patrimoniul a lui urbanistic un impresionant monumentu di arhitectur\u0103 Sezession. Easte zborulu di Palatulu a Cultur\u00e2l\u2019ei, care si constituie \u00eentr-unulu di reperile centrale a c\u0103s\u0103b\u0103lui. Avem discutat\u0103 cu Timea Fulop, ghid la Palatulu a Cultur\u00e2lei, care n\u0103 prezent\u0103\u0103 pi \u015fcurtu istoria a binailei \u0219i \u00een \u0163i const\u0103\u0103 specificulu a l\u2019ei, care dz\u00e2se: \u201dPalatulu a Cultur\u00e2lei, construirea a lui, fu finalizat \u00een 1912, c\u00e2ndu eara etim \u0219i decora\u021bia bogat\u0103\/avut\u0103 a Palatului. A\u0163e\u2019i doil\u2019i arhitec\u021b\u00e2 care au lucrat\u0103 eara deja faimo\u0219i la chirolu a lor, v\u2019inea di la Budapesta \u0219i si numea Komor Marcell \u0219i Jakab Dezso. Tot el\u2019i au proiectat\u0103 \u0219i casa care easte vizavi di Palatulu a Cultur\u00e2l\u2019ei, tot \u00een stilul Sezession sau art nouveau. Ambile case sunt tru aestu stil \u0219i sunt mulu avdz\u00e2te, Palatulu a Cultur\u00e2l\u2019ei easte probabil una di a\u0163eale maimu\u015fatile case\/bin\u0103i Sezession-art nouveau din Rom\u00e2nia. Palatulu a Cultur\u00e2l\u2019ei fu construit tra s\u0103 hib\u0103 loca\u0219 a cultur\u00e2l\u2019ei \u0219i tora dup\u0103 100 di an\u2019i are tot a\u0163eau\u0103\u0219i destina\u021bie. El g\u0103zduia\u0219te \u0219i un muzeu care si viziteaz\u0103 \u0219i mai multe institu\u021bii di cultur\u0103, Muzeulu Jude\u021bean Mure\u0219, care administreadz\u0103 casile. Aoa\u0163e \u00ee\u0219i mai are sediul \u0219i Filarmonica di Stat di T\u00e2rgu Mure\u0219, Biblioteca Jude\u021bean\u0103. Tru cathe gioi, ama \u0219i tru alte dz\u00e2le, \u00een func\u021bie di programulu a stagiunil\u2019ei, Filarmonica sus\u021b\u00e2ne concerte \u00een Sala Mare, un\u0103 sal\u0103 di concerte tr\u00e2 piste 600 di spectatori. Palatulu are \u0219i un\u0103 sal\u0103 m\u2019ic\u0103 tr\u00e2 conferin\u021be \u0219i tr\u00e2 concerte camerale. Tamam aoa\u0163e iu n\u0103 afl\u0103m tora eastea \u0163ea mai faimoas\u0103 sal\u0103 a Palatului a Cultur\u00e2lei, easte zborulu di Sala Oglindz\u00e2lor\/ a Gh\u2019lindiilor tr\u00e2 videare.. Ea easte renumit\u0103 nu ma\u015fi tr\u00e2 a\u0163eale doau\u0103 oglindz\u00e2 care si ved tru capitele a sal\u00e2l\u2019ei c\u0103 \u0219i tr\u00e2 vitraliile pictate. Sunt doau\u0103spr\u0103dza\u0163e vitralii multu mu\u015fate, inspirate din balade \u0219i din mitologhie. Decora\u021biun\u2019ile a palatului se inspir\u0103 di-tru motivile tradi\u021bionale secuie\u0219ti, stilul arhitectonic se numea\u0219te Sezession transilv\u0103nean. Di a\u0163ea afrm\u2019ie easte unic.\u201d<\/p>\n
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A\u0163ea mai important\u0103 \u00eenc\u0103peare\/sal\u0103 easte a\u0219i-numita Sal\u0103 a Oglindz\u00e2lor care atradze \u0219i a\u0163el\u2019i mai mul\u021b\u00e2l\u2019i vizitatori. Numa a l\u2019ei provine di cuaver di la a\u0163eale doau\u0103 m\u0103ri oglindz\u00e2 tripti\u0163e vene\u021biane di-tru a\u0163eale doau\u0103 m\u0103rdzin\u2019i a sal\u00e2l\u2019ei, ama \u0219i masile sunt decorate cu oglindz\u00e2 tra s\u0103 si integreadz\u0103 \u00een specificul a sal\u00e2l\u2019ei. Sala Oglinzilor \u00eens\u0103\u0219i avu patru arhitec\u021b\u00e2 care \u00eel\u2019i deadir\u0103 personalitate artistic\u0103: Sandor Nagy, Ede Thoroczai Wigand, Sandor Muhics \u0219i Miksa Roth proveninda di la \u0219coala artistic\u0103 di la Godollo, localitate situat\u0103 la 30 di kilometri nord di Budapesta. Aclo si ved orighinile a decora\u021biun\u2019ilor pi care li xanaafl\u0103m \u0219i la Palatulu a Cultur\u00e2l\u2019ei t\u00e2rgu-mure\u0219ean care nu easte un\u0103 simpl\u0103 copie a unor alte case.<\/p>\n
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Palatulu a Cultur\u00e2l\u2019ei di T\u00e2rgu Mure\u0219 easte un obiectu arhitectural Sezession adaptat a formilor artisti\u0163e locale secuie\u0219ti. Di aestu motiv, vitraliile din Sala a Oglindz\u00e2lor transmit mesajile a cultur\u00e2l\u2019ei popular\u0103 secuiasc\u0103, \u00een aestu caz a unor balade reprezentative imortalizate \u00een pictarea a fireastrilor. Un\u0103 di aeste balade easte \u201dBudai Ilona\u201d sau \u201dMama ne\u00eenduplicat\u0103 [la pl\u00e2c\u0103rie]\u201d \u00een care easte zborulu di un\u0103 mam\u0103 care si poart\u0103 multu di multu aspru cu propriil\u2019i a l\u2019ei copii, un\u0103 tem\u0103 care si xanaafl\u0103 \u0219i tru alte culturi europeane cum easte a\u0163ea gherman\u0103. TCea de-a doaua balad\u0103 figurat\u0103 easte \u201dSalamon Sara\u201d dispre un\u0103 feat\u0103 ar\u00e2s\u0103 diediavol. Al treilea vitraliu zugr\u0103psea\u015fte balada \u201dKadar Kata\u201d (\u201dDoau\u0103 flori di paraclis\u201d), un\u0103 nara\u021biune \u00een versuri dispre un\u0103 c\u0103s\u0103torie\/\u00eencurunare interzis\u0103. Iar ultima balad\u0103 figurat\u0103, \u0163ea de-a patra, easte \u201dJulia, feata mu\u015fat\u0103 dus\u0103 \u00een rai\u201d tru care un\u0103 feat\u0103 tinir\u0103 moare \u0219i easte miriulusit\u0103\/ pl\u00e2mt\u0103 cu boa\u0163it di mam\u0103 \u00eentr-un paramith religios cre\u0219tino-p\u0103g\u00e2n.<\/p>\n
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Autor: Sterliu Lambru<\/p>\n
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Arm\u00e2nipsire: Hristu Steriu<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Tema identitatil\u2019ei urban\u0103 \u015fi Chi\u015fin\u0103ulu tru an centenar: Mara Popa precizeadz\u0103 liniile a interviului cu profesor universitar Sergiu Mustea\u0163\u0103, care di-tru 2011 orgzanizeadz\u0103 conferin\u0163e \u015fi coordoneadz\u0103 apari\u0163ia unor volume colective \u00eempline di orighinalitate cu studii nale dispre diversitatea cultural\u0103 a Chi\u015fin\u0103ului. Mara Popa dz\u00e2se alidzem: “Identitatea urban\u0103 agiumse una tema di lucu \u015fi […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[48889],"tags":[],"coauthors":[],"class_list":["post-196784","post","type-post","status-publish","format-standard","hentry","category-agenda-armaneasca"],"acf":[],"yoast_head":"\n